Disappointed (spoiler)


I enjoyed this movie and I agree with the reviewer who pointed out that Olivier's country is suspiciously never correctly attributed. However, I was disappointed by the ending. How could Ivan go back to the USSR without Penelope Ward? The entire movie has the two of them clearly falling in love, but never acknowledging it and that's how it's left, they go their separate ways without any explanation. Couldn't the writers have had him wrap up his story to the two British sailors by introducing them to his wife from England, instead of just pointing to the ship and walking off? Letting that part of the storyline just hang in the air seemed to dampen the ending considerably for me. Did I miss something somewhere?

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I would venture to guess that the ending disappointed audiences of the time---and this, more than anything else, might account for the movie's relative obscurity (as compared with Olivier's other films of the period).

Yes, I agree that the choice to leave the romance hanging, with no explanation, was a major misstep by the filmmakers.

(Wasn't Olivier amazing in it, though!?!)

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Spoiler

re--theor1

You got it right--unfortunately. The major plot line was predicated around building up the Russian and English woman's "from two different worlds" romance. For two LONG hours the audience patiently waited to see how it would all be resolved. Finally, when the couple DO admit they love one another the next thing the viewer knows Olivier is standing on the dock to return to the Soviet Union waving patriotically goodbye to his English construction workers (!) with Ward no where in sight. The love story was abruptly dropped from the film as if it never happened. Not a word of explanation or so much as a goodbye from Olivier to the charming and love struck Penelope Ward.
What a mindboggling rip off!

Although the film was of period interest and the characters enjoyable the script crashed with one anticlimatic dud. A little imagination and attention to the plot line of interest would have resulted in an unusual little film.
There is no excuse. FURIOUS.

At the time of this film's production Penelope Ward was dating and would subsequently become the wife of Sir Carol Reed of "The Fallen Idol", "The Third Man",etc fame. Having previewed the film Reed might have suggested a better resolution to his friend Asquith. Did not one of these expert film makers catch this clinker ending?

By the way, Penelope (Dudley) Ward's mother Freda was famous as the long time special friend of the Duke of Windsor (Edward V111) before he met Mrs. Simpson.

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I completely agree: what a weird end! the first departure of Ivan (OMG, could be a man be more gorgeous than Larry in this film?) is understandable. But after the second night out, they kiss each other a couple times so the couple seems set up! Why, at least, those men in Russia didn'nt ask him about the girl? :S
I'm very disappointed :(

__________________________________
Excuse my English, I was born in a galaxy far, far away

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I think you've missed the point here. Ann had joined the Women's Royal Naval Service (WRNS, or Wrens) considerably prior to the end of the film. Ivan was needed back in Russia. Neither could shirk their duty, and neither would have been allowed to stay in the other's country during wartime circumstances. Ann would not even have been allowed to accompany Ivan to Russia, married to him or not, while she was on active duty. Since the film takes place during the war and was shot during the war, no one could know the outcome of the war. One presumes, as I'm very sure British audiences of the time did, that if the war were won, Ann and Ivan would find a way to reunite. But while duty called, duty must be answered, and the very core of the film is, as Ann's grandfather says on more than one occasion, "duty and service." "Romance and marriage" would have to wait till after the war.

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Neither could shirk their duty, and neither would have been allowed to stay in the other's country during wartime circumstances.
I'm inclined to agree with your assessment here, Jim. But still, couldn't the film makers have put in a short scene with the couple promising to reunite after the war has been won? As an entertainment, this lack of closure made the film a fail for me, although I'd watch Olivier in anything!

To a new world of gods and monsters!

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They were realistic about their chances. And as things turned out, with the Cold War, they wouldn't have been able to be together until the breakup of the USSR. Clearly, these were star-crossed lovers. But stiff upper lip, no time for tears. We have a war to win.

It's too bad the optimism of the USSR and UK being friends after the war was not to become a reality. Postwar laughing together did not occur.

While a middle class, Depression-hit, American inventor would have been as astonished by the upper class Brits before the war as the Russian inventor, your average American wouldn't go off quietly with his or her duty firmly in mind when romance was in the air. Individuality was the center of our culture even then, although somewhat weakened by the need to share during our decade-long run of poverty. Edward VIII was highly influenced by his admiration for our culture and is now known for his "world well lost for love" philosophy. George VI was the epitome of British sacrifice and his daughter Elizabeth II was probably the last of their line to hold to the old standard of duty before personal happiness--even instead of personal happiness. A Russian of that era would understand that, too.



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I am afraid that you are right. Too many Americans put themselves - and their bank balances - ahead of their country. That is why there were so many Soviet spies in America. At least the Soviet spies in England were traitors out of (misguided) conviction, and were not purely mercenary as were most of their American equivalents.

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You do offer helpful perspective.

Yes, such insight is helpful, still I think - as others have also pointed out - that it would have been useful to show viewers where the relationship, that the film developed so well, stood. "Parting is such sweet sorrow" - is the stuff of legendary classics and "Adventure" might have reached a wider audience had they not trampled over the love affair.


"But I've got a job to do, too. Where I'm going, you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that. " - Rick; Casablanca
http://www.imdb.com/title/tt0034583/trivia?tab=qt&ref_=tt_trv_qu

Was this typical British understatement?
I wonder if they were assuming that viewers were already acquainted with this war-time romance concept and typical resolution (this is war - all else must be put aside)- having seen Casablanca which was released in January (12 months earlier) of the same year.

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the obvious difficulty to resolving the romance between Olivier and the girl is that neither would probably wish to live permanently in the other's world. He has to go back to Russia, she has to stay in England. Unless he defects of course. Perhaps he did that after the war, who knows?

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The obvious difficulty, it seems to me, is serving the true purpose of this film, which was not dramatic, but practical. It was a WWII propaganda film, produced at the request of the British Ministry of Information. Its purpose was to help win the war. It was well crafted and well acted, but ultimately it was all subject to scrutiny by the propaganda people. The relationship between Kouznetsoff and Ann Tisdall was pretty understated throughout, and was more a means to humanize Russians than a vehicle for either passion or romance.

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