MovieChat Forums > Vredens dag (1948) Discussion > Choir 'Day of Wrath, Day of Mourning'

Choir 'Day of Wrath, Day of Mourning'


Doesn't the choir tune sound very similar to the music played at the beginning of "The Shining"? Can anyone verify if there's a meaningful connection?

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The reason for the similarity is that both songs were derived from the same melody: that is the 'dies irie', which is the medieval hymn for the dead. If you want more info on the actual notes, just google it. I'm sure it will turn up.

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wow, that's pretty cool.

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it's "dies irae".

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But, which version of "Dies irae" is it? The one from Mozart or the one from Verdi?

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sorry for the mispelling. Both Mozart's and Verdi's versions are not official, they are simply variations of the chant, as is the hymn in DoW.

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Let's be clear about this: "Dies irae" is a hymn that comes down to us from medieval times. That hymn, normally inserted into the liturgy for the Requiem Mass, is used, with some variation (and modern harmonization), in this movie. Mozart and Verdi (and many others who wrote their own Requiems from scratch) wrote completely new music for the ancient words in their respective Requiems. But you can also hear the original music in many pieces of classical music (Rachmaninoff used it at least three times, most tellingly at the end of the Rhapsody on a Theme of Paganini). Interestingly, there is a Danish composer, Vagn Holmboe, who was also attracted to the tune, and quoted it in his Symphony No. 10 (1970). Did he get the idea from the Dreyer movie? Betcha.

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Even Andrew Lloyd Webber wrote a Requiem piece, which includes the Dies Irae. I used to have a recording of it with Placido Domingo and Sarah Brightman.

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The movie is actually named after the DIes Irae, which means "Day of Wrath" in Latin. And yes, it makes a great leitmotif for the film.

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The arrangement and tempo may be different, and The Shining is played on synth of course, but it's based on the same melody. It also appears during the flaggellants' procession in Ingmar Bergman's The Seventh Seal.

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I believe Kubrick chose part of a 1967 oratorio entitled Dies Irae by a Polish composer named Krzysztof Penderecki as his main title music. The music is a distorted but still very recognixable version of the well known medieval plainsong chant. Significantly, Penderecki wrote his music for Polish radio, and dedicated the piece " to the memory of those murdered at Auschwitz". Considering the anti-Nazi undercurrents attributed to Dreyer's film made in 1943 occupied Denmark, that's probably not a coincidence.

And when he crossed the bridge, the phantoms came to meet him

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Gerald Fried used the hymn as the basis for his themes in THE VAMPIRE, RETUIRN OF DRACULA and I BURY THE LIVING.

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Hector Berlioz also uses the "Dies Irae" theme in the fifth movement ("Dreams of a Witch's Sabbath") of his "Symphonie Fantastique" of 1830.

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