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House of Dracula and Franky meets the Wolfman better


My old friend Donald C. Willis' opinion of this was, "repulsive mixture of horror and sentimentality" and I have to agree with him. J. Carroll Naish is one of my favorite character actors, but there is really nothing he can do to give this bathetic part his usual fine idiosyncratic spin. The revenge plot is put in as a "Karloffian" device to best serve Boris' sardonic line readings and remind us of his earlier films in that "getting even" mode, such as "The Invisible Ray" and "The Walking Dead." (though in the latter he's not intentionally evil, if I remember correctly) John Carradine is terribly boring as Dracula and his exchanges with Anne Gwynne are the usual "my world, your world", etc. (please see my post on Message Board for "House of Dracula" on this point) I kept thinking that Elena Verdugo would have made an interesting Veda in "Mildred Pierce"; I know, I know, Ann Blyth was excellent in that, but watch some of Elena's scenes with Daniel as she's being flirtatious and mildly duplicitous and then tell me if I'm all wet. Makes Sense Department: Karloff, finding the Monster and Talbot encased in ice, says to Daniel, "I'll revive them and they'll help us get Dr. Frankenstein's notes!" Yep, that's going right to the source. And of course Verdugo must be killed because her Ilonka is sexually assertive and a... GYPSY! And according to the script. gypsies are all thiefs and morally corrupt.

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Some fine insights and i don't know why but this entry seems to wander off the reservation !

Ambitious,i'm sure,but overblown;

the others,stronger,and compact.

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[deleted]

Elena Verdugo does look like Ann Blyth in this movie. I think it is that deep red lipstick, which was a very popular cosmetic in actresses' screen make-up at the time, that does a lot to evoke this comparison.

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For me, this was the weakest entry in the series. The monsters had no interaction, the plot offered nothing new, and I don't think even Dr. Nieman could remember who was getting whose brain at the end. The entire picture belonged to Karloff, and even he wasn't given much. Glenn Strange gets last billing (J. Carol Naish gets an "and") and the Monster is driven to the bog by the townspeople who show no fear of him at all. At least "House of Dracula" that follows gives Carradine a better part and adds a new and clever plot device. In all, this was a real disappointment to me.

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