terrible movie


This movie is incredibly boring (not quite as bad as the book however). I was forced to see this film and read this book in high school and it was agonizing. The fact that it's old doesn't save it at all. Before you judge me and say I'm simply uneducated for not enjoying bad movies, I'll have you know that I have seen Gone with the Wind and read it and I enjoyed both, so I'm not simply bashing this movie because it's old. It's just a bad movie.

reply

[deleted]

Gosh
It is one of my faves. Well, Orson is, I always felt Joan Fontaine did NOTHING esp in the looking dowdy. but that is Hollywood. Look at "the Hours" and the pitiful little nose they gave NK, and they all acted like she ws SO homely and HOW could she act thru all that. Lord the real poet was REALLY homely. Not just a nose. So big deal NK.

oopss

Ok I love OW. And I thought he was mysterious and tortured. I have seen all the others as I love the book and enjoyed seeing each version. Really HATED the GCScott. What a ham.

ok,

i ramble after being awake for 26 hours.

caymandj

reply

This version omitted important scenes from the novel that resulted the film to appear a bit rushed. I'm very impressed with the art direction, the film was beautifully lit and photographed. Joan Fontaine's performance was quiet and suttled, but she was too pretty to play Jane, and she looked so tiny next to Orson Welles - almost like 'Beauty & the Beast'. Since I'm a big fan of "Jane Eyre", I enjoyed every version.

"The Eyes Of Truth Are Always Watching You"

reply

[deleted]

sweet!
this movie still sucks my balls

reply

[deleted]

you and me actually have similar tastes in movies, we just disagree on this one. I started this thread 3 years ago when I was still in high school, I'm just amazed it's still around. this is the only movie i've ever trolled because i actually do hate it this much. But other than that I bet you and I could discuss many a great movie without insulting each other.

reply

[deleted]

But why would anyone want to?
Jane Eyre - classic novel
Jane Eyre -fine film adaptation
kmoneyhomedog - internet troll

reply

[deleted]

still going strong after 3 years, may this thread last forever!

reply

[deleted]

[deleted]

I HAVENT SEEN IT..I WOULD LOVE TO SEEN IT

reply

You can find it on youtube, but I was really dissappointed, and I didn't expect it because I just love old B&W movies. It's rushed, but then they had only an hour and a half. I didn't like Jane, she looks sedated and, it looks like a horror movie and I didn't had that impression while reading the book.
There is no passion and love here and in the book the feelings btw Jane and Rochester are...very passionate. I think that, what I really didn't like, was that hollywood style of ruining every good book, but hey, it was 1944. So, no, I didn't like it. But I have to say that the 2006 BBC version is stunning.

reply

I watched this film on YouTube just recently and I was ready to really enjoy it.
While I thought that Joan Fontaine did a superb job next to most of the supporting players, it was Orson Welles with his fake nose and forced deep speaking that totally ruined it for me!
I found him really annoying! It seemed to me as if he thought the whole story was all about Rochester and nobody else!
It's so very obvious that this was not his kind of film, a woman's picture!
And how they were exaggerating in hiding his facial flaws with shadows and with the beard in the end was quite pathetic!
If only Laurence Olivier had played Rochester in this version! I think he would have been just perfect!

reply

Yes, I was disappointed too and loved the 2006 version so much better! Not only is Joan Fontaine not the right choice for Jane, but they made her up to look like the Hollywood movie star that she is since they can't have her looking plain, and then they have her act as though Jane is meek, scared and says always the right thing to Rochester as though she is just trying to please him. And they cut out lots of the story, especially so that Orson Welles is in it most of the time!

reply

[deleted]

anytime they modernize things they take away the romance and the beauty of it.


If you'd take the time to watch the other versions rather than judge them without watching them, you'd probably see it differently.

Since you haven't seen the other versions, I can safely tell you are wrong about the other versions.

The 2006 version is very romantic and is the most sensual adaptation of Jane Eyre. In fact, that's why I suspect it has the highest rating of all the adaptations on IMDB. Not that it's necessarily the best, but it has the most romance in it.

old movies tend to be amazing while modernist versions justr dont hold a candle it the originals.


By the way, this 1944 version is not the "original." You are deluded if you think otherwise. There's a version of Jane Eyre that came before this in 1934(probably even earlier versions). I suggest you watch this and decide for yourself once and for all whether "modernist versions" (or simply later) still "don't hold a candle it the originals."

to me, this is the only version of jane eyre....period.


You are deluded... Period.

orson welles is a genious, anyone who are putting him down are just haters and dont know good dramatic acting.


Forgive this "hater," but Welles isn't the end all to "good dramatic acting." In fact, I know of actors who can do *great* dramatic acting! I shall stick to that.

reply

brownish, surely you are exaggerating for the sake of the post if you think this version of JE is the penultimate. I certainly don't criticize this version, but there are several later versions that do a very good job of dramatizing the story. My favorite is the Wilson/Stephens version, however I also like the Cusak/Jayston version and the latest one with Wasikowska/Fassbender. The Clarke/Dalton is also recommended because it is long enough to tell the entire story and Dalton especially is a gifted actor.

You aren't doing yourself any favors disliking the other excellent versions. I have 9 versions of JE in my collection now and enjoy watching each for their individual qualities and/or idiosyncracies.

reply

When people make extreme and provocative statements (in this case, the OP and one or two others), opponents like brownish will often wade in with an equally extravagant defense. Quite understandable - I've done it myself.

As enjoyable as this version is, it is still an adaptation and takes a mountain of liberties with the book. It entirely leaves out the Rivers/Moor House section! As much as brownish denounces the "modern" adaptations, JE43 was made a century after the novel was written, and there were a number of silent versions in the intervening years (in addition to "talkie" 1934). So "modern" is purely relative.

That's quite a collection, rizdek. I've got getting on for that myself, and benefit from all of them.




It is better to keep your mouth shut and appear stupid than to open it and remove all doubt.

reply

I didn't care for this version, either. Though it can be said for numerous movies of the time, the acting was over-cooked. The film score was even worse; 90 minutes of intrusive, overpowering dissonances and minor chords just grate on my nerves. I admit I'm not a big fan of Joan Fontaine, but there's no chance of me sitting through this again.

reply

As you'll note in the previous post, that was not the orginal score to the movie. A very fine Bernard Hermann score was completely ruined. I suggest you pick up a copy of the DVD if you want to hear the music as written.

reply

I love this film, but I agree that, on the whole, it has some pacing issues. It's always difficult to translate a complex literary classic. The run time needs to be reasonable and much of the source material must remain intact. One thing I noticed upon rewatching this film is that there is very little, if any, score. In the present day, our films are laced with scoring music, but in the 30s and 40s, use of music was rather sparse, with musical movies or (as you mentioned) Gone with the Wind as notable exceptions.

I don't think liking or disliking a film speaks in any way to a person's intelligence. This film was drawn-out. It took its time developing the characters and creating a dreary atmosphere. I can understand why this film (and its source material) would be less-than-savory to some. However, I find the favor in it. I have had a literary love affair with gothic romances for years. It is simply a matter of personal preference.

reply

I watched this movie the other night and after it was over I thought to myself, "That's two hours of my life I can't get back." Just a waste of time. Not enjoyable at all and I love old movies.

reply

This ran on TCM the other night, and after DVR'ing it I just got around to watching it last night. We enjoyed it immensely. I thought both Fontaine and Welles were great. The issue of whether Fontaine was too attractive for the role was, in THIS adaptation (perhaps as compared to the book itself) not really an issue, imo. The reason is I think that this version tends to make us see what is described as Jane's plainness as really a combination of a lack of self confidence on her part (about her appearance, if not her steadfastness in other respects) that was caused and reinforced by the plainness of her dress and social station. Jane after all had literally no prior experience before leaving Lowood of being attractive to men.

Rochester on the other hand saw her as attractive from the first time he met her, and in that sense Fontaine was perfect for this role.

The actor who played Brockleburst was almost laughably over the top, until one considers that in real life there are in fact people who are so cruel and hypocritical. In short even he did not play the role to a point of implausibility.

What was great about the film I think was how it showed Rochester's own experience, his own understanding of the hypocrisy of how others would blame him for his wife's insanity, or even somewhat less than that seek to exclude him from their own circles as if he was somehow infected by that insanity, made him question conventional social perceptions. Having done so and in the process of doing so experiencing the superiority of Jane's own personal qualities, his going against those social conventions and in choosing Jane was compelling.

On one level it is just another love story, but this certainly had its particularities, if not outright bizarre elements, both in the book and htis adaptation. But... I think the enduring value of the story itself, and also this adaptation, lies in understanding why Rochester was drawn to Jane.

Why Jane is drawn to him, on the other hand, is somewhat more problematic, both in the book and this film. I have a hard time avioding the thought that Jane knew no better due to lack of experience, but it is what it is, and given who she was, her interest in and love for Rochester is, as played by Fontaine, quite appealing.

reply

I think the reason I didn't enjoy the movie is because I was hoping she'd end up with the doctor instead of Orson Wells' character.

reply

by
simba-18
» Mon Nov 26 2012 10:17:13
IMDb member

"I thought to myself, "That's two hours of my life I can't get back." Just a waste of time."

I just cringe when I hear someone say that. I read that statement so often here on IMDb as well. It's beginning to sound cliché!

Even if a person doesn't like a movie it is NOT a waste of time. If you have never seen the movie and you watch it, you will have learned something!
How can that possibly be "two hours of my life I can't get back"?
I really wish that people would stop saying that. Just because you don't like something doesn't mean it's a waste of time. It means that you have learned something. You have learned that a movie isn't something that suits your tastes. I'd say that's a well spent two hours of your life!

As for this particular version, I thought it was ok. I've seen other versions that I found better. While I enjoy Welles as Rochester, I just felt disappointed in the adaptation. This film version left out so many interesting moments from the novel.
That is NOT to say that it was time that I can't get back!

"Fasten your seat belts!
It's going to be a bumpy night!"

reply