It was one of Daniell's best jobs on screen, along with his "Goebbels" clone part of "Garbitsch" in THE GREAT DICTATOR (actually his best comic performance),
and his ruthless Puritan agent against Douglas Fairbanks' Charles II in THE EXILE. But Daniell could do a great deal with very little really. Look at his performance as an aristocratic Junker attached to the Nazi German embassy in Washington, D.C. in WATCH ON THE RHINE. He is plainly upset that he is supporting a regime he detests, but the resident Gestapo chief (Kurt Klatch) slaps his face in a symbolic way by stating that Daniell would not mind doing any nasty thing for the government if a Hohenzollern was running the show. It probably is true, but he has his standards. He is part of the weekly "poker" game at the embassy with Klatch and others, including Americans with materiel to offer the Nazi war machine, and foreigners (like the Roumanian aristocrat/ex-diplomat Teck played by George Coulouris) who have possible information to sell.
Later, when Coulouris knows that Paul Lucas is an anti-Nazi German leader whose papers could assist the Nazis in destroying underground movements, he calls the embassy. Daniell answers, and is annoyed to find it's Coulouris (why? because the latter is a member of really second rate nobility, whereas Daniell's family has been in the Almanach de Gotha for centuries). When Coulouris asks Daniell to give a vital message to Klatch (who Daniell is forced to knuckle under to) Daniell slams down the phone in disgust. One can understand the poor snob's feelings!
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