Of course, Film Noir is a rather broad term with and varies from viewer to viewer. Entire books and long essays have been written on what is and what isn't Noir, and there are several schools of thought, as Wikipedia can tell one. Leaving all that aside, I personally don't think that just any black and white film from the 40's/50's that has crime as a central plot element and high contrast photography can be labeled "Film Noir".
"The Mask of Dimitrios" is more of spy film in the sense that it is set in various exotic locations away from America and is about espionage and foreign intrigue. I personally determine whether a movie is Noir or not by the feel of it, it's general atmosphere and spirit, as well as the setting (which has to be at least in part in America, perhaps with some of it in Mexico). "Dimitrios" has the feel of a sweepiong crime adventure - mostly because locations are changed often and there is a mystery to be uncovered. Indeed the cinematography would be fitting for a Noir, but not the settings and set designs - there are no American urban streets and interiors which for me are essential for any Noir.
I'm here, Mr. Man, I cannot tell no lie and I'll be right here till the day I die
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