MovieChat Forums > Hangover Square (1945) Discussion > Wonderful music by Bernard Herrmann

Wonderful music by Bernard Herrmann


Herrmann is one of my favorite movie composers, and I've often noticed similar melodies and motifs in a number of his scores.
I had only seen Hangover Square once before, and don't recall noticing it then, but on my last viewing a few days ago, it stuck me that there's a very sweet, sad melody played near the beginning of Bone's concerto that is strikingly similar to the sad, impassioned love theme from Hitchcock's Vertigo some fourteen years later. You'll know it when you hear it.

It really struck me as a powerful indicator of the sadness and hopelessness of Cregar's character, as a sensitive, gentle man, in love with an undeserving b*tch, while seeming to be unaware of the true love felt for him by his devoted female friend. The combination of the brilliant cinematography and lighting, Cregar's performance, and Herrmann's music, in the scene where Bone is writing that part of his concerto, and looking like such a lost soul, practically brought tears to my eyes.

I have seldom been so affected by a movie, especially one that's " only an old horror movie". Cregar is absolutely heartbreaking, and Herrmann's music adds an unforgettable touch to the character's personality.

And when he crossed the bridge, the phantoms came to meet him

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I saw this only once, and missed the opening credits - but I had already guessed Bernard Hermann had written the score.

What I love about this film is that when Scotland Yard is closing in - at all the doorways at the Concerto performance - the musical backdrop of the suspense is actually being performed for us by the pianist (Cregar) and the orchestra... right before our eyes!

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Yes! The crispness of the editting of that whole sequence of the final performance is perfect. The impending suspense of those closing in and the camera views used to capture the detectives at doorways and the framing of faye marlowe through the piano was excellently done.

One other thing in the final 'performance' amidst the destruction as it pans out made me think of Phantom of the Opera imagery.

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