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The Babysitter Murders- A magic-400 + Baby_Claire RPG


THE BABYSITTER MURDERS
A magic-400 & Baby_Claire co-write.

Tagline: Taking care of the children isn't your only problem anymore.

Plot: A town with a relatively dark past is rattled again by a sudden murder during the height of their summer. When it is unraveled that the murderer could only be one of their own, this small town is put on lockdown while the police work on catching the murderer. Yet nothing is as it seems, when dark secrets rise once more and old wounds are reopened. A young girl is babysitting on this night and some of her friends join her for what they believe will be a quiet night with minimal interruptions and relative calm. However, as the night drags on, things start getting odd. Noises, disappearances and bizarre behaviour from those closest to them. Terror soon strikes the household when they realize the killer is among them...and they have no way of telling when they will strike next. With the town on lockdown, who will save them now?

CHARACTERS:

Sorry to anyone who didn't make it. I can say without doubt that some of these have been my hardest selections yet:

1. Elisabeth "Lissy" Harlow - wsukellie
2. Trey Carson - edrew_7
3. Kirsten Chadwick - AlmostFamous7
4. Vanessa Abrahams - Speeders
5. Hudson Nash - Le_Viper
6. Flint Montenegro - Nep_Tune

Body Count -
1) Rebecca Milton (NPC)
2) Hudson Nash (Le_Viper)
3) Megan (NPC)
4) Lissy Harlow (wsukellie)

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PROLOGUE

August 21st, 1979.

Zoom in on your archetypal sunny, suburban street, at twilight. Two girls, both in their late teens, are crouching behind a large rock, sweat dripping down their foreheads, breathing heavily and waiting...

CRASH!

This is their cue. The two girls run out from behind the rock and sprint towards a boarded-up convenience store on the other end of the street. They both slow down as they reach it, and slyly sneak around the side of the building. They then raise their pistols and fire...

Hitting two boys who are hiding behind the convenience store with a cascade of water.

KAREN LEWIS: Ha! Got you!

LUCAS CHADWICK (trying to be cool): Hardly.

OLIVIA BUCKLEY: Oh, just admit it, already, Lucas. Karen owns you with that water pistol.

NICK ABRAHAMS (to Lucas and Karen): Well, we all know who wears the trousers as far as you two are concerned, anyway.

LUCAS: I suppose you’re right.

He jumps up and wraps his arm around Karen’s waist, drawing her close.

LUCAS: Just don’t go pulling any of that sh_t when we’re at USC, you hear me?

OLIVIA: Hey! She can pull all the sh_t she wants!

NICK: Come on, Olivia. No man wants to be embarrassed by his girl at one of his fraternity parties.

OLIVIA(flirtatiously): Was that a pointed comment?

NICK (obliviously): Not really.

Rachel Chambers and Greg Harlow walk down the street and spy them behind the convenience store, coming to join them, water pistols in hand.

RACHEL CHAMBERS: Ah, we thought we heard voices.

LUCAS: And there was me thinking you two would be too busy swapping saliva to hear much of anything.

Rachel leans over and hits him playfully.

RACHEL: Don’t say stuff like that!

GREG HARLOW: Why not, Rach?

RACHEL: Because it’s disgusting! You know that, Greg!

OLIVIA: I guess we can’t argue with that. I mean, the thought of Greg sucking face with anyone is enough to make my stomach turn.

The whole group laughs, although the smile fades off Greg’s face a little.

RACHEL (suddenly): Hey. That reminds me. Where’s Eric?

LUCAS: Nobody cares, Rach.

KAREN: Hey, Lucas! Don’t talk about him like that.

LUCAS: What? It’s the truth. None of us want him here. If you ask me...

RACHEL: I think we should go look for him.

GREG: I’m with you, Rachel.

NICK: (chuckling) Of course you’re with her.

GREG: Oh, whatever.

Greg raises his water gun and squirts a small stream of water in Nick’s face. Nick reacts and raises his gun to shoot back but Greg hurries Rachel away, the two running and laughing into the night.

NICK: Just wait. I’ll get him back.

Olivia, Karen and Lucas just chuckle.

Greg and Rachel distance themselves from the group as they head towards the last place they saw Eric. The American Grill, where the kids had eaten dinner before setting out for their water gun fight. It seems to be the only place still open. All the other stores on the street are dark and closed up for the night. Greg and Rachel approach the double doors of the restaurant.

GREG: Weird, doesn’t look like anyone’s here.

RACHEL: But where else would Eric be?

Greg just shrugs. The two movie inside the deserted diner. The jukebox is still playing and the grills sizzle with grease behind the bar.

RACHEL: (calling out) Hello? Eric?

Greg goes towards the supply closet. Rachel starts walking towards the kitchen area. Greg silently pulls the door open to find a young girl cowering in the corner. Greg recognizes her.

GREG: Brenda? What’s going on?

Brenda quickly clambers out of the closet and grips Greg’s arm. She looks at him with fearful eyes.

BRENDA MICHAELS: (trembling) He came in here with a knife…Dan went for help because the phones were out.

GREG: (startled) A knife?! Where is everyone?

Brenda points to the kitchen door that Rachel had just moved through. Greg’s eyes go wide. At that moment, Dan comes bursting back through the doors.

DAN CARSON: (speaking quickly) I went next door and they called the cops. We should get out, now.

GREG: Rachel went back there.

Brenda releases Greg as he runs towards the back of the kitchen. He throws the door open to see Rachel kneeling on the ground on the verge of tears. Before he can get to her, he notices everything around him.

Eric’s body is hanging from the ceiling by his neck. His stomach is completely gutted and a puddle of blood lies beneath him.

A waitress is slumped in the corner with her throat slashed wide open.

A cook’s bloody body is face down in the fry greaser.

Eric’s friend, Rick, is laying on the floor, decapitated. His bloody head rests not too far from his body.

A waiter is pinned to the wall by 3 large kitchen knives. His head is slumped over.

A pregnant woman is draped across a table, large bruises wrapping around her neck.

Greg can’t stand to look anymore. The carnage is too much. He picks up a sobbing Rachel and they rush out of the kitchen. As they run towards the doors, Greg notices that the red bar countertops are actually coated in a red liquid…

Disgusted, he lowers his head and guides Rachel right out the doors. Cops have arrived by now. Dan stands nearby embracing a crying Brenda. Nick, Lucas, Olivia and Karen come running up after hearing the commotion.

NICK: Greg? Rach? What the hell happened?

He notices Rachel is crying hysterically and Greg looks like he’s about to vomit.

OLIVIA: (concerned) Oh my god! Are you guys okay?

GREG: (hesitantly) We’re fine…but…

Rachel suddenly raises her head and cries out loudly.

RACHEL: (hysterically) Eric’s dead! Everyone inside is dead!

The four friends are stunned. They don’t know what to say. They stand in sorrow and silence as cops begin to storm into The American Grill. Everything seems to fall into slow motion as Rachel and Brenda continue crying and everyone else is too shocked to say anything. The night never seemed so dark.

This was easily the most gruesome massacre this sleepy town has ever seen. The unknown serial killer claimed 17 victims that night, 14 in the town’s local restaurant and a young couple and their 2 year old child were found dead in the apartment complex across the street.

The killer was never found. Never caught.

END SCENE

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SCENE 1

August 20th, 2009

We see a large school building. The grounds around it are empty of kids. However, bikes and cars and other modes of transportation are visible all over. Everything is silent for a beat as the camera continues to focus on the school.

A loud bell rings…

And it isn’t long until students are pouring out the front doors. Some are holding a mountain of books while others have nothing.

Vanessa Abrahams is present among the crowd surging from the doors. She only has one book in her hand as she walks along, her long brown hair bouncing behind her. A voice calls her name from behind her.

VOICE: (O.S.) Vanessa! Wait up!

She turns around and sees Elisabeth “Lissy” Harlow hurrying towards her. She holds two books in her arms and another one in her bag to rival Vanessa’s one.

LISSY HARLOW: I thought you said you were gonna wait for me.

VANESSA ABRAHAMS: I did!

LISSY: (laughing and poking at Vanessa) Is that why I saw your back hurrying away to your car?

VANESSA: I wasn’t hurrying…per se.

LISSY: Sure looked that way to me.

Vanessa throws an arm around her friend and puts her in a semi headlock.

VANESSA: Maybe you should get your eyes checked. I always said you didn’t get enough carrots.

Lissy spins out of Vanessa’s grip and moves ahead. She turns and face Vanessa while walking backwards.

LISSY: I eat more than enough vegetables, thank you very much.

The two just laugh as Lissy falls back in step with Vanessa. They keep walking until they reach the parking lot and Vanessa’s car. Vanessa takes her keys from her pockets and unlocks the doors. The girls climb in.

Trey Carson suddenly appears draped across the roof of the car next to the girls. Lissy jumps back in slightly surprise.

LISSY: Trey! You scared me!

Trey continues to lean against the car’s roof and converse with his two friends.

TREY CARSON: Sorry. I just had to make an entrance.

VANESSA: You and your entrances.

TREY: Anyway…

Trey hops off of his car and walks around, leaning in through the window.

TREY: What’s up?

VANESSA: (chuckling) Oh, you know, we’re just sitting in my running car not planning on going anywhere.

TREY: Oh. Oh, I got it. You gals are heading somewhere.

Trey moved towards the back seat and opened the door, climbing in.

TREY: Count me in. I love a good adventure.

LISSY: Do you count driving to my house an adventure?

Trey leans forward so his head is in between Lissy and Vanessa.

TREY: Anything involving you is an adventure.

He grins as Lissy playfully shoves him back into his seat.

LISSY: Oh shut up!

Vanessa puts the car into reverse and begins backing out as she speaks.

VANESSA: You got to admit, he is pretty charming.

TREY: That was sarcastic, wasn’t it?

Vanessa just shrugs. She and Lissy burst out in laughter a second later. Vanessa approaches a stop sign and waits as other cars leaving the school pass by.

VANESSA: Hey Trey, what are you going to do about your car? You just gonna leave it here?

TREY: That piece of junk? Eh, I’ll just have Hudson or Flint bring me back and get it.

LISSY: Well, Hudson can’t drive right now. He’s in a sling. And Flint doesn’t even have his own car.

Trey thinks for a moment.

TREY: I guess you’re right….hey taxi woman!

Vanessa glances in the rear view mirror to see Trey looking at her.

VANESSA: Am I taxi woman?

TREY: That would be correct.

Lissy just chuckles as Vanessa turns around.

VANESSA: What can I do for ya…mooch?

TREY: Mr. Mooch over here needs to get out and get his car seeing as his friends are incompetent and/or crippled.

Vanessa is about to pull out of the parking lot but refrains, unlocking the doors. Trey climbs out and shuts the door behind him. He pokes his head in the window again real quick.

TREY: Catch you girls later.

LISSY: (giggling) Bye Trey.

VANESSA: Later gator.

Trey disappears back into the parking lot as Vanessa pulls out onto the main road. Lissy lets out a content sigh. Vanessa looks at her, grinning.

VANESSA: (sing-songy) Lissy and Trey sitting in a tree, k-i-s-s-i-n-g!

LISSY: It’s not like that.

VANESSA: Oh, sweetie. It’s always like that.

* * *

KIRSTEN CHADWICK: So, do you or don’t you?

Three teenagers walk in a group. Blonde and energetic-looking Kirsten is in the middle, arms linked between Flint Montenegro and Hudson Nash. Flint is an ordinary but happy-looking guy, with brown hair and fairly plain clothes. Hudson has dirty-blond hair and his arm in a sling.

HUDSON NASH: Do I or don’t I what?

Kirsten sighs and rolls her eyes.

HUDSON: What?

FLINT MONTENEGRO: What we’ve been talking about for the past forty-eight hours, Hudson. Duh.

HUDSON: Sorry...?

KIRSTEN: He got distracted. Again.

Flint puts his hand on Hudson’s shoulder in a fatherly way.

FLINT: Well, never fear, dear Hudson, for I shall educate you. (beat) The topic of the day is whether or not you feel...l’amour for the dear Lissy Harlow.

Hudson shrugs off Flint’s hand.

HUDSON: I’m not going to talk about that with you.

KIRSTEN: Aha! So you do!

HUDSON: Did I say that? No, I did not say that. I simply said that I’m not going to talk about it with two people who will probably think – if I did say that I possessed those feelings – that we were having sex or something.

KIRSTEN: We wouldn’t think that!

Hudson gives her a knowing look.

KIRSTEN: We wouldn’t!

There is a short pause.

KIRSTEN: So, are you?

Hudson sighs and puts his head in his hands. Flint bursts out laughing.

FLINT: And, look, what good timing. Here’s Lissy’s house now.

HUDSON: Aw, jeez...

KIRSTEN: What’s the matter, Huddy? Don’t want to go in there?

HUDSON: No, no, I’ll go in there...if it will shut you all up.

He goes ahead and heads through the open front door. Kirsten and Flint hang back, smirking to one another, and then run in to join them.

LISSY (O.S.): I mean, he’s cute and all, but I don’t know...

Kirsten bursts noisily through the door, the rest of the group a few paces behind her.

KIRSTEN: Hey, guys!

VANESSA (happy sarcastic): Oh, look what the cat dragged in.

KIRSTEN (cheerfully): Oh, look what the cat threw up.

HUDSON (tiredly): Jesus, must you guys talk so loud?

LISSY: Ah, yes. Same old Hudson. Doesn’t like anyone talking in anything above a whisper.

HUDSON: That’s what a lifetime of living with you guys had done to me.

Flint wanders over to the kitchen cupboard and opens it, taking out a glass and a bottle of milkshake.

FLINT: Anyone else want a drink?

LISSY: I do!

HUDSON: Me too.

VANESSA (seductively): I’ll have what he’s having.

Hudson sighs.

FLINT (looking around): Hey, where’s Trey?

LISSY: He’ll be here soon enough.

FLINT: He isn’t already?

LISSY: Nope. Vanessa locked the door on him and kicked him out of her car, so I think he’s walking.

FLINT (chuckles): Any new adventure, I suppose.

Flint returns to the table with the drinks. Everyone grabs theirs.

LISSY: Okay, before you all start slurping like thirsty dogs, I think I should propose a toast.

The doors opens with a loud crash.

ALL (simultaneously): Trey!

He struggles into the kitchen, grinning.

TREY: Did you miss me?

KIRSTEN: Oh, yes, very much so. Now get your ass down and grab a drink so we can return to the toast.

Trey obeys her.

TREY: Same toast as always?

Lissy smiles.

LISSY: I guess I’m just too predictable.

VANESSA: Or maybe we just all know you so well.

They raise their glasses.

ALL (in chorus): Live forever!

They clank their glasses together, throw them back, and drain them.

END SCENE

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SCENE TWO

It is the bustling, crowded high school of sunny small town America. Everyone is sat in a dusty, old-fashioned classroom, with small wooden single desks and even a chalkboard. They are all scribbling in the back of notebooks while a young teacher with wiry red hair, Mrs. Byron, is sitting at the front of the class behind a desk.

MRS. BYRON: That’s quite enough. Let’s see what you creative writers have managed to rustle up between you. Volunteers, please?

Only two hands go up: Flint Montenegro’s and Rebecca Milton’s.

MRS. BYRON: Well, well, well, Flint. This is a lovely surprise. Finally deciding to prove your position as one of our cum laude scholars?

FLINT MONTENEGRO: Well, I don’t know, Mrs. Byron. Rebecca is a summa cum laude scholar, after all, and I think the gentleman’s way is to allow her to go first.

Rebecca smirks.

REBECCA MILTON: Well, if you insist –

MRS. BYRON: No, no, Rebecca. I think we’d all like to hear Flint’s magnum opus.

TREY CARSON (loudly, abruptly): Here, here!

Rebecca’s face falls.

FLINT (mocking, good-humoured): Well, if you insist –

Flint gets to his feet and walks to the front of the class. After a minute or two of just standing there, he clears his throat and shuffles his papers.

FLINT: Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
`'Tis some visitor,' I muttered, `tapping at my chamber door -
Only this, and nothing more.'

Lissy, in the front row, leans over and whispers to Vanessa.

LISSY: I’m sure this sound familiar.

VANESSA: Does it?

LISSY: Doesn’t it sound familiar to you?

VANESSA (shrugs): How should I know? I thought we’d established this. I’m the beauty, you’re the brain. Don’t go messing with my preconceived schemas just because you don’t know the title of a poem.

TREY (O.S.): It’s a poem?!

FLINT: (continuing) Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; - vainly I had sought to borrow
From my books surcease of sorrow - sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels named Lenore -
Nameless here for evermore.

HUDSON NASH: (re: Trey) What else do you think it is? Graffiti?

TREY: Knowing Flint...probably.

The little group at the front all laugh. It is, however, Trey’s eye that catches Lissy’s and holds it there for a moment or two.

FLINT: And the silken sad uncertain rustling of each purple curtain
Thrilled me - filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
`'Tis some visitor entreating entrance at my chamber door -
Some late visitor entreating entrance at my chamber door; -
This it is, and nothing more,'

KRISTEN: This is killing me. This is really killing me.

LISSY (hissing): Kristen!

KRISTEN: What? It’s boring.

REBECCA: It’s poetry , Kristen. It’s an art form.

KRISTEN (snidely): Is that what you think of pornography videos, too, Becky?

The use of the nickname stings Rebecca. She looks as if she has a desire to slap Kristen.

FLINT: Presently my soul grew stronger; hesitating then no longer,
`Sir,' said I, `or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you' - here I opened wide the door; -
Darkness there, and nothing more.

Vanessa yawns theatrically. Lissy puts her head in her hands.

VANESSA: I’m sorry, Lissy. I’m trying to like it, really I am. It’s just so...

KRISTEN: Morbid? Depressing? Suicide-inducing?

VANESSA: Among other things.

HUDSON: Maybe Becky’s right. Maybe we should just try and focus on the art of it.

TREY (exaggeratedly): So I suppose you like it?

HUDSON: Getting there.

Trey laughs incredulously.

FLINT: Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, `Lenore!'
This I whispered, and an echo murmured back the word, `Lenore!'
Merely this and nothing more.

Rebecca coughs loudly. Flint stops abruptly.

MRS. BYRON (sleepily): What is it, Flint?

FLINT: I think Rebecca has something she’d like to contribute.

KRISTEN: Other than her own germs?

MRS. BYRON (to Rebecca): What is it, Rebecca?

REBECCA: I was wondering if it would be possible for Flint to skip on a little. After all, I mean, there’s only ten minutes left of the lesson, and I really would like to get to Calculus on time.

MRS. BYRON: Mr. Montenegro, if you’d be so kind to oblige...

FLINT: It would be my pleasure.

Kristen wears a look of relief.

FLINT (very quickly): ...And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted - nevermore!

He throws down the paper triumphantly.

FLINT: And there, ladies and gentlemen, we have the quickest rendition of a Poe poem by an eighteen-year-old boy ever on record.

Everyone except Rebecca laughs.

MRS. BYRON (cutting them off): And therein lies our problem. I believe the task was for you to write your own poem, Flint.

FLINT: I adapted it!

REBECCA (primly): Cutting out the majority of the middle verses is not considered an adaptation!

MRS. BYRON: Precisely. Which is why, Flint, I’m going to have to give you a zero. With the greatest regret.

TREY (loudly): Bullsh_t!

MRS. BYRON: Trey!

VANESSA: This is summer school!

MRS. BYRON: (sighing) Yes, thank you, Vanessa...

LISSY (trying to regain control): I think what my friends are trying to point out to you that perhaps it is irresponsible to give Flint a zero for an elective class when we are, in fact, in summer school and he was merely trying to demonstrate his vast literacy prowess through his, um, adaptation .

MRS. BYRON: Well, why didn’t you just say that in the first place?

Lissy just smiles.

* * *

The entire group is walking outside the school after class.

FLINT (grumbling): Teacher’s pet.

LISSY: Hey, I saved your ass! Appreciation would be nice!

VANESSA: Yeah, but we were really showing that little old witch Byron up, weren’t we?

KRISTEN: Ha! I didn’t think Byron was the worst one. I think that honour belonged completely and solely to the delightful Becky Milton.

HUDSON (groaning): Let’s not go through this again...

VANESSA: No, let’s go through this again. She thinks she’s a cut above everybody else. Prancing around with that nose stuck up in the air...

KRISTEN: ...shaking that dry horrible hair around from side-to-side...

TREY: ...shaking that ass of hers like she doesn’t know that it’s completely and utterly...

LISSY (interrupting): Trey! No! Not out loud!

TREY: ...huge! I was going to say huge, I swear!

VANESSA: Yeah, like hell you were.

HUDSON: Well, hopefully, you weren’t going to say much of anything.

TREY: Oh, yeah, why’s that?

HUDSON (in an undertone): Because she’s standing right behind you .

Trey jumps. For the first time, Rebecca is visible over his shoulder.

REBECCA (sweetly): I’m sorry, what did I miss?

Kristen shoots Trey a dirty look.

KRISTEN: I think it’s more a case of what didn’ t you miss, thanks to these two id...

Lissy digs Kristen hard in the ribs.

LISSY: Nothing. You didn’t miss anything.

REBECCA: Oh, well, good! I was hoping you might be talking about what we were going to buy on that little shopping expedition of ours, later, Lissy.

Lissy blanches.

LISSY: Um...what?

Trey and Flint move to suppress their laughter.

REBECCA: Do you really not remember?

LISSY (with difficulty): I do now.

VANESSA: Remember what?

LISSY: Rebecca and I are going shopping.

VANESSA (screeches): What ?

LISSY: Yes.

VANESSA: But what about me?! You can’t go shopping without me!

FLINT (undertone): Or me.

REBECCA: You could come, Vanessa.

Vanessa turns to face Rebecca, who is looking scarier than ever, with a Stepford wife smile in place.

VANESSA: Uh, no, thanks. I think I’ll pass.

LISSY (desperate note): Are you sure?

HUDSON: Shopping isn’t really my forte, Lissy. Sorry.

TREY: And Hudson has to go get his cast checked!

HUDSON: I...do?

TREY: Yes! Remember that appointment we made?!

KRISTEN: Oh, yes. The appointment.

HUDSON: With who?

TREY: The E.R.!

HUDSON: I don’t think you can just make an appointment like that, with the whole E.R...

FLINT: You can now! Quick, Hudson, get your skates on, we’re already late!

VANESSA: Yes. Yes, we are!

The entire group turns and runs across the parking lot. Vanessa turns and mouths ‘Sorry’ to Lissy, who shrugs and smiles acceptingly.

REBECCA: So...are you ready?

LISSY: I am.

REBECCA: Then let’s go.

* * *

Rebecca and Lissy are walking down a random street in the town centre; Rebecca has her arm linked through Lissy’s and keeps pointing at clothes at hooting with laughter.

REBECCA (sputtering): I like that shirt!

LISSY: Do you really?

REBECCA: Yeah. (beat) For the back streets of Harlem!

Lissy hits Rebecca jokingly over the back of the head.

An anonymous man (who is seen only from the back) appears around the corner and approaches the two girls quickly.

MAN: Which one of you two is Elisabeth Harlow?

LISSY (pointing to Rebecca): She is!

REBECCA: Oh, no, you don’t! (points to Lissy) She is!

MAN: Okay, ladies, which one is it?

LISSY (clears throat): I am Elisabeth Harlow. Now, what’s the deal? Have I won the lottery or something?

MAN: You could call it that.

The man turns and walks away.

REBECCA (shouting): Hey! You can’t just walk off like that!

He doesn’t answer.

LISSY: Freak.

REBECCA: Hey! I thought you were on that equality-for-all bandwagon? (coughs) Marxist.

LISSY: No, no, nothing like that. It’s just...he creeped me out.

REBECCA: Are you going to tell your parents?

LISSY: My parents ? What is this, grade school?

REBECCA (chuckles): No, guess not. So it’ll be our secret?

LISSY: Yeah. I guess it will be.

Lissy just shakes her head and Rebecca continues to drag her along.

Looking around, the man is nowhere to be found.

END SCENE

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SCENE 3

Lissy and Rebecca come walking out of a store. Rebecca holds up an ugly purple shirt to her body.

REBECCA MILTON: You like it?

Lissy stares at the shirt for a solid minute. A fake smile creeps across her face.

LISSY HARLOW: It’s…cute?

REBECCA: Yeah!

Rebecca stuffs the shirt back into her bag and the two girls begin to walk again. They pass by a few small stores while making small talk.

LISSY: I’m kind of hungry.

REBECCA: Well, you’re in luck! The food court is right down that way.

LISSY: To the food court we go.

Cut to a few moments later. Lissy and Rebecca slip into an empty table.

REBECCA: So what’re you in the mood for?

Thinking, Lissy looks around.

REBECCA: (rambling) There’s Arby’s, McDonald’s, Burger King, Sonic…

Rebecca kept listing off the fast food places around them.

LISSY: Can you grab me some Arby’s?

Rebecca nods as Lissy hands over a few bucks. Rebecca bounces off and Lissy lets out a small sigh. Hanging out with the Rebecca Milton is…a little draining, to say the least. She is definitely unique. A small chime goes off in Lissy’s pocket. She opens her phone, new text message from Trey.

“How’s our favorite pal Becky?”

Lissy just laughs to herself and answers. She watches the message send then puts her phone down on the table. She glances around all the patrons of the food court. As she looks, she passes over a man that’s staring right at her. The two meet eyes. Lissy quickly recognizes that it’s the same man from before. The man does not look away. Lissy feels a little intimidated. She finally turns away.

LISSY: (under her breathe) Creep.

She can’t help but wonder if he’s still looking. Lissy glances again out of the corner of her eye. He is still looking and he is now rising out of his seat. Lissy watches discreetly. He begins to head in her direction. Her body tenses slightly.

LISSY: Don’t come over here, don’t come over here, don’t come over here…

She picks the man out of the crowd quickly. He is coming straight for her table. Lissy spins around and looks to the Arby’s. No sign of Rebecca, she seems to be lost in the crowd. She turns back around. The man is coming closer, he is only a few tables away. What he said to Lissy earlier, rings clear in her head.

MAN: (V.O.) Which one of you two is Elisabeth Harlow?

Calm and collected but eerie all on the same level.

Lissy actually feels scared. Her palms are a little sweaty. What does this man want with her?

Without giving it another thought, Lissy snatches her phone up and gets out of her seat. She speed walks towards the bathroom area.

MAN: Elisabeth, don’t run.

Lissy keeps going, pushing through the crowd. She comes up to the small hallway leading into the bathroom. She glances her over her shoulder. The man comes through the crowd too appearing at the end of the hallway. Lissy quickly goes into the girl’s bathroom and slams the door shut behind her. She puts her bodyweight against it and remains still.

The sounds of the people outside are muffled from inside the bathroom. Lissy hears footsteps slowly approaching. They come closer and closer to the door until they stop. Lissy gulps and waits for something to happen. The door rattles slightly. Lissy tenses up. The door rattles a little harder.

LISSY: Hey, leave me alone, ass_hole! Stop following me!

WOMAN: (O.S.) Excuse me?

Lissy immediately backs away from the door and it swings open slowly. A middle aged woman is standing there.

WOMAN: You know, you should watch your language, lass.

LISSY: (slightly shaken up) I…sorry.

The woman notices how Lissy is acting.

WOMAN: (hesitantly) Are you…alright?

LISSY: Oh, me? I’m fine. (smiles) Thanks for asking.

Lissy starts to walk out of the bathroom.

LISSY: (politely) Excuse me.

The woman moves to the side and Lissy walks away. The woman just frowns a little bit before heading into the bathroom.

Lissy carefully scans the crowd as she heads back to her table. No sign of the man anywhere. That’s a relief! As Lissy comes closer to the table, Rebecca is standing there with a tray of food looking confused. She sees Lissy heading over.

REBECCA: Hey, there you are! Where did you get to?

LISSY: Had to use the bathroom.

REBECCA: Right, right. Well anyway, here’s your change and here’s your food!

Rebecca drops a few coins in Lissy’s hand and then hands her a wrapped up sandwich. Lissy opens it up and stares at it dully. Somehow, she doesn’t have much of an appetite.

Cut to Trey’s home.

Trey is sitting in a computer chair intently looking on at his monitor. Hudson is knelt by his side, watching his buddy surf the web. Kirsten and Vanessa are practically standing toe to toe by the end of the bed.

KIRSTEN CHADWICK: Originals!

VANESSA ABRAHAMS: Remakes!

KIRSTEN: Originals!

VANESSA: Remakes!

Flint is lying on the bed, watching the two girls intently. He has his own opinion on the matter but doesn’t feel the need to input. He continues to watch. Trey and Hudson are too distracted by whatever social networking site they were on to notice the girls arguing.

KIRSTEN: Original horrors are clearly so much better! They don’t rely on stupid gore and cheap scare to keep people entertained. They actually have good stories, good characters and good suspense.

VANESSA: (throwing her hands into the air) Original Halloween? Snooze fest. Original Texas Chainsaw? Cheesy as hell. Remakes all the way. They actually have some action and good murder scenes to keep you watching. And they still have this so called “suspense” you keep mentioning.

KIRSTEN: You know what remakes are? Money and tits.

VANESSA: What…?

KIRSTEN: Sorry my dear Vanessa but if you haven’t noticed, remakes are made just to cash in on the success of the original. And they all have tactless sex scenes thrown in there to guarantee a seat for a lonely, perverted middle aged man.

Trey spins around quickly in his chair.

TREY CARSON: Now, I’m not picking sides here but I don’t mind sex scenes in any movie. And I’m not a lonely, perverted middle aged man. At least, I hope I’m not…

KIRSTEN: Oh shut up Trey. You’re a guy in general. Your opinions don’t matter.

TREY: (chuckling) If you say so.

Trey turns back around to his computer.

VANESSA: They totally are not! The directors actually care for the originals and just want to re-do their own vision. To be honest, most original horror movies are put up on these high horses they don’t belong on.

Flint un-crosses his arms and leans forward.

FLINT MONTEGERO: If I can interject for a second…

Both girls turn to Flint, looking rather annoyed.

FLINT: You girls aren’t the first one to have this conversation. In fact, you might just be the one millionth person to ever debate the whole originals vs. remake shebang.

KIRSTEN: Flint, is this just another one of your rants?

FLINT: Hush hush. I’m getting to my point which is that this conversation is over killed and cliché.

VANESSA: Huh?

FLINT: If we were a novel or a story of some sort, I bet you the reader’s were rolling their eyes at your conversation.

HUDSON NASH: (O.S.) I think he’s trying to say shut up but in a nicer way.

VANESSA: Flint!

Flint just shrugs.

FLINT: (laughing) I wasn’t going to say anything quite so harsh but my good man Hudson has no problem with it, I guess.

VANESSA: Oh well. I’m done arguing anyway.

Vanessa goes over towards the window and sits down. She looks down the sidewalks and sees all the little children running around.

VANESSA: I wonder how Lissy is dealing with “Miss Milton“.

TREY: I texted her earlier. She said they were hanging at the food court and she’s going to come over as soon as she can ditch Rebecca.

VANESSA: (chuckling) My little Lissy is plotting to ditch someone! Kirsten must be rubbing off on her.

KIRSTEN: Hey!

HUDSON: It’s probably just Becky’s insane annoying-ness that is giving Lissy some… “bad thoughts”

VANESSA: Well we can’t blame her. If she’s half as annoying outside of class that she is inside….damn, I don’ even know what I would do.

TREY: Shoot yourself?

VANESSA: Worse. Probably jump off a very high building.

The group chuckles as Vanessa demonstrates a long fall with her hand, accompanied by a whistling whooshing noise.

VANESSA: (indicating hitting the ground) Splat!

FLINT: Man, we’re one mean group of kids. I personally don’t think she’s that bad.

All eyes fall on Flint who just chuckles, a little nervous.

KIRSTEN: Flint? Defending Rebecca Milton? Even after she tried to trash your rendition of Poe’s poem?

FLINT: Eh, I might have deserved a little of it.

KIRSTEN: Whatever you say, whatever you say.

TREY: Well, I think she’s a menace to society. No joke.

Everyone laughs again. It’s pretty entertaining to rag on Rebecca.

HUDSON: You know, it’s funny that we all say we dislike her so much but she’s been the subject of our conversation for quite some time.

TREY: Ok then. Subject change. I’m hungry. Who wants to venture downstairs to grab some food with me?

VANESSA: Me! I wanna stuff my face.

FLINT: I could use some grub. Let’s go.

Trey, Vanessa and Flint get up and walk out the door. Kirsten immediately rushes over to Hudson.

KIRSTEN: Get his phone!

They both glance to Trey’s phone on the desk.

HUDSON: Huh? Why?

KIRSTEN: Because Vanessa told me that Trey might like Lissy too. They’ve been texting all day so you should check out what they’re saying.

Hudson slowly picks up Trey’s phone and begins to read through some of the messages. He sees a lot of smiley faces and compliments from both sides. A sure fire sign of text flirting!

KIRSTEN: Well?

HUDSON: See for yourself.

Hudson hands over the phone. Kirsten quickly skims through.

KIRSTEN: Uh oh. He’s trying to charm her! You gotta text her and win her attention.

HUDSON: Wow. Text wars for Lissy. This is getting interesting.

KIRSTEN: Find a way to win, Hudson! I’ll send a sabotage message from Trey’s phone.

HUDSON: (chuckling) Oh…you wouldn’t!

KIRSTEN: Oh I would. And I just did.

HUDSON: (sarcastically) You’re a bad, bad girl.

KIRSTEN: (smiling wide) I know. I just do what I have to do.

The two friends laugh with each other as Flint, Vanessa and Trey begin to come back upstairs.

END SCENE

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SCENE 4

Elisabeth and Rebecca stumble through the front door of Trey’s house, laden down with various bags.

LISSY HARLOW (calling): Vanessa? Kirsten? Guys? Are you here? Rebecca and I are here.

In the living room, everyone shares a look of shared horror.

FLINT MONTENEGRO (whispers): This summer, evil has come home.

Trey, Vanessa and Kirsten laugh.

HUDSON NASH (softly): I don’t know, guys. Maybe we should consider playing nice?

VANESSA ABRAHAMS (mock whine): Why, oh why, when playing nasty is so much fun?

HUDSON: Just...try, okay?

Everyone – except Hudson – rolls their eyes.

KIRSTEN CHADWICK: Damn, Hudson, can’t you just let our loathing lie?

TREY CARSON: Yeah, Hudson. It’s a supreme power. Like...I don’t know. Blood brothers? God’s will? (beat) You get the idea.

HUDSON: All I meant is that it’s not very fair to Lissy.

KIRSTEN (significantly): Ah, yes. Lissy.

The footsteps of Lissy and Rebecca can be heard getting closer.

LISSY (O.S.): Are you home?

TREY (calling): Of course we’re home. Where else would we be?

Lissy and Rebecca pull up in the doorway.

REBECCA: Well, none of you were answering. If Lissy and I didn’t know better, we’d think you were giving us the intentional silent treatment!

This brings about a moment of very awkward silence. It is eventually broken by Vanessa, who bursts out into a fit of false, near-hysterical laughter which sounds more like screaming. Trey applauds her sarcastically.

TREY: And there we have our first victim, Vanessa Abrahams, killed by being tortured to death by...

REBECCA (clipped): What’s that supposed to mean?

TREY: Huh?

LISSY (diplomatic undertone): It’s just one of Trey’s little jokes...

FLINT (louder): Yeah. He thinks it would be funny if we were all in one of his B-movie horror flicks.

TREY: And Flint likes to pretend he doesn’t enjoy my B-movie horror flicks, too.

FLINT: Be still my beating heart! I am insulted, Trey of all Carsons, that you would insult my intellectual capacity by believing that I would enjoy one of your...glorified snuff films! (beat) And, on that note, who wants to watch “The Texas Chainsaw Massacre”?

Everyone but Rebecca laughs.

REBECCA (solemnly): I don’t.

LISSY: That’s okay, Rebecca, I don’t think we were actually going to –

KIRSTEN (interrupting): Actually, if it’s all the same to you, I think I’d kind of like to watch a film.

Lissy catches Kirsten’s eye and shakes her head gently.

VANESSA: So do I. And “Texas Chainsaw Massacre” sounds good to me.

TREY: Oh, I don’t know. That kind of thing scares the crap out of dear Hudson here.

HUDSON: Me? I’m not scared.

TREY: Ha!

HUDSON: I’m not –

FLINT: Then how come even the sound of one of your dad’s old chainsaws is enough to bring you out in a cold sweat?

LISSY: Enough, guys! Time out!

FLINT (mock-innocently): What, us?

VANESSA: Yes, you.

TREY: What were we doing?

VANESSA: Don’t insult the lady’s intelligence, Trey!

TREY (to Lissy): What’re you going to do, Lissy, honey? Give us a ‘talking-to’?

LISSY: Actually, it was Vanessa and Kirsten I’d like to talk to.

VANESSA: What, us?

LISSY (mimicking Kirsten): Yes, you. (to Rebecca) Will you be okay?

FLINT: Sure she will be.

HUDSON: We’ll look after her.

LISSY: You better do.

Lissy beckons to Vanessa and Kirsten, who follow her out of the room. An awkward silence settles.

FLINT (to break the silence): Kinky.

In another room, Kirsten and Vanessa form a huddle around Lissy, who shuts the door behind them.

LISSY: Okay, first things first, what do you think you’re doing?

KIRSTEN: What?

VANESSA: Yeah, what are we doing?

LISSY: To Rebecca.

VANESSA: Oh. Her.

LISSY: Yeah. (mimicking) Her. You could try to be nice to her. You should be nice to her. Is that too much to ask?

KIRSTEN: When it comes to Becky, we tend to find that is too much to ask. She’s...unpleasant? Bitchy? Wound up tighter than one of those natty wind-up watches? Unbearable? Which adjective works for you, Liss?

VANESSA: She has a point, Lissy. Of all the charity cases you could’ve picked, you chose Rebecca Milton.

LISSY: She’s not too bad.

VANESSA: Yes, she is.

LISSY: Once you get to know her...

KIRSTEN: ...I’ll shoot myself in the head...

LISSY: ...you’ll be fine. We all will be. Which is part of the reason why I’ve agreed to babysit Morgan for my mom and dad tonight.

KIRSTEN: Wait. Slow down. You lost me at ‘fine.’

VANESSA (to Kirsten, deadpan): She’s babysitting. (to Lissy, incredulously) You’re babysitting?

LISSY: We all are.

VANESSA: Including Rebecca?

LISSY: Yes.

KIRSTEN (deadpan): Oh, Christ, no.

VANESSA: But Morgan’s cute.

KIRSTEN: Yeah, but Rebecca’s not.

VANESSA (doubtfully): You don’t know. She could be really...good with kids?

KIRSTEN: She can’t even manage people of her own age. How’s she going to manage Morgan?

LISSY: Morgan doesn’t take that much looking after.

KIRSTEN: Then why are we doing it?

LISSY: Because, even in a place like this, bad things can happen. My parents aren’t happy leaving an eight-year-old to fend for herself on a night like this, when anything can happen.

KRISTEN (sarcastically): Yeah, anything. I’ll remind Hudson to bring his rape spray.

VANESSA (whispers): Hudson has rape spray?

KIRSTEN: No, but he should. With that arm and all.

LISSY: Which is even more reason why Rebecca should be here. Since Hudson’s in a sling, we’re one short. I mean, he can still come, but what if Morgan needs someone to pick Malibu Dolly off the top shelf like last time? We’re going to need reinforcements.

VANESSA (eventually, with effort): Well, I’m behind you.

KIRSTEN: Yeah, with a mallet in my hand to strike you over the head because, frankly, Elisabeth, you haven’t had any idea quite as bad as this since that time you wanted Vanessa and me to act as your backup at the volleyball championship.

Everyone’s expressions turn to horror with the force of the memory.

KIRSTEN: And, on that note, I’m off to break the news to the boys. And Rebecca. Presuming you didn’t share it with her on your little buddy expedition.

Kirsten turns and trudges out of the room. As soon as she’s gone, Lissy flops down on the chair.

LISSY: God, she’s right. This is a terrible idea.

Vanessa sits down next to her.

VANESSA: No, it’s not. Not really.

LISSY: Come on, V...

VANESSA: No, I mean it. It might be okay. I’ll even try my best to get along with Becky. How’s that? I’m making an effort!

Lissy laughs.

LISSY: Thank you.

VANESSA: Don’t thank me, honey. What are friends for?

Lissy and Vanessa smile. Vanessa reaches out and embraces Lissy.

VANESSA: It will all work out tonight. I promise.

Cut to outside the room. Kirsten is watching Lissy and Vanessa with a look of almost...jealousy?

She immediately turns and hurries back to the living-room, where the group is engaging in awkward and nervous conversation.

HUDSON: ...so Trey told me it would be okay, even though we were like fifty feet up, but you know Trey, he always has to ‘push the boundaries’...

TREY: Aw, come on, Hud, if you hadn’t been such a wimp about it –

KIRSTEN (clears throat): What are you guys talking about?

Flint points to Hudson.

FLINT: The walking wounded and how he came to be that way. As usual.

KIRSTEN: Well, then, can I make any announcement?

TREY: Sounds mysterious.

KIRSTEN: It is.

Kirsten steps into the middle of the room, full of false cheer and bravado.

KIRSTEN: We’re all babysitting tonight!

END SCENE

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SCENE 5

The sun is beginning to set leaving the town in dusk, quickly approaching twilight.

Enter the Harlow household.

A car pulls out of the driveway and disappears down the long stretch of road. Lissy watches the car drive away before locking the front door. She turns back around, heading into the kitchen. Her 8 year old sister, Megan, is rifling through the fridge. Lissy picks up the house phone and begins to dial.

Megan hears the dial tone and quickly looks up.

MEGAN HARLOW: (while sucking on a popsicle) Whatcha’ doing?

LISSY HARLOW: Calling some people.

Megan comes closer to Lissy.

MEGAN: (invasive) Are you having a party?

LISSY: No. Of course not.

MEGAN: (snide) But you’re having people over, right?

LISSY: Well, yeah, but doesn’t mean I’m-

MEGAN: (interrupting) Mom and Dad said no friends!

LISSY: (chuckling) No they didn’t. They just said no parties.

MEGAN: (yelling) I’m telling!

Megan quickly snatches the phone from Lissy’s hand and runs out the room.

LISSY: (calling after her) Hey! Get back here, twerp!

Lissy chases after. Megan darts up the stair and into her room, slamming the door in Lissy’s face and locking it. Lissy sighs and knocks on the door.

LISSY: Megan, come on. Don’t be a brat.

MEGAN: (O.S.) You’re in no position to be calling me a brat!

Lissy sighs again.

LISSY: So what should I call you?

MEGAN: (O.S., playfully) Oh, I don’t know. Queen Megan sounds nice.

LISSY: (laughing) Yeah right!

Lissy hears a dial tone through the door.

MEGAN: (O.S., sarcastically) What was mom’s number again? Oh yeah! 704-…

Lissy bangs on the door.

LISSY: Ok, ok! Just don’t call her….(painfully) Queen Megan.

Megan is heard giggling from behind the door.

MEGAN: (O.S.) I have another condition for you.

LISSY: (annoyed) Hmmm?

MEGAN: (O.S.) You let me hang out with you and your friends tonight.

LISSY: Is that a joke?

MEGAN: (O.S.) It is only if you want me to call Mom.

Lissy frowns for a second. Ah, how bad could it be? Most of her friends seemed to like Megan. For the most part.

LISSY: (giving in) Fine.

The door cracks open and Megan peeks her head out.

MEGAN: (gleeful) Promise?

LISSY: (smiling) Promise.

Megan lets out a little squeal and throws the door open. She hands the phone to Lissy and scurries off back downstairs.

LISSY: Now that that’s taken care of…

Lissy begins to dial on the phone.

Enter the Nash home. Kirsten and Hudson are up in his room. Hudson is trying on a second shirt.

KIRSTEN CHADWICK: I thought guys didn’t care about what they were wearing.

HUDSON NASH: They do when they’re trying to impress Lissy Harlow.

KIRSTEN: Oh yeah. Are you going to finally make the move tonight?

HUDSON: Maybe. If Trey doesn’t interrupt too much.

KIRSTEN: Oh, I can take care of him.

HUDSON: (raising an eyebrow) How so?

KIRSTEN: (chuckling) I have my ways.

HUDSON: (shaking his head and laughing) You really do.

Hudson turns back to the mirror and looks himself over again. He turns back to Kirsten.

HUDSON: (desperately) How’s this?

Kirsten studies him for a second.

KIRSTEN: (sarcastically) Oh, uhh, that sling doesn’t really go with those pants.

Hudson throws a crumpled up shirt at her. Kirsten deflects it and lets it fall to the floor as she begins laughing.

HUDSON: Seriously though.

KIRSTEN: You look fine, buddy. Stop worrying about it! (beat) I’m sure Lissy will love you just the way you are.

HUDSON: Ok, ok. You’re right.

KIRSTEN: (standing up) Now that your latest dilemma is over, we can go. Trey is gonna be here soon to pick us up. I’ll meet you downstairs.

Hudson walks over to the door but stops before exiting.

HUDSON: (holding up a hand, chuckling) Wait, this is my house. Shouldn’t I be the one whisking you away downstairs so I can finish up some secret business?

KIRSTEN: (shrugging) It’s just some “female” issues. Want to stick around and watch?

HUDSON: (suggestive) Bathroom, first left.

Kirsten, chuckling, walks out of the room and towards the bathroom. She turns and makes sure Hudson is downstairs and out of sight.

Cut to interior of a dark car. Trey is driving with Vanessa in the passenger’s seat. Trey pulls up to a stop sign and takes a few seconds before he drives off.

VANESSA ABRAHAMS: (jokingly) You know, when you’re driving, it’s kind of hard to tell you apart from my grandmother.

TREY CARSON: Huh?

VANESSA: You know, with the way you both drive insanely slow.

TREY: Hey, just keeping the neighborhood safe.

VANESSA: (rolling her eyes) That’s what the neighborhood watch is for.

TREY: Eh, does that really exist? I mean, I’ve never seen them do anything.

VANESSA: Not sure. Becky and her parents are on it. So it has to be real, right?

Trey just shrugs. He turns right.

VANESSA: Anyway, who are we chauffeuring for tonight?

TREY: Kirsten and Hudson. They’re at Hudson’s house right now.

VANESSA: Got it. And Flint?

TREY: Walking, I think. He lives close enough.

VANESSA: Right, right. And what about our favorite menace to society?

TREY: Who knows? Hopefully she has no means of transportation and stays home.

They both laugh with each other.

VANESSA: Lissy said we have to try and be nice to her tonight.

TREY: (smirking) It’s going to be quite the challenge but I think we’re up to it.

VANESSA: (laughing) Oh yeah.

The camera zooms away from the car as it makes another turn. It swings around and pans down to the Montenegro residence. Flint is seen in the kitchen eating some food. The house phone rings. Flint spins around in his seat and grabs the receiver.

FLINT MONTENEGRO: Montenegro.

REBECCA MILTON: (O.S.) Flint?

Flint is momentarily caught off guard. He takes a second to realize Rebecca is calling his house phone.

FLINT: This is he.

REBECCA: (O.S.) You’re going to Lissy’s tonight.

FLINT: (confused) Yeah?

REBECCA: (O.S.) So am I!

FLINT: (unsure) Oh…yeah, I know. Lissy told us.

REBECCA: (O.S.) I’ll see you there.

FLINT: This is true.

Rebecca giggles.

REBECCA: (O.S.) Bye now!

The phone hangs up. Flint holds it by his face for a second before hanging up.

FLINT: Well, that was...different.

Flint puts the phone down and goes back to eating.

Cut to Rebecca’s house. She has just hung up with Flint, now positioned in front of a mirror. She is dressed completely out of style for Rebecca Milton. She has a short dress that probably doesn’t measure up to a dress for Paris Hilton. Her hair, which she is currently twirling, is slightly curled. A quick tap at the window grabs her attention. Rebecca looks to it, her brow creasing slightly.

Another small pebble strikes her glass window.

REBECCA: What’s the meaning of this?

As she gets closer, one more stone hits it. Rebecca pulls the window open and pokes her head out. Everything is too dark to see. There doesn’t seem to be anyone there.

REBECCA: (calling out) Hello? Who‘s out there?

She hears nothing but a cool breeze blowing by. She remains there for a few beats, looking out into the dark.

The phone rings, catching her attention. Rebecca retreats back inside, closing her window. She answers the phone.

REBECCA: (giddy) Flint?!

There’s no response from the other line. Complete silence.

REBECCA: (excitement dying down) Hello?

Still nothing. She hears a quick second of motion on the other side.

REBECCA: Ok, if you don’t mind, I’m going to hang up now.

VOICE: (O.S., unidentifiable) Rebecca Milton.

REBECCA: (politely but paranoid) Excuse me but I think you got the wrong number…

The caller on the other end hangs up abruptly.

REBECCA: (shaking her head) Prank calls are getting worse and worse.

Rebecca moves back in front of the mirror, examining herself from every angle. She’s really going all out for this night. Flint is in for quite a “treat.”

Suddenly, the doorbells rings.

END SCENE

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Scene Six

The doorbell rings.

Rebecca turns. For a moment, she looks as if she is on high alert. Then she almost forces herself to relax. A small, hopeful smile curves over her lips.

REBECCA MILTON (softly, wavering): Flint…?

Cut away to Flint, who is walking cheerfully along an unidentified suburban road. His mobile phone rings. He picks it up immediately and puts it to his ear.

FLINT MONTENEGRO: Hello?

KIRSTEN CHADWICK (O.S.): Hey, Flint. It’s me.

FLINT: Oh, hi, Kirsten.

KIRSTEN (O.S.): I’m at Hudson’s. Since I have such a chivalrous male by my side, I was just calling to make sure you got to Lissy’s all right. I think you’re the only one who’s going alone.

FLINT: Yeah, well, you know me. It’s a lonely highway…and, anyway, isn’t Rebecca coming alone?

Kirsten laughs sarcastically.

KIRSTEN (O.S.): Yeah, but no-one cares about her.

Flint joins in with her laughter.

FLINT: That would be so cruel if it wasn’t true.

KIRSTEN (O.S.): And don’t we know it?

Both chuckle.

Enter the Milton house. Rebecca approaches the door wondering who was on the other side. She hoped it was Flint but doubted it was him at the same time. Rebecca’s house was very out of the way from Flint’s route to Lissy’s.

There is a knock on the door, interrupting Rebecca‘s thoughts.

Enter the Nash household. Hudson is standing in front of the mirror, looking nervously at his reflection as he waits. The phone rings.

HUDSON NASH: Nash speaking.

No response.

HUDSON (a little more urgently): Hello?!

No response. The phone hangs up.

HUDSON: Weird…

Hudson glances upstairs. He doesn’t hear anyone walking around. What is taking Kirsten so long?

In Trey’s car, Vanessa is examining her split ends in the rear view mirror. Generic pop music blasts through the speakers.

TREY CARSON: Almost there.

VANESSA ABRAHAMS (English accent): I know, dear. Why else do you think I’m beautifying myself? I want to look my best for Elisabeth.

TREY (laughing): Fine. Whatever. As long as you don’t overshadow me…

VANESSA: …I’ll try not to.

TREY: And don’t drink tonight.

VANESSA (pouting): And there was me thinking you were our big risk taker, Mr. Driving-Over-30-Miles-Per-Hour.

TREY: Don’t hurt me for saying this, Vanessa, but you’re not what I would call a hardcore alcoholic. (beat) Remember that time you and Kirsten experimented with the body shots? As I recall, that didn’t have the nicest conclusion.

VANESSA: Oh, you, shut up…

TREY: I still haven’t got the vomit stains out of my car.

VANESSA (disjointedly): And, as much as I love our witty banter, I’d prefer it if you could transfer your interests to pulling over and getting us into the house alive.

TREY: Your wish is my command…

He pulls over and stops the car. Vanessa and Trey sit in slightly uncomfortable silence for a moment or two.

TREY: Well, we’re here.

VANESSA: Your big night. (beat) So, what do you reckon, Carson? Do you fancy your chances?

TREY (suddenly nervous): I don’t know.

VANESSA: Don’t worry about it.

TREY: Yeah? Why?

VANESSA: Because I fancy your chances.

He smiles at her, a little uncomfortable. Vanessa winks at him, and then gets out of the car and heads towards the house.

Inside the Milton house, Rebecca finally gathers all her courage and steps forward to open the door. We do not see anyone standing there.

REBECCA (guardedly): Huh?

Enter the Harlow house. Megan is sitting on the sofa in the living-room, watching one of the Disney Chanel clone programs. Lissy is trying to ignore the screen, attempting instead to absorb herself in a science book. The doorbell rings.

LISSY HARLOW: Finally!

She sighs, swings her legs off the sofa and hurries for the door. She opens it. Standing there are Vanessa and Trey.

LISSY: God, I was beginning to think you stood me up.

VANESSA: We’re the first ones here?

LISSY: Yes. Miraculously.

TREY: Well, what can I say? We’re full of surprises.

VANESSA: You’re certainly full of something, Trey.

They all laugh.

FLINT (O.S.): Is this one of those terribly pointed laughs that stop the minute I walk up to the Welcome mat?

Everyone sees Flint, for the first time, at the edge of the garden.

LISSY: God, no. Not at all.

TREY: Everyone was just laughing at my expense. Nothing new, really.

FLINT: Ah, that old one. Can’t you guys find another poor, defenseless animal to torture rather than taking it all out on Trey here?

LISSY (laughing): You know us too well.

FLINT: Are we all here?

LISSY: Almost.

Lissy summons them all inside. They move, as one group, through the front door. She shuts it behind her.

Cut to the Milton household. Rebecca continues to peek around outside. There’s no one there and no one in the lawn.

Rebecca is about to shut the door when she hears the garage open.

REBECCA: (confused) Mother? Father?

Accidentally leaving the front door open, she lightly jogs through the house towards the garage. She enters it finding the door up. But no sign of any cars or any people. Rebecca frowns.

REBECCA: What is going on in this house?

She presses the button and the door begins to shut again. Rebecca exits the garage and heads back towards the foyer/front door area. The door is open wider then she once remembered. Brushing it off, Rebecca shuts the door and locks up. She checks the watch on her hand.

REBECCA: (surprised) Oh! Time to go!

She checks her pockets. Keys, check. Some money, check. Her phone doesn’t seem to be there. She checks her other pockets and comes to the conclusion it must be upstairs! Oh yeah, she left it on her computer chair when she got that phone call.

Rebecca moves up the steps and as she turns into her room, a figure moves into another room at the end of the hallway, unnoticed. Rebecca approaches her computer chair and spins it around. No phone.

REBECCA: (muttering) I could have sworn…

She glances around her room quickly. No sign of the phone. Rebecca isn’t sure what to do at this point. A quick but loud clatter from outside the room grabs Rebecca’s attention. She swiftly walks out the room with a frown on her face. At the base of the stairs is her phone. Broken in two. Things don’t seem like a joke anymore.

Cautiously and suspicious, she descends the stairs. She grips the railing tightly as each step creaks under her. With a gulp, she finally reaches the bottom and crouches down to examine her phone. It’s clearly been chucked from high up. The screen is shattered and snapped off from the keyboard part. Rebecca glances to the top of the stairs half-expecting someone to be there. Luckily, no one is.

Rebecca beings to collect the pieces of her phone when the lights flicker. She drops the pieces in fright and abruptly stands.

REBECCA: Ok, I’m done.

In a mild state of panic, Rebecca grabs the handle of the front door. It squeaks open which catches Rebecca off guard. She locked this door. She knows she did. Horror comes across her face. Either someone is messing with her or there’s an intruder. With a small yelp, Rebecca pulls the door open and scurries across the lawn to her car. She takes out her keys but fumbles with them.

She is increasingly paranoid and nervous. Sweat begins to form on her palms. She finally gets the right key and puts it in the lock. The car door pops open and Rebecca slides into her seat. She takes a moment to put her seatbelt on. As she does, Rebecca drops her keys down by her feet.

REBECCA: (under her breathe) Crap.

A figure sits up in the backseat.

Rebecca retrieves the keys and sits back up. She is about to put them in the ignition when she notices shadows moving around behind her.

Before Rebecca can scream, one hand comes wrapping around the seat and clamping against her mouth. Another hand brings a knife around, slashing against her arm. Through the attacker’s cloaked hand, she manages to let out a cry. Rebecca begins thrashing in her seat. The killer tries desperately to hold on but Rebecca pries her mouth free. An icy scream ensues. Rebecca pulls off her seatbelt and pushes open the car door. As she moves to get out, the knife comes from in-between the seats, stabbing Rebecca in the side.

Rebecca, groaning, rolls out of her seat and onto the cold driveway. The backseat door opens and the killer gets out coolly. Rebecca attempts to stand but the killer takes a tuff full of hair and slams Rebecca’s head against the side of the car. She repeats the same action, then dropping Rebecca in a bloody mess on the floor. One of her front teeth is knocked out and the rest are stained by spit up blood.

Weakly, Rebecca tries to crawl away but the killer easily walks along side of her. Taunting her.

KILLER: (chuckling coldly) No party for you, Becky.

Rebecca’s eyes go wide as she recalls the voice. But before she can say or do anything else, the killer bends down to Rebecca and slits her throat in one quick motion. Blood begins to bubble down as the life in Rebecca’s eyes begins to fade.

Cut to Lissy’s home.

Lissy stands in the corner on the phone. Megan, Flint, Kirsten, Hudson, Trey and Vanessa are all standing in the background.

REBECCA’S VOICEMAIL: (O.S.) Hi, you have reached Rebecca Milton but she’s not here right now. Please leave a message and she’ll get back to you as soon as possible! Thanks!

There’s a beep followed by a click. Lissy sets down her phone then sighs.

LISSY: Hmmm…

END SCENE

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Scene 7

Lissy hangs up the phone and joins her group of friends standing on the other side of the room.

TREY CARSON: So what did the she-devil have to say?

LISSY HARLOW: Well, nothing. There was no answer.

Trey grins widely to himself.

LISSY: (laughing) What?

TREY: That means it’s time to get this party started!

FLINT MONTENEGRO: As Lissy has stated a few times before, Trey, this isn’t a party. More of a...get together.

Trey hops up on the couch, drawing everyone’s attention if he hadn’t already.

TREY: Yeah, a get together without parents! You know what this means, right?

Everyone just looks at him. It is an almost awkward pause, until Kirsten jumps in with gusto.

KIRSTEN CHADWICK: (excitedly) Tell us, Trey!

TREY: (triumphantly) Hudson, my man, break out the beer bong!

Hudson’s eyes go wide. He looks at Lissy to gauge her reaction but she doesn’t seem to be looking. She is too busy watching Trey.

HUDSON NASH: (bewildered) Huh?

Megan, who was standing in the background of the group, pushes through Vanessa and Lissy and plants herself in front of them.

MEGAN HARLOW: What’s a beer bong?

LISSY: (quickly) Uhh, nothing. It’s like a snack…yeah, a snack.

VANESSA ABRAHAMS: (under her breathe, to Flint) A snack? Was that the best she could think of?

Flint shrugs.

MEGAN: (not buying it) Isn’t beer the stuff mom and dad drink? The stuff they always tell you not to touch?

LISSY: (scratching her head) Yeah but this is different. This is just a…a totally legal, tasty snack.

Lissy’s friends try to hold back giggles and chuckles. She shoots them a look that reads “Some help would be nice!”

LISSY: (following up that look) Right, guys?

HUDSON: Oh yeah, totally!

VANESSA: Of course. Snacks.

Flint and Kirsten nod enthusiastically. Megan crosses her arms and thinks for a moment.

MEGAN: Well, in that case, I want to try it.

LISSY: (shocked) Uhh…no you don’t. You wouldn’t like it.

MEGAN: (suspicious) Wait a sec…you said it was tasty!

Lissy sighs. She looks to Trey to fix things.

LISSY (sotto): A little help here, please.

Trey nods and salutes subtly. He stands next to Lissy, putting an arm around her gingerly. Smiling, he ruffles Megan’s hair slightly.

TREY: (in a sweet tone) Oh dear, Megan, I was just kidding, you see. There is no beer bong because beer bongs are illegal at our age! I was just getting some laughs. Obviously, we’re all here to play some hearty games like Twister and Scrabble.

MEGAN: I like both of those games! I’ll get them now!

Megan pulls away from Trey’s hand and runs out of the room. Hudson eyes Lissy and Trey intensely as Trey doesn’t remove his arm from her shoulders. Even though the situation doesn’t call for it anymore. Kirsten nudges Hudson quickly.

HUDSON: (whispering) What?

KIRSTEN: (mouthing) Too obvious.

He just looks away and nods, a little bashful. Trey finally removes his arm and sits down.

VANESSA: (clapping her hands, laughing) Thanks to Trey, it looks like we’ll be spending our next hour or two playing Twister.

TREY: You should be thanking me.

VANESSA: And why is that?

TREY: (winking) Cause I know Twister is your favourite game ever.

VANESSA: (sarcastically) So thoughtful, Trey! Sorry but you’re like 10 years late on my favourite game.

TREY: You know you want to end up underneath me.

VANESSA: As if! (beat) I’m the kind of girl who operates well on top, Trey. You should know that by now.

Lissy begins laughing loudly. Flint chuckles to himself and Kirsten seems deep in thought. Hudson just watches the whole exchange absentmindedly.

FLINT: (nudging Trey) You really know how to pick up the ladies.

TREY: Years of practice, my friend, years of practice.

LISSY: (teasingly) If you ask me, I don’t think Trey picked her up. It was more like he dropped her. Right on her head.

VANESSA: I agree with the Harlow girl.

Kirsten and Hudson remain in the background. Kirsten tugs on Hudson’s sleeve slightly.

KIRSTEN: Kitchen, follow me.

The two start walking away towards the kitchen. They pass by Megan who is running back towards the other four with a Twister box in her hand. Once in the kitchen, Hudson takes a seat on a bar stool. Kirsten goes across the island and leans across it.

HUDSON: What’s up?

KIRSTEN: I think we’re in luck tonight.

HUDSON: (intrigued) Do tell.

KIRSTEN: As you just saw, Trey and Vanessa were flirting their asses off out there.

HUDSON: You think?

KIRSTEN: Yeah. I reckon so. And did you see Lissy? She didn’t even look jealous.

HUDSON: Maybe she’s good at hiding it.

KIRSTEN (annoyed): You don’t know her like I do. She can’t hide anything like that. And I know Trey and Vanessa, too. Once Trey starts making the sex jokes, it means he’s besotted. We’re in l-u-c-k, my friend.

HUDSON: If you say so.

KIRSTEN: I do say so.

In the living-room, Megan rushes back in. Vanessa almost trips over her.

MEGAN: Lissy! Help me set up!

VANESSA: That’s it. I’m making an exit. (to Trey, in a whisper) And you’re coming with me.

TREY (to Lissy): Uh. Yeah. Lissy. I think Vanessa and I...are going to go check out the plumbing.

Vanessa grabs Trey’s arm and hauls him away.

VANESSA (hisses): The plumbing?! What the hell?

TREY: Sorry.

FLINT (archly, watching them go): They’re certainly going to check out somebody’s plumbing.

Lissy swats him, laughing. Megan looks from one to the other, very confused.

Back on Trey and Vanessa. They walk through a couple of hallways, until they reach an airing cupboard. Vanessa motions to stop.

VANESSA: While I would not like to sound too enthusiastic, Trey, dear, I would say we are in here.

TREY (excitedly): In? Really?

VANESSA: Oh, yes. Did you see her face when we were making all those carnal jokes? She was fuming.

TREY: So...this could be it?

VANESSA: This is it.

At the same time, Lissy is helping Megan set out her Twister equipment in the next room.

MEGAN (suddenly): I think Hudson is in love with you. Trey too.

Flint chokes. Lissy stares at her sister in horror.

LISSY: Wait, what?

MEGAN (smugly): I saw them. I know.

LISSY: Oh, you do?

MEGAN: I do.

LISSY: That can’t be right, Megan. You must have gotten confused.

MEGAN: Nuh-uh. I know what I’m talking about, Liss.

LISSY (sarcastically): Sure. (beat) Flint, defend me!

FLINT: The girl saw what she saw, Elisabeth.

Hudson and Kirsten enter the room again. Flint smirks at Lissy, while Megan folds her arms and looks satisfied.

MEGAN (aggressively): What were you guys talking about?

HUDSON: Nothing!

FLINT: Don’t worry, dears. We don’t need an explanation.

KIRSTEN: Good, ’cause you’re not going to get one.

Trey and Vanessa enter next. They look slightly more confident.

TREY: Hey, dudes.

FLINT: Dude! (to Vanessa) Dudette!

Vanessa rolls her eyes.

VANESSA: It’s a good job I love you, Flint, because your SAT vocabulary is really not up to scratch.

HUDSON: Hey, Lissy, what’s wrong?

FLINT: Yeah. You look...pensive?

LISSY: I do?

VANESSA: Yeah. You do.

LISSY: I guess I’m just thinking about Rebecca. She seemed really excited when we mentioned the party...but then to just not show up...

KIRSTEN (sarcastically): Aw, Lissy, is your pride hurt?

LISSY: It just seems kind of out of character.

TREY: I wouldn’t worry about it too badly, Liss.

LISSY: You think?

KIRSTEN: Yeah. I mean, knowing Rebecca, she probably just got distracted with studying, or some sh-t like that...

The scene then cuts to the front of Rebecca’s house. Her car door opens abruptly, the lock having broken. First, her hand dangles out. Blood drips off the hand and then mingles with the water running through the gutter. The cameras zooms up and ends with a lingering close up of her face: blood trickles from Rebecca’s eye, into the water below.

END SCENE

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Scene 8

Lissy sits on the couch, avidly playing with the Twister spinner. Flint, Vanessa, Trey, Kirsten and Hudson are all in a tangled mess on the Twister board. Megan stands on the sidelines acting as the referee. Lissy flicks the spinner and waits for it to land.

LISSY HARLOW: Left hand, blue.

Everyone scrambles to get their left hand on blue. Flint topples over in the process and Megan is quick to prosecute.

MEGAN HARLOW: Flint! Out!

FLINT MONTENEGRO: Aw man.

Flint pulls himself from the mess of bodies and takes a seat next to Lissy.

FLINT: You just had to go with the left hand, didn’t you?

Lissy shrugs, laughing. She spins the spinner again.

LISSY: Left foot, green.

Another mad dash as feet ripple across the flimsy Twister mat to reach green. Only Vanessa, Trey, Hudson and Kirsten remain. Lissy prepares to spin again when she hears the faint sound of a siren. She glances to the window.

TREY CARSON: Any day now, Lissy! Man wasn’t built to remain in this position!

She shakes her head and spins again.

LISSY: (dully) Right hand, red.

The four playing move their hands.

VANESSA ABRAHAMS: (chuckling) Do I detect a little bit of boredom in Lissy’s voice?

Lissy hears the sirens again.

LISSY: Do you guys hear that?

She sets the spinner down and gets up, walking over to the window.

KIRSTEN CHADWICK: Is it safe to say we’re pausing this round?

Kirsten goes to get up but Megan rushes over.

MEGAN: Hey, hey, no cheating! We’re still playing!

Kirsten sighs, moving back into her awkward position among her three friends. Flint gets up and skips over to Lissy.

FLINT: (stage voice) What is it, Lassie? Is Timmy stuck in a well again?

LISSY: Shh, shh. Do you hear it? The sirens?

Flint strains to listen for a second.

FLINT: You know, I think I do. Where do you reckon they’re heading?

LISSY: I don’t know.

The sirens continue to get louder and louder. Eventually, Lissy and Flint can see the flashing crimson and blue lights at the end of the street. Two cop cars and an ambulance speed by the house.

Trey scrambles to his feet, knocking over everyone else in the process. Simultaneously, they all yell “Hey!”

MEGAN: (pointing) Trey! Out!

TREY: (not caring too much) Yeah, guess I am. (to Flint and Lissy) What’s going on?!

LISSY: No idea. Some cop cars and an ambulance just drove by.

FLINT: In quite a hurry too, I might add.

Kirsten, Vanessa and Hudson have abandoned the game and gather around the other three by the window. Megan is sitting on the couch, arms crossed with a sour look.

HUDSON NASH: What’s this about cops and paramedics?

LISSY: Some just went by.

HUDSON: I wonder what happened.

KIRSTEN: Probably some scandalous love affair over at the Stepford’s.

Everyone watches out the window waiting for something else to happen.

Cut to a dark front lawn. The familiar crimson blue lights rhythmically shine across this lawn. Police tape surrounds a car parked in the driveway A man stands nearby, embracing a hysterical woman. She sobs into his chest while he looks around, emotionless. He is on the brink of tears though. Two coroners walk by them with an occupied body bag.

MRS. MILTON: (crying) My baby!

Rebecca’s mother tries to lunge at the bag but Mr. Milton holds her back.

MR. MILTON: Honey, no…

Her legs turn to jelly and she begins to sink down. Mr. Milton bends slightly and holds her up, whispering encouraging words into her ear. A cop begins to approach them.

COP: Hello. Sorry to bother you in such a tragic time but I’m Officer Dawson and I was wondering if I could ask you a few questions.

MR. MILTON: (unsure) Ok…

OFFICER DAWSON: Do you have the slightest idea on who could have done this to your daughter?

MR. MILTON: (shaking his head) No. None at all.

DAWSON: Did Rebecca have a lot of enemies?

MR. MILTON: (frowning) I…I don’t think so. She wasn’t extremely popular but she was far from hated. Maybe some dislike here or there but nothing extreme.

DAWSON: Was Rebecca involved in any illegal activities? Drug rings, gangs, anything of that sort?

MR. MILTON: (uproar) No! My girl was the model daughter! Mannered, respectful, educated. How dare you accuse her of such vulgar things!

DAWSON: I’m so-

MR. MILTON: (interjecting) Are we done here?

Officer Dawson thinks for a moment.

DAWSON: I guess so. Thank you for your time.

The officer turns around and begins to walk away. Mr. Milton glares at him the entire time. Officer Dawson returns to his squad car where the chief of police, Chief Arlington.

DAWSON: What’s the call going to be, chief?

Chief Arlington thinks for a moment.

CHIEF ARLINGTON: We’re going to have to go with the lockdown.

DAWSON: The lockdown? You think so, sir?

ARLINGTON: We have no other choice. We never caught the serial killer from the massacre 20 years ago. It very well could be him. The brutality and display of the victim’s corpse seems to fit the M.O.

DAWSON: I’ll issue the report then, sir, if you’ve made up your mind.

ARLINGTON: Do it.

Dawson nods then ducks into his squad car, picking up his radio. Arlington stands, arms crossed, scanning the front lawn. Then, he cups his hands around his mouth.

ARLINGTON: (calling out) All units, return to your squad cars. Fan out and section off every exit out of the neighborhood. We’ll turn this place upside down to find our guy.

Cut to about a half an hour later, Harlow residence. There’s a movie on the TV, the only light in the dark living room. Everyone, including Megan, is sitting in the two couches in the room, watching intently. Lissy’s phone goes, off shattering the silence.

VANESSA: Lissy!

KIRSTEN: Come on, girl. The slut is about to get offed, we can’t miss this!

LISSY: (laughing) Sorry, sorry.

Lissy picks up the phone quickly, placing it to her ear.

LISSY: Hello?

RACHEL HARLOW: (O.S.) Lissy.

LISSY: Hi mom.

Trey hurls a pillow at Lissy.

TREY: Take it to the other room!

Lissy, chuckling, hurries out of the living room and into the kitchen.

LISSY: Sorry about that. What’s up?

RACHEL: (concerned) Is everything ok at home?

LISSY: Yeah, perfectly fine.

There is a beat as Lissy slowly realizes the grimness of her mother’s tone.

LISSY: Is something wrong?

RACHEL: (a little choked up) Something horrible has happened.

LISSY: (shocked) What? What is it, mom? What happened?

RACHEL: Your classmate, Rebecca Milton, she’s…

Lissy’s brow creases as her mom pauses. Another beat of tense silence.

RACHEL: (spitting it out) She’s been murdered.

Lissy’s jaw drops. She stares ahead, not even sure how to react. She swallows dryly and tries to get some words out.

LISSY: Wh-when did it happen?

RACHEL: (talking rapidly) Not long ago. An hour or so. They put the neighborhood on lockdown. The police aren’t letting anyone leave where they are so dad and I can‘t get home. The killer is still at large and they fear he’s probably going to strike again. Please, Lissy, lock all the doors and windows and don’t go out!

There is a single tear in Lissy’s eye as she processes all the information.

LISSY: (shaken up) Y-y-yes, mom.

RACHEL: Is Megan alright? Are you alone in the house?

LISSY: Megan’s fine. And no, I have a couple friends over. Just the usual crowd.

RACHEL: Ok, ok. Good. Tell them what’s happened and please just lay low. No loud music, no partying. God forbid you draw his attention.

Lissy just nods, silently acknowledging her mother’s orders.

RACHEL: Just do exactly as I say and I promise you guys will be alright. I’ll see you and Megan in the morning. It’ll all be over by then.

Lissy takes a few deep breaths.

LISSY: Mom?

RACHEL: Yes, honey?

LISSY: I’m scared…

RACHEL: (comforting) Lissy, baby, it’s ok. You have all your friends to keep you safe if anything does happen. Your father and I and the police are just a phone call away. And the police are patrolling the streets looking for the guy right now. Nothing can happen to you. Understand?

LISSY: (apprehensive) I guess so.

RACHEL: I love you, Lissy. Tell Megan I love her too. Call me in about two hours or so to check in.

LISSY: Ok. Love you too. Bye.

The phone hangs up. Lissy can only stand there, locked in the same position. It all hasn’t really sunk in yet. Rebecca? Dead? Murdered…? The howling wind outside catches her attention. Lissy rushes over to the back door and locks both locks. She pushes the curtain aside and looks out.

Cut outside. We see Lissy’s face in the bright window, looking out. There doesn’t seem to be anything or anyone out here. The curtain moves back in place and Lissy disappears.

Cut to the living room. Trey cheers slightly as something happens on screen.

TREY: And there goes the slut! (after a second) Man, what a loss.

VANESSA: Aw man, that was the character I picked.

KIRSTEN: Always pick the sluts, don’t you? I guess it’s fitting though

VANESSA: (smiling flakily) Takes one to know one.

KIRSTEN: So you admit you are a slut?

VANESSA: Only if you do.

FLINT: (chiming in) Her logics get you there, Kirsten.

Kirsten just chuckles dryly and leans back in her seat. Lissy enters the room, her face saying everything. No one notices her at first but slowly, the heads turn to face her.

TREY: What’s wrong, Lissy? You look like you’ve seen a ghost. Or where this movie’s concerned, a dead, flying, water nun.

LISSY: (flatly) No, not a ghost.

HUDSON: So what’s up? You don’t look so… hot.

Trey and Vanessa lock eyes. Kirsten looks to Hudson who is too busy watching Lissy. Flint notices all the heads turning and can only wonder why. They all seem to have the same thing on their mind sans Flint. But surely Hudson didn’t mean hot in terms of attractiveness. At least, not in this situation.

Megan looks smugly around the room. She seems to know what’s on the kid’s minds. For an 8 year old, she doesn’t miss a thing.

LISSY: (overcome) It’s Rebecca, she…

TREY: (thrilled) Isn’t coming? (sarcastically) Oh what a shame! Hopefully we can still have fun without her.

There’s barely a second gone by after Trey’s comment when Lissy responds.

LISSY: (loudly, emotionally) Trey, shut up!

Trey practically jumps in his seat. Everyone is shocked to silence. Lissy begins breathing heavily. A single tear drips from her face. All eyes are on her.

MEGAN: (confused) Lissy…?

LISSY: (sniffing) It’s Rebecca….she’s been murdered.

END SCENE

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Scene 9

The room is completely silent. All eyes are on Lissy who struggles to keep herself together. It’s Flint who finally speaks after what seems like an eternity.

FLINT MONTENGERO: (hopeful) This…is just a joke, right?

LISSY: (with difficulty) I wish I could tell you it was…but it’s anything but.

Trey looks down at the floor. Shame fills him for the heartless joke he made before knowing the situation.

VANESSA ABRAHAMS: How could this have happened?

LISSY: I don’t know. To think something like this could happen in our town…

Lissy shakes her head, fighting back more tears.

LISSY: (emotional) It’s…it’s…terrible!

KIRSTEN CHADWICK: (dully) It’s not the first time it’s happened.

VANESSA: (brash) What are you talking about?

Kirsten thinks to herself for a moment.

KIRSTEN: (forcefully) A while ago, maybe 20 or 30 years ago, this town was rocked by a brutal fourteen person murder spree. No one was shown any mercy. This guy killed anyone and everyone from elderly to newborn children. It was one of the bloodiest things this state has ever seen. The scary part is, the killer was never caught. Fortunately this place turned back into a sleepy town within a few months and officials tried to shove everything under the carpet. It’s obvious, at least to me, that this guy is back for blood. Why else would an innocent 18 year old teenage girl be murdered? Like last time, everyone is his target and everyone is his victim.

No one is sure how to respond. Of course, everyone but Megan has caught tiny parts of this tragic story but before this, they’ve never had the whole thing.

HUDSON NASH: (inquisitive) The cops must have some idea who did it, right? They can easily find the guy this time around…wouldn’t you say?

KIRSTEN: (frowning) They never found him last time.

Hudson puts a hand against his stomach. For some reason, a nauseous feeling stirs in the depths of his stomach.

HUDSON: (nervously, quickly) Excuse me.

Hudson jumps up from the couch and runs out of the room. He stumbles through the hallway and finds the bathroom. He flips the light on to reveal a small bathroom. The door shuts behind him as he turns the water on, scooping some of the cold liquid in his hand and splashing it over his face. He takes a deep breathe and looks at himself in the mirror, long and hard. Small water drops drip from all over his face.

HUDSON: (softly) Rebecca? Dead?

He can’t really comprehend what is going on. This feeling is weird to him but not so unfamiliar. It is similar to the time when Hudson had lost his grandfather. Rebecca wasn’t a close friend but she was an acquaintance of Hudson all the same. It was hard to grasp the concept of someone really being “gone.” Gone…forever?

There is a noise in the hallway, beyond the door. Hudson snaps up, breaking gaze from the mirror.

HUDSON: (faintly) Hello?

He shuts the faucet off and opens the door. Light from the bathroom spills into the dark hallway. There doesn’t seem to be anyone there. Hudson shuts off the bathroom light and walks into the hallway. Another noise. He can’t help but feel a little paranoid but he tries to ignore it. He moves forward but not before something can grab his arm!

Hudson literally jumps, ripping his arm back towards himself. Lissy’s face materializes from the darkness.

LISSY: Sorry, did I scare you?

HUDSON: (catching his breath) A little bit.

LISSY: I’m sorry. I just wanted to check on you. You left the room in a bit of a hurry.

HUDSON: (sotto) Yeah…I just needed a moment to myself.

LISSY: I know the feeling. Do you want me to leave?

HUDSON: No, I’m fine now. A bit saddened and shocked by this, but I’m fine.

Lissy smiles and pulls Hudson into a hug. He embraces her back and the two hold each other tightly for a moment.

LISSY: (softly) You’re a good friend, you know that?

Hudson isn’t sure how to respond. Where could this be leading?

LISSY: (smiling to herself) Friends. I wouldn’t have it any other way.

She pulled out of the hug, smiling warmly. She wasn’t being mean…certainly not. But Hudson couldn’t help but feel his heart sink. Friends? Nothing more?

LISSY: Come on, I need to tell everyone something.

Lissy begins to walk back towards the living room where her somber friends wait. Hudson hesitates for a second but then follows her.

Cut to the living room. Flint is collecting together everyone’s jackets and handing them out.

LISSY: Whoa, whoa, whoa, what are you doing?

FLINT: We’re getting out of here, Liss! All of us. You and Megan too. If we stay, we’re sitting ducks for...the psycho.

LISSY: That’s just it.

FLINT: What’s just it?

LISSY: What I have to tell you.

KIRSTEN: Christ, there’s more?

LISSY: I’m afraid so. (beat) We can’t leave.

FLINT: Why the hell not?

LISSY: Because the town is on complete lockdown.

VANESSA: Okay, Lissy, I can’t have heard you correctly because I swear you just said ‘lockdown.’

LISSY: Yes.

VANESSA: So we’re stuck?

LISSY: Yes.

VANESSA: Here? With a nutjob on the loose?

Lissy nods reluctantly.

TREY: They can’t do that! We...we could die!

Kirsten slaps Trey around the back of the head.

KIRSTEN: Shut up. You won’t die. You’re going to be fine. Thinking like that is only making this harder!

TREY: Sorry. But...there is somebody out there. Somebody who killed Rebecca. Somebody who could kill us too!

HUDSON: What are you proposing?

TREY: I think we should go and see if they will waive the lockdown.

KIRSTEN: They won’t do that!

TREY: We have to try.

VANESSA: I’m with Trey. We’re teenagers...kids. They aren’t going to let us stay sitting ducks!

HUDSON: Lissy?

LISSY: I don’t know guys. I want us all to stay together. And Megan...I can’t take Megan out like that. If you ask me, we’re safer in here. You two should go alone.

VANESSA: But you can’t leave me with Trey! What if he starts behaving like a sex maniac and scaring me!

TREY: You flatter yourself.

They laugh, with extreme difficulty.

TREY: Well, then, who wants to come with me?

Choice for Vanessa (Speeders), Flint (Nep_Tune) and Lissy (wsukellie):
A) Go with him; you can’t let him go alone and friends should stick together
B) Stay here with Megan; you’re safer in the house and Trey can look after himself
C) (For Lissy) Go and take Megan with you because you can’t leave her home alone

Just plot-changing.

KIRSTEN: Something just occurred to me.

FLINT: Share.

KIRSTEN: What if...what if the killer is here?

Silence.

FLINT: No way.

VANESSA (creeping note of fear): Of all these houses, why would he pick ours?

KIRSTEN: Can we take that risk?

LISSY: I think we’re going to have to.

KIRSTEN: But what about Megan?

Silence again.

KIRSTEN: What if he gets into the house and—and...?

VANESSA: Shut up! Shut up, shut up, shut up!

KIRSTEN: We have to consider it, Vanessa.

LISSY: She’s right. We do.

VANESSA: Then...what are we going to do?

HUDSON: Maybe someone should go and check out the area.

A beat of silence.

TREY: And I believe our good man Hudson has just volunteered himself for the job.

HUDSON: What?

LISSY: Go to the garden, Hudson. Please. Just...look outside. Make sure there’s nobody there.

HUDSON: And if there is?

VANESSA: Run like hell.

HUDSON: Are you serious?

VANESSA: Deadly.

HUDSON (sharply): Don’t say that!

VANESSA: Sorry.

HUDSON: How about you, Lissy?

LISSY: What about me?

HUDSON: Is this what you want?

LISSY: I think—I think it would be for the best.

Hudson nods.

HUDSON: All right, then.

Hudson turns and disappears into the darkness.

TRACKING SHOT: Hudson walking through the house. He carefully checks out every room. He goes up the stairs and checks inside every room, except for Lissy’s bedroom, which brings a slight blush to his face. He knocks on Megan’s door.

HUDSON: Megan?

No answer.

HUDSON: Are you in there, Megan?

Still no answer.

HUDSON: This isn’t hide and seek, Megan!

No response.

HUDSON (under his breath): Sh-t.

He opens the door. Nobody’s in there. Megan’s room is empty.

HUDSON: Oh, holy sh-t.

He turns and runs through the house. Down the stairs. Into the kitchen. It is cold and empty. Nobody’s there.

HUDSON (soft call): Megan? Megan?!

He glances out the window. He sees a flicker of movement.

He cannot believe his eyes.

HUDSON: Megan?

MEGAN HARLOW (O.S.): Hudson?

Megan runs through the garden. She looks almost spectre-like in the dark. He bends down to her level.

HUDSON: You know you shouldn’t be playing outside –

MEGAN (suspiciously): I do?

Hudson realises: she doesn’t know about Rebecca. Or the lockdown.

HUDSON: Now you do. (beat) Now go back inside.

MEGAN: Ugh. You’re no fun.

HUDSON (jokily): Yeah, sorry about that.

Megan turns and runs back inside.

Suddenly...CRASH!

Hudson jumps. It isn’t all that loud.

What could it be?

HUDSON: Lissy? Vanessa? (beat) Megan?

He listens.

And listens.

And that’s when he hears it:

Footsteps. Closer.

LoD Choice for Hudson (Le_Viper):
A) Run outside as fast as you can
B) Run back inside as fast as you can
C) Stay where you are and see what happens
D) Call for the others
E) Get a weapon and prepare yourself for a fight
F) Hide in the kitchen

END SCENE

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Scene 10

Hudson is standing on the kitchen doorstep. His shadow is silhouetted in the doorway. The light reflects eerily in his irises. He takes a step forwards, and then pulls back and hesitates. Instinctive. After a moment’s pause, he places his foot on the grass again. His soles crackle against the twigs and leaves.

HUDSON NASH (under his breath): C’mon, Hudson, think of Lissy.

He puts the weight on his foot. He takes another step forwards.

HUDSON (crooning): Lissy, Lissy, Lissy... She’d want you to do this.

He opens his eyes.

HUDSON: Just one look, Hudson. That’s all. One look.

He glances around.

There is nobody there.

Cut to the living-room. Lissy is sitting on the sofa, clearly on edge. Trey and Vanessa are fidgeting around, getting coats and things.

TREY CARSON: Are you sure you won’t come?

LISSY HARLOW (near tears): No, I don’t think that’s a good idea. Not with Megan and all. I mean, what if something happens? What if she hears about the lockdown, or about Rebecca, a-and she gets scared and she wants Mom and Dad...?

VANESSA ABRAHAMS: Whatever happens, you’ll be able to handle it.

LISSY: You really think so?

KIRSTEN CHADWICK: No.

FLINT MONTENEGRO: As the moderator of this discussion, Kirsten, I’m flagging that comment as inappropriate.

KIRSTEN: Somebody has to be honest here, Flint. We can’t all stand around with the blasé we’re-all-going-to-be-okay outlook, can we?

FLINT (blasé): Works for me.

VANESSA: Was that deliberately blasé?

FLINT: Maybe. Maybe not.

LISSY (tense): Guys!

FLINT: Yes?

LISSY: Not helping!

VANESSA: Are you tense? Oh my God, you’re tense. You’re not okay. You’re...worried?

LISSY: Shouldn’t I be? Aren’t you?

VANESSA (softly): Do you want me to stay?

TREY: Do you want me to stay?

VANESSA (annoyed): Trey, for God’s sake, this is not the time for sexual healing!

Trey blushes.

TREY: Did I say that? No, I did not say that. Thank you, Vanessa, but I don’t need your help in this situation. I have big enough feet. I can put them in ‘it’ any time I want.

VANESSA: Are you done?

TREY: (sighing) Yes.

VANESSA: Good. (beat) I’ll stay, Lissy.

She reaches over and takes Lissy’s hand. She squeezes it.

FLINT: Do you want me to stay with Megan, Liss? She knows I tell the most badass bedtime stories.

LISSY: Your badass bedtime stories normally give her those kind of nerve-jangling, cold-sweat nightmares for weeks.

FLINT (nostalgically): Ah, yes. Glad to see they haven’t lost their…“badassery“.

Vanessa laughs awkwardly. It is an off-key sound that fills the room for a moment, before she abruptly stops.

TREY: Should we take a head count? Of who stays and who goes?

LISSY: Sounds like a plan.

TREY: Kirsten?

KIRSTEN: I’m with you.

FLINT: Me too.

LISSY: Sorry, Trey. You know where I stand.

TREY (sad note): Yes. I do. (beat) Vanessa?

Vanessa looks at Lissy.

VANESSA: I’m staying.

KIRSTEN: Sure?

VANESSA: Yeah.

Vanessa nods and smiles weakly.

TREY: Are we ready to go?

KIRSTEN: I think so.

They turn to leave, at the exact moment that Lissy realizes something is missing. Or, more to the point, someone.

LISSY: Hudson!

KIRSTEN: What?

LISSY: What about him? I mean, what if he wants to go--?

VANESSA: Oh, I think he’ll want to stay.

LISSY: You don’t know that.

TREY (note of sadness, almost dislike): I think we do.

Lissy, clearly uncomfortable, looks away.

KIRSTEN: We’d better go.

FLINT: Yeah. (forced) I think Lissy wants us to scram.

Trey, Flint and Kirsten leave the room. Now it is just Lissy and Vanessa.

VANESSA: Lissy?

Lissy can’t look at her.

LISSY: I should go check on Megan.

VANESSA: Maybe we should talk first.

LISSY: Later.

Cut to the back garden. Hudson grabs a flashlight and switches it on. An eerie beam of flickering yellow light illuminates the shrubbery slightly. Just slightly.

HUDSON: F-cking batteries!

He tries to slam the torch, in an attempt to brighten the light. It doesn’t work. The torch now goes out completely. However, in the split second before it goes, Hudson sees several shadows – lifelike shadows – approaching.

HUDSON: What the--?

Outside, Kirsten, Flint and Trey are walking down the garden path.

TREY: I got a bad feeling, guys.

KIRSTEN (mocking): Is your spidey-sense tingling?

TREY: Shut up, Kirsten, I’m serious. I mean—

FLINT (quietly): Just because you are in love with Lissy doesn’t mean you need to stay by her side to protect her, Trey. I think Vanessa can do a good enough job of being the brawn in that pair.

TREY: How did you know that?

KIRSTEN: In love? Really?

Flint nods.

FLINT: Can’t you tell?

KIRSTEN: (sarcastic) God knows. I’m not very perceptive.

FLINT: I never would have guessed.

KIRSTEN (to Trey): Can you get him to shut up with the wit?

FLINT: Why?

KIRSTEN: Because I’m terrified! I’m f-cking terrified and all you can do is hang about and make jokes!

An uneasy silence falls.

TREY: I think we should split up.

FLINT: Split up? Are you crazy?

TREY: We can cover more ground that way.

KIRSTEN: What’s the matter, Flint? Need big boy wolf Trey and me here to protect you?

FLINT: Kirsten, that blow is hurtful and inappropriate –

KIRSTEN: Are you volunteering to go it alone?

FLINT: Maybe I am.

KIRSTEN: You either are or you’re not.

FLINT: Then I am.

There is another uncomfortable silence. Flint turns and swaggers off, in his comfortable, devil-may-care way.

TREY (almost jokingly): That was bitchy, Kirsten.

KIRSTEN: Are you mad at me?

TREY: Yes. No. I don’t know. But you shouldn’t have sent him off like that.

KIRSTEN: I didn’t send him –

TREY: Well, you didn’t have to antagonize him.

KIRSTEN: It’s just stressful! This whole situation is!

TREY: And you don’t think it’s stressful for the rest of us?

KIRSTEN (changing): Of course. Of course it is. I’m sorry, Trey, I know it was –

TREY: Don’t worry. Don’t worry, okay? Not with all this other stuff we have going on. Let’s just split up and try our best.

KIRSTEN: Okay.

Kirsten looks both ways down the street. No sign of any police.

KIRSTEN: (softly) I’ll go this way, I guess.

Kirsten heads off in the indicated direction. Trey watches her wander into the darkness.

TREY: (to himself) This sh_t is tearing us apart…

After a beat, he walks off into the night.

Back inside, Vanessa sits awkwardly in the living room. It’s silent and dim. Her hands are folded together in one another and resting on her lap. Blinking, she stares ahead to pass the time. Lissy has gone upstairs to find Megan. There is a quiet clatter from the kitchen. Vanessa snaps her head in that direction.

VANESSA: (apprehensive) Hudson? Lissy?

Only silence lingers.

We cut outside. Hudson bashes the flashlight against his palm desperately. The light glows with one last flicker of life before dying out completely. Dark shadows can be seen moving ahead of him.

HUDSON: Guys? This isn’t funny.

Hudson edges backwards, grip tightening around the torch. He can see the figure, although not clearly. It looks like…

Suddenly, Hudson’s torch bursts to life with a cone of light shining ahead. A figure concealed in all black is right in Hudson’s face. Before he can react in anyway, a swift punch is delivered right at the bridge of his nose. Hudson sprawls backwards, the flashlight spiraling from his hand. It hits the dew-stained grass and falls lightless once again. It’s hard to make out the two figures as Hudson scampers on the ground and the attacker leans down and draws closer.

HUDSON: (almost teary, confused, pained) Who the f_ck are you?

Blood runs from his nose, it’s more than likely broken. The killer leans down and grabs a handful of his shirt, hauling him to his feet. Hudson, in a fit of panic, shoves the killer off and goes for the back door. It’s light inside the house. Lissy is just beyond the kitchen…hopefully. Hudson runs, tripping over the cement step leading up to the house. He falls hard, landing right outside of the kitchen door. Extending his hands out, they reach into the house. He opens his mouth to scream for help but two things happen at once, silencing him.

A hand wraps around his mouth and a cold knife buries into his back. His eyes snap open wide. Pain begins to become tangible to Hudson. The light coming through the open kitchen door is the only source of illumination in the dark, secluded back yard,

Inside, Lissy makes her way down the deserted hallway. She reaches Megan’s door, lightly rapping on it.

LISSY: (gently) Megan? You in here?

She slowly cracks the door open. Megan is standing there in pajamas, sipping from a glass of water. Lissy sighs, slightly in relief.

LISSY: Are you getting ready for bed?

Megan nods, followed by:

MEGAN: I’m tired. Too much Twister.

Lissy can’t help but smile at her little sister. Megan sets down her glass of water and begins to crawl into the bed.

LISSY: Sleep tight sis, don’t let the bed bugs bite.

MEGAN: Can you sing me a song?

LISSY: (caught off a guard) A song? Like…a lullaby?

MEGAN: Anything to help me fall asleep.

Lissy walks over to Megan’s bedside, kneeling down.

LISSY: (laughing off-beat) Aren’t you a little old for that?

MEGAN: I’m just enjoying my childhood.

Lissy starts to laugh heartily, shaking her head.

LISSY: If you say so. What should I sing?

Megan ponders for a moment, with a finger on her chin.

Cut back to Hudson. Ignoring the pain, he wrestles the killer off his back and begins to drag himself forward. Eventually he gets to his feet and begins to limp run into the kitchen. The killer, much less wounded and much more swift, catches up, grabbing him roughly by the hair.

HUDSON: (loudly) Gaahhh!

His grunt doesn’t seem to draw any attention. In one swift moment, his throat separates at the flash of a knife and blood begins to seep out. The killer cups a hand at his throat, preventing blood from spraying onto the floor. It leaks down onto Hudson’s clothing as he stumbles backwards. Flailing his arms and finally realizing the end of the means has come, he knocks into a knife block. It falls from the counter, clattering against the ground and echoing in the quiet house.

Off screen, a gently voice is heard.

LISSY: (V.O., singing softly) Golden slumber kiss your eyes, smiles await when you rise. Sleep, pretty baby, do not cry and I’ll sing you a lullaby.

Hudson flails desperately and weakly as the killer begins to drag him out of the kitchen and into the never ending darkness.

LISSY: (V.O., continuing) Care you know not, therefore sleep, while I over your watch do keep. Sleep, pretty darling, do not cry and I will sing a lullaby.

Lissy’s lullaby fades out just as Hudson disappears from view, life almost gone from him.

The camera is on Lissy as she slips out of Megan’s room, turning the light off as she goes. She sighs, a warm feeling rising inside of her. But a different situation awaits her downstairs with Vanessa and the others. Lissy starts off down the hallway as the scene fades to black.

END SCENE

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SCENE ELEVEN

Flint is walking and walking and walking. Aimlessly. In the middle of the darkened street. The only light is from a faded streetlamp that stretches over his head.

FLINT MONTENEGRO: (muttering) Why are we doing this again…?

Kirsten is walking elsewhere. This time, she’s looking for somebody. She’s almost remorseful and self-pitying.

KIRSTEN CHADWICK (under her breath): I’ve been an idiot…

She turns and begins to run back in the direction she came.

KIRSTEN: Trey! (beat) Flint! (beat, louder) TREY!

On Trey, who is sitting on the side of the road. He seems to be trying to think of what to do next. Kirsten is visible in the far background running closer.

TREY CARSON: Come on, Trey, buddy, think.

KIRSTEN (OS): Trey!

He doesn’t hear her. Kirsten, however, is now in a state of high panic. Her hair is tousled and her eyes are wild. The fear of the night is starting to affect her. Paranoia sets in.

KIRSTEN: Trey! (beat) Somebody!

POLICEMAN (OS, sarcastically): Anybody?

Kirsten turns around. She finds herself face to face with Officer Jake Martin.

OFFICER JAKE MARTIN: You know, Ma’am, I may be very much mistaken, but I could swear that the TV bulletin said that everyone – especially those in a vulnerable position – should stay inside for the duration of this night.

KIRSTEN (bluntly): I didn’t see it. And anyway, I’m not in a vulnerable position.

JAKE: I would reconsider that if I were you, dear.

KIRSTEN (mutters): F-ck you.

JAKE: I’m sorry? (beat) What was that, Miss Chadwick?

KIRSTEN: You know my name?

JAKE: Everybody knows each other here.

KIRSTEN: Oh. Yeah. Of course.

JAKE: Anyway, did you want something specific?

KIRSTEN: Actually, I do…

FLINT MONTENEGRO (OS): Kirsten?

Kirsten whirls around, not seeing where the voice had come from.

KIRSTEN: Trey?

FLINT (OS): Nah. Flint. I lost Trey about the same time that you did.

JAKE: You lost somebody?

KIRSTEN: It’s really not what it sounds like.

JAKE: I’ll be the judge of that.

Flint walks into the light from the grass, becoming visible for the first time.

FLINT: Who’ll be the judge of what? (sees Jake) Oh. You.

JAKE: Flint Montenegro. I might have known.

FLINT: (borderline smug) Hello, Officer.

Kirsten looks from one to the other. The tension is palpable. What has she missed?

KIRSTEN: Flint? Would you like to fill in the blanks for those of us who weren’t here during the earlier picture?

FLINT: Ah, yes. Kirsten. You see, Officer Friendly and I have met before.

KIRSTEN: You…have?

FLINT: It was a long, long time ago. Longer now than it seems –

KIRSTEN: (cutting him off) What did you do?

FLINT: Why do you always assume it’s something I did?

Jake snorts.

JAKE: You can tell your lady friend all about it when I’m no longer here, Flint. I can’t hear this. Those records are sealed now.

FLINT (embarrassed): Anyway…what brings you out on the street?

JAKE: Patrol. Saving all your asses from the psycho killer that’s on the loose.

KIRSTEN: Psycho killer? (beat) What, is that like his official name? Did I miss something?

It is another tense moment. Interrupted only by the appearance of Trey at the end of the street.

KIRSTEN/FLINT: Trey!

Jake sighs as the two teenagers run away.

Kirsten hugs Trey while Flint stands awkwardly behind her.

KIRSTEN: You’re here!

TREY: Yes, I guess I am.

Flint punches Trey lightly on the arm.

FLINT: You gave us the fright of our lives, buddy.

TREY: God, I hope not.

They laugh awkwardly. Jake returns to them, breaking up the happy reunion.

TREY: Who’s this?

KIRSTEN: This is Officer Martin. He’s going to help us get what we want.

JAKE: (laughing) Ah. You want something?

FLINT: We need something.

JAKE: What kind of something?

TREY: We need to leave.

Jake begins to laugh.

JAKE: Leave? You must be joking. It’s a lockdown. Nobody can leave.

KIRSTEN (near hysteria): But, listen to me!. We’re kids. We’re teenagers. You can’t just trap us here, with no way of getting in or out, if there is, as you put it, a ‘psycho killer’ on the loose.

JAKE: And what if one of you was behind the death of that Rebecca Milton?

FLINT: We wouldn’t have –

JAKE: You could have. I’m sorry. I don’t have a choice. (beat) Look on the bright side…you might be lucky. You three better head on back to where you came from. Can’t have you out wandering around. If I catch you out again later, I might just have to lock you up for the night.

FLINT: (mumbling) Might be safer there than where you’re forcing us…

With that, Jake turns and walks away. Kirsten puts her head in her hands. Flint exhales. Trey bites his lips.

TREY: What are we going to do?

KIRSTEN: What can we do?

TREY: We can’t just give up!

FLINT: It’s not a question of giving up.

KIRSTEN: Isn’t it?

FLINT: No. We can’t give up. That’s all there is to it.

KIRSTEN: Whatever you say, Flint.

Kirsten’s legs give out. She slides to the floor. She lets her head fall into her hands once more.

KIRSTEN: Oh, God, oh God, oh God…

TREY: Kirsten, Kirsten, Kirsten. Don’t be like that.

Trey and Flint join Kirsten at her level. She edges closer to them. This is a soft moment between them. They stay like this for a moment; nothing more than three tiny figures sitting by the road.

Cut back to the Harlow residence.

Vanessa sits patiently on the couch. She twiddles her thumb in her lap. A noise from the kitchen disturbs her thoughts. Her head snaps around, to look in the direction of the kitchen.

VANESSA ABRAHAMS: Hudson? That you?

There is no response. Vanessa slowly gets to her feet. The house remains silent of any other noise. Lissy suddenly appears at the foot of the stairs, looking tired and stressed out. Vanessa relaxes slightly.

VANESSA: Lissy.

Lissy smiles faintly then walks over and takes a seat on the couch. Vanessa sits also. There is a beat of awkwardness and tension.

VANESSA: (softly) How’s Megan?

LISSY HARLOW: She’s fine. Probably out like a light already. She doesn’t know anything that’s going on. I didn’t have the heart to tell her.

VANESSA: (nodding) Maybe that’s for the best. It probably wouldn’t do any good to scare her.

LISSY: Yeah…

Lissy sighs and looks around the room.

LISSY: So did Kirsten, Trey and Flint really leave?

VANESSA: Looks like it.

LISSY: (wondering) And Hudson?

Vanessa leans forward slightly, trying to peer into the kitchen.

VANESSA: Haven’t seen him for ten or twenty minutes. Where did he go?

LISSY: I asked him to check out the backyard and lock up the door. He should be back by now….

Worried, both girls look into the kitchen. Lissy is the first one to her feet.

Cut to a dark, shadowy room. Megan breaths peacefully, tucked comfortably in her bed. She moves slightly. A knock on the door causes her eyes to spring open.

MEGAN HARLOW: (groggy) Lissy?

She sits up, rubbing her eyes. She begins to yawn when another knock, softer than the first, causes her to look at the door.

MEGAN: Come in.

There is a beat before the door clicks open. It creaks as it slowly edges open wider. Megan, sleepy, stands up. She moves towards the door and pokes her head through. The dimly lit hallway is empty.

MEGAN: (giggling) Hud, is that you? Do you wanna play hide and go seek again?

She pushes the door all the way open and walks out into the hallway.

MEGAN: Well…ready or not, here I come!

Megan bounces down the hallway, away from the stairs leading down.

Int. Kitchen

Lissy and Vanessa enter here, cautiously.

LISSY: Hudson? You in here?

They scan the kitchen and it is then they notice the back door is wide open.

VANESSA: Oh my god…

Lissy quickly hurries over to this door. She looks out into the dark and shady backyard. Sitting right there, just beyond the door, is a flashlight. Shaking, Lissy bends down and picks up the flashlight. Vanessa appears behind her, fearing the worst.

VANESSA: Please tell me that isn’t --

LISSY: (looking at her) Hudson’s flashlight? It is.

Vanessa quickly takes the flashlight from her, studying it.

VANESSA: Why would he leave it here?

Lissy, still kneeling, feels almost nauseous. She gazes out across the backyard again.

LISSY: (quietly) Do you think he’s…

VANESSA: (snapping) No! Don’t say it! I’m sure he just went with Trey and the others.

LISSY: (not certain) Yeah...

Vanessa sets the flashlight down on the counter. She helps Lissy to her feet. Lissy pushes the ajar door lightly, enough force to send it clicking closed. Lissy hastily turns the lock. After a moment, she moves the curtain and glances out. One last time. The curtain falls close.

There is one last, lingering shot of the exterior of the Harlow’s house.

END SCENE

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Scene 12

Lissy and Vanessa apprehensively enter the living room once more. Lissy takes a seat on the couch, sighing. Vanessa seems unable to sit back down, jittery and nervous. She leans against the wall, tapping her foot lightly.

LISSY HARLOW: Vanessa…?

VANESSA ABRAHAMS: Yeah?

LISSY: (softly) I’m worried. Really worried.

VANESSA: Yeah, me too. (with a small smile) But I’m sure everything will be fine in the end.

LISSY: (innocently) What’s everything going to be like tomorrow?

VANESSA: No idea. Different, that’s for sure.

Lissy sighs again, resting her head in her hands and taking a deep breath.

LISSY: (looking up) This is just all…a big wake up call. Rebecca’s death, the lock down, Kirsten’s story.

Vanessa finally seems to be relaxing, if only a little. She goes to Lissy’s side.

VANESSA: (chuckling) I wasn’t aware this was going to be happening when we jumped on board for an easy night of “babysitting”.

Lissy lets a soft laugh escape her lips. It only lasts for a brief moment. She seems tense again.

LISSY: I hope Trey and the others come back soon. With Hudson.

VANESSA: I’m sure they will. We just have to sit around and wait.

There is a beat of silence. Lissy seems lost in her own thoughts, falling in deeper and deeper.

She stands abruptly.

LISSY: Don’t leave me alone to my thoughts. I’ll go insane.

VANESSA: What do you mean?

LISSY: Never mind. I’m going to go check on Megan again.

VANESSA: Ok…

Lissy turns and ascends the stairs. Vanessa shakes her head as she goes and sinks into the couch more. She bites her lip and looks around.

Lissy reaches the second floor. It’s dark up here. She walks down the hallway to Megan’s room. As she looks to it, she notices the door is open. Putting a hand against it softly, she pushes it open.

LISSY: (increasing worry) Megan…?

She steps into the dark room. Megan’s bed is empty, the sheets cast aside.

LISSY: (panicky) Megan?!

She quickly flips the light on. No sign of Megan anywhere.

LISSY: (spinning around) Oh my god! Megan, where are you?

Vanessa hears running footsteps. It catches her attention as she looks upwards. Lissy comes barreling down the steps, flustered and shouting. Vanessa gets on her feet.

VANESSA: Whoa, whoa. Lissy, what is it?

LISSY: It’s Megan! She’s missing!

VANESSA: What?!

LISSY: Hurry.

Lissy gestures and goes back up the steps. Vanessa quickly follows after her. They rush down the hallway to Megan’s empty bedroom.

LISSY: (hysterical) Look! She’s not there!

Vanessa scans the room briefly. It seems Lissy is right.

VANESSA: (coolly) Ok, let’s not jump to conclusions. She probably just went to use the bathroom or get some warm milk from the kitchen.

Vanessa bounces away from the threshold, moving further down the hallway. She goes and knocks on a door. It creaks open to reveal a dark bathroom. No Megan. Vanessa strides back to Lissy.

VANESSA: I’ll check the kitchen. Just wait here and don’t freak out. She’s around her somewhere.

Lissy nods as Vanessa dashes away.

Cut to the kitchen.

Vanessa hurries in, discontent at finding it empty. A cold breeze floats across the room. Vanessa notices the open window. The breeze gives her the chills.

VANESSA: (under her breath) Oh, come on…

Vanessa creeps across the silent kitchen. She slowly shuts the window and locks it. She frowns to herself, remembering the window was unmistakably closed. Shaking it off, Vanessa turns and begins to head out of the kitchen.

VANESSA: (muttering) Megan, please don’t do this right now….

Dark suburban street. Trey, Kirsten and Flint are back on their feet. They trudge side by side down the stretch of a street, in silence. The mood is varying. Somber, a sense of lost hope. The attempt to call off the lock down had failed. They could only return to the house and do nothing. As they continue walking, the soft hum of the engine breaks the silence as Officer Jake Martin pulls along side them.

JAKE MARTIN: (from the car) Why don’t I give you kids a ride? Probably not the best idea to send you through the dark streets by your lonesome’s.

FLINT MONTENEGRO: (theatrically) Looks like Mr. Officer has finally got a head about him!

JAKE: (not amused) Do you want a ride or not?

FLINT: (thinking) Hmmm, let’s see. Police car with you or the streets with a serial killer? I’m leaning towards --

KIRSTEN CHADWICK: (cutting him off) Ok, fine. We’ll get in.

Jake stops the car as the teens stop walking. He unlocks the door. Trey opens it and slides in followed by Kirsten and then Flint. He shuts it as he sits down. Jake begins to drive again.

FLINT: (murmuring) How quaint.

JAKE: (ignoring it) Where am I dropping you kids?

FLINT: (leaning into the grate) Somewhere far away from here preferably. Where there’s no lock down and we aren’t stranded like helpless little kids.

Kirsten pulls Flint away from the grate and leans towards him.

KIRSTEN: (whispering, slightly harsh) Ok Flint, I understand you have some sort of ancient grudge with this guy but can you cool it? We don’t want to piss him off.

FLINT: (defeated) Ok, sorry…

Kirsten pulls away from him, sighing.

TREY CARSON: (re: Jake’s question) The Harlows. That’s where we were.

The camera pulls out of the police cruiser as it makes a right onto another street.

Into the Harlow house. Lissy is in Megan’s bedroom.

LISSY: Megan? (beat) Meg, are you okay?

MEGAN (crying): Lissy! Lissy!

Lissy hurries to Megan’s bedside immediately.

LISSY: What? What is it?

Lissy puts her arms around Megan, who appears to grow even more hysterical.

MEGAN: They’re coming to get me!

LISSY: Who? Who? What?

Megan shakes her head, crying.

LISSY: It’s okay. You can tell me.

MEGAN: I don’t know!

LISSY: Oh, honey, you were just having a nightmare.

Megan continues to shake her head.

MEGAN (hysterically): I wasn’t. It was real. I know it was real. I’m sure it was real –

LISSY: No, no, no, Megan, sweetie, listen to me –

MEGAN (abruptly): I think it was someone we know.

Lissy freezes.

LISSY: What?

MEGAN: I don’t know for definite. But I’m 99.999% certain.

LISSY (to herself): No.

MEGAN: What?

LISSY (sharply): You were mistaken, Megan. You must have been.

Lissy turns, about to go.

MEGAN: No, Lissy, please…

LISSY: What?

MEGAN: I don’t want to be on my own. Please. (beat) I want to come with you and Vanessa.

LISSY: Oh, Megan. That’s not –

MEGAN: But I need to.

Choice for Lissy Harlow (wsukellie):
A) Let Megan come downstairs with you and Vanessa. It’s a bad night for you all.
B) Convince her to stay here. It’s just a nightmare; you don’t want to scare her unnecessarily.
C) Stay in Megan’s room with Vanessa. It might make her feel better to know she’s not alone.
D) Ask Vanessa to come up here and comfort Megan. Maybe she can make some more impact.
Plot-changing.

The car pulls up in front of the Harlow house. Jake Martin is in the front seat. All three of the kids are crammed into the backseat.

JAKE: This is the place?

TREY: Yeah. It’s here.

FLINT (about to rant): Now, Mr. Martin, before we get out of the car and go on with our lives, I would like to say –

Kirsten shoves Flint. Hard.

KIRSTEN (under her breath): Shut the f-ck up, Flint!

The door bursts open. Flint falls out of the car. Trey and Kirsten follow, a few steps behind.

KIRSTEN: Guys, hurry…

They all get ready to run. Jake, however, is a step ahead of them.

JAKE (OS): Where do you think you’re going?

TREY (sotto): And now The Pink Panther theme will play.

KIRSTEN: Shut up!

Kirsten hits Trey between the ribs. He staggers.

TREY: Aw, Jesus, Kirsten –

KIRSTEN (agonised): Oh, God! Trey, I’m sorry!

FLINT: I wish you’d show that kind of mercy when you’re beating me up…

Kirsten grabs hold of Trey and hauls him into a half-standing position.

JAKE: I’m afraid it’s not over yet.

There is an ominous beat.

TREY: What?

JAKE: I’m afraid I’m going to need Mr. and Mrs. Harlow’s mobile number.

KIRSTEN: Well, you can’t have it!

JAKE: I need it, Miss Chadwick. Teenagers staying in their house have been found to be in trouble. I have to inform them.

The teenagers look at one another.

TREY: Fine. You know what? Fine. Have it. Call them. But we haven’t done anything wrong.

JAKE: I think I’ll be the judge of that.

Trey takes a pen from his pocket and writes down a number. He passes the paper to Jake. Jake glances at it and scowls.

JAKE: This better be the correct number.

TREY: Oh, it is.

Trey turns and goes back inside the house. He is followed by Kirsten and Flint. Jake takes a phone from his pocket and dials the number.

JAKE: Hello? Mr. Harlow? Yes. It’s Detective Martin. I need to talk to you…

END SCENE

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Scene 13

Kirsten, Flint and Trey approach the house as Detective Martin pulls out of the driveway.

KIRSTEN CHADWICK: (hassled) What’d you do that for?

TREY CARSON: (innocently) Do what?

KIRSTEN: (annoyed) You know what. Give Martin the number.

TREY: (smirking) Who says I gave him the number?

Kirsten and Flint share a quick glance.

FLINT MONTENEGRO: (presumptuous) So you pulled the wool over our friendly neighborhood cop’s eyes?

TREY: In a way, yeah.

KIRSTEN: (confused) So what did you give him?

TREY: Mr. Harlow’s work number. He’ll think he’s leaving a message for Lissy’s dad but in reality, he won’t get it until he goes back to work on Monday.

Kirsten wipes her brow.

FLINT: (chuckling) We avoid trouble…for now. We just have until Monday to try and explain why the cops are calling Mr. Harlow’s work.

KIRSTEN: (blowing it off) We’ll figure it out later. After tonight...I think everything else is going to pale in comparison. Come on, let’s go inside.

We move to inside the Harlow home.

Lissy is leading Megan down the hallway, holding her hand tightly. Megan sniffles, having recently stopped crying. Lissy looks tense and worried as they begin moving down the stairs. Footsteps rush towards them as Vanessa ascends the stairs.

VANESSA ABRAHAMS: (hastily) Are you guys ok? I heard some shouting and crying.

LISSY HARLOW: (sighing) Fine…for the most part.

VANESSA: (caught off guard) For the most part?

MEGAN HARLOW: (blurting out) There’s someone in the house!

Silence. Vanessa looks at Lissy with a look of fear as if to ask “Is she serious?” Lissy turns apprehensively to Megan. She kneels down to her level and takes Megan by the shoulders.

LISSY: Now, Megan, you’re absolutely sure you saw someone?

MEGAN: (sniffling) Yes! They were upstairs in mom and dad’s room. I think it was someone you know…

VANESSA: (almost yelling) Someone we know? Who!?

Megan’s face twists into confusion and fear as she tries to remember who it was. She can’t seem to put a name to a face. Lissy is staring warily up the stairs.

LISSY: (distantly) Megan, are they still up there?

Megan shakes her head.

MEGAN: I don’t know. I ran back to my room.

Lissy and Vanessa look to each other. What’s their next move?

A door opens downstairs. It creaks as it does. All three girls freeze. Megan clutches Lissy’s hand tighter and tighter.

TREY: (O.S., calling) Lissy? Vanessa? Where are you guys?

LISSY: (with a sigh of relief) Trey!

Lissy stands up and hurries down the stairs, past Vanessa. Vanessa and Megan follow after her.

They reach the foyer where Kirsten, Trey and Flint are standing. The door is open behind them. Trey begins to talk but Lissy runs past them. She shuts the door and locks it.

TREY: What’s wrong with you?

LISSY: (shaking her head) I have a really bad feeling.

Trey just stares at her. Kirsten isn’t sure what to say.

FLINT: (chiming in) Hey, where’s Hudson?

VANESSA: Wait, he wasn’t with you guys?

FLINT: No. I thought he stayed at the house with you two.

Lissy’s face drains of color.

VANESSA: (apprehensive) No…he isn’t here. Are you sure he didn’t go out looking with you three?

KIRSTEN: Positive. We would have ran into the kid.

Lissy stifles back a cry. Trey quickly goes to her side as she sinks to the floor.

TREY: (comforting) Lissy, what is it? What’s wrong?

LISSY: (choked up) Rebecca’s dead. Hudson’s missing. And Megan said she saw someone in my parents bedroom!

The group is shocked to silence. There is a beat.

KIRSTEN: Someone? Upstairs?

She can’t help but glance upwards to the ceiling.

FLINT: (hopefully) It was probably just Hudson. Wouldn’t you think?

MEGAN: (forcefully) It wasn’t him!

VANESSA: Megan said she saw the person’s face. It’s someone she thinks we know.

FLINT: (through his teeth) Looks like some investigating is in order.

Trey stands up, helping Lissy up as well. He leads her over to the couch and sits her down.

TREY: Flint, let’s go.

FLINT: (taken back) Go? Where do you think we’re going?

TREY: Upstairs. To find who Megan saw.

FLINT: (frowning) Does it have to be me?

Trey strides over, grabs Flint by the arm and begins to drag him towards the steps.

FLINT: (groaning) So sexist.

KIRSTEN: (suddenly) Wait, I’m coming with!

Kirsten rushes over to Flint and Trey at the base of the stairs.

TREY: (to Flint) There. A girl’s coming. It’s no longer sexist. Now, come on.

FLINT: Hold on, I have an idea. And it’s a good one, at that.

Flint moves away from the stairs and jogs into the kitchen. He opens the door and looks around. He pulls a drawer ajar and grabs hold of the first knife he sees.

FLINT: (studying it) Not quite Myers’ style butcher knife but it’ll do.

Holding it carefully, he walks back to the others.

They seem surprised as he re-enters. Lissy gasps and Trey jumps towards him.

TREY: (startled) Flint, man, what are you doing?

FLINT: (inquisitively) Well, there’s someone upstairs, right? Someone we clearly didn’t invite to this little get together. That makes them an intruder. And, I don’t know, there is a killer at large and there just so happens to be an unwelcome guest creeping around up there. I just put two and two together and figured a knife might be a good idea.

Everyone just looks at Flint. He shrugs.

FLINT: Fine. Let’s just go with “better safe than sorry”.

KIRSTEN: (pulling Flint towards her) Let’s get this show on the road.

Kirsten, Flint and Trey begin to ascend the stairs.

It is dark up here. Moonlight comes in through the window at the end of the hallway. The three tip toe down the hallway, listening for sounds. They pass Megan’s room and the bathroom and then reach the end of the hall, where the window is. From there, it goes left towards Lissy’s room and then right towards the parent’s room. All three are looking towards the parent’s master bedroom. The doors are shut.

Kirsten whirls around as she heard a door clicking shut. She stares at Lissy’s doors.

KIRSTEN: (low) Did you guys hear that?

FLINT: (same tone) Hear what? Trey’s heavy breathing?

Trey nudges him in the ribs with an elbow.

KIRSTEN: No, seriously. That door just shut.

TREY: Megan said someone was in this room.

KIRSTEN: I know but…

Kirsten’s voice fades out. There’s a beat.

KIRSTEN: I’ll check Lissy’s. You guys get the parent’s room.

Trey and Flint look at one another. Then back at Kirsten.

TREY: You sure?

KIRSTEN: Yeah. You’re just down the hall, right?

FLINT: (prodding) Yeah but when you’re dealing with a hell-bent killer, “just down the hall” might seem like a mile long stretch.

KIRSTEN: (rolling her eyes) You know how to make a girl feel good, don’t you?

FLINT: Just saying.

KIRSTEN: Ok…well, I’ll be back. Check out that room and meet me back out here.

Trey nods to her as she starts heading towards the other bedroom. Trey and Flint begin walking in the direction of the master bedroom.

FLINT: (whispering) She said those words, you know.

TREY: Huh? What words?

FLINT: (in a deep voice) I’ll be back.

Trey just looks at him, confused.

FLINT: In horror movies, those words are a death sentence.

Trey sighs, annoyed.

TREY: Can you shut up with the movie crap? You’re really doing all you can to antagonize the situation.

FLINT: (under his breath, sarcastically) I do what I have to.

Trey grabs the knob to the door. He hesitates, looking to Flint. Flint doesn’t react in any way. Trey pushes the door open and the two guys peer warily into the room. At first glance, it’s unoccupied. They move into the room, alert and on edge.

Flint goes over to the bed and gets down on his hands and knees. He lifts up the bed skirt. No one under there.

Trey opens up a closet door and moves some of the clothes around. No one in there.

The two converge in the center of the room.

TREY: (suggesting) Only other place…the bathroom.

They both begin to move towards it. Trey allows Flint to edge ahead as they keep walking. Flint suddenly pauses.

FLINT: Wait, why am I in front?

TREY: You have the knife.

Flint forces the handle of the knife into Trey’s hand and pushes him ahead.

FLINT: Now you have it.

TREY: (laughing) Aren’t you the brave one?

FLINT: (through his teeth) Just go.

Trey and Flint move around the corner and reach the bathroom door. It’s barely open and even darker in there than in the bedroom. With the knife, Trey pushes the door open. They can’t see anything in there. Trey inches forward and with his other hand, he feels around for the light switch. Holding his breath, Flint watches from behind.

As Trey flips the light on, he and Flint jump into the bathroom. We cut to Kirsten before we see what’s inside.

Kirsten enters Lissy’s bedroom. The first thing she notices in the dark room is the open window, curtain fluttering in the window. It’s cold in here. Kirsten rubs her arms nervously as she looks around. A gust pushes the door shut and the click catches Kirsten’s attention.

She realizes this was the noise she heard. At ease, Kirsten scans the room one last time. Shouts and screams from down the hall cause her to tense up again. It was Trey and Flint. Heart beginning to beat faster and palms sweating, Kirsten is unsure what to do.


Choice for Kirsten (AlmostFamous7)

A) Rush to the master bedroom and find out what’s going on
B) Go downstairs, get Lissy and Vanessa and then go to the room
C) Poke your head outside and see if Flint and Trey come out
D) Cautiously approach the master bedroom and call for the two
E) Stay where you are and wait



END SCENE

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SCENE 14

Kirsten listens hard. She is getting nervous now. She wipes her hands on her jeans.

KIRSTEN CHADWICK: That’s it. I’m out of here.

Kirsten wrenches the bedroom door open and begins to run...

The scene cuts quickly to the bathroom, where Trey and Flint are standing, Flint behind Trey. Trey has the knife outstretched. A fallen can of hairspray has caught them off guard.

FLINT MONTENEGRO (exhaling in a rush): Nothing?

TREY CARSON: Nothing.

Flint withdraws the knife from Trey.

FLINT: Great. Now I feel like a royal jackass.

TREY: Well, I wouldn’t speak too soon. We don’t know what Kirsten’s found yet.

FLINT: I don’t know...

TREY: What’s that supposed to mean?

FLINT: It means I’m not so sure that anyone of this is even real.

TREY: Flint, trust me. This is very real. You’re not dreaming. I’ve pinched myself a thousand times already and nothing good has come of it. Here, there’s probably a bruise…

Trey begins to roll up his sleeve but Flint stops him.

FLINT: I didn’t mean...unreal like that. I meant unreal as in I wonder if there even is a killer.

TREY: What? So you think Rebecca’s death was just some huge...mistake? You think she’s about to jump out of a closet and scream, ‘Surprise!’?

FLINT (vague): No. No. Not like that at all. I mean, sure, Rebecca’s dead and that’s very sad –

TREY: (groaning) Jesus, Flint –

FLINT: But how do we know that it wasn’t just a one-off?

TREY: In a place like this, Flint, murder usually isn’t a one-off.

FLINT: Exactly! But we don’t know that...(beat) Okay, I’ve lost you. Let me just say something. Imagine that Rebecca was mugged. Or an attempted mugging. Because she won’t let go of her purse. So what does the psycho thug do? He kills her.

TREY: I’m not following –

FLINT: (sardonic) So Rebecca is dead. Boo-hoo. Lilies at the funeral. Wearing black. Making a shrine. That kind of nasty sh-t. We all love that.

TREY: Flint...

FLINT: No, no, no. Hear me out. So some jumped-up little cop like Jake Martin finds her. Beaten. Bloody. Dead. Awww. How sad. What a tragic, random event. But this jumped-up little cop isn’t ready to let it remain a tragedy. No. He wants a big event. And since everyone is still really jumping about that bloodbath in the ’70s –

TREY (raw nerve touched): Hey, listen, man, that was dreadful. My mom and dad still have nightmares about it sometimes. Just ’cause you and your parents weren’t around...

FLINT (edgy): - but everyone is still really upset about it!

TREY: People died, Flint! And the dude who did it? He was from here, too...Never found him either.

FLINT: Yes! I am aware of that! I attended the History classes too, you know! There is no need to get on your soap box with me, mister. I am simply making an observation. (beat) Anyway, this jumped-up little cop decides that he wants to make a murder mystery out of this. So he pulls some strings. Gets the bigwigs to declare a lockdown. Ooh. Now our little mugging gone wrong is such a big deal now. And pen pushers like Jake Martin are onside to make it seem worse than it is. I mean, look what fun it is! We can get a bunch of teenagers to believe that they’re about to be slaughtered!

TREY: So you’re saying...this is a—game?

FLINT (wise): That’s exactly what I’m saying.

TREY: Still, I don’t see how –

FLINT: It makes perfect sense! We live in a small town, Trey. In a small town, nobodies who want to be somebodies control everything. We have no free will. They decide our fate for us!

TREY: You know, Montenegro, you make a good case.

FLINT: Thank you.

TREY: (drawing on) But still…

Off-screen, Kirsten screams. A long, painful howl. There is a huge crash. Trey and Flint freeze, staring at one another

The scene cuts quickly to the staircase.

Kirsten lies at the bottom. She is bleeding profusely. A figure wearing a mask stands above her. Looking down on her.

KIRSTEN (whispering, panicked): No...no...

She tries to get up, but can’t. She is paralyzed, in fear and in pain.

The figure begins to walk slowly towards her.

KIRSTEN (screaming): NO!

As he gets level with her, she rams one leg up and knees him in the ‘sensitive area.’ Or, at least, tries to.

FIGURE: Bitch!

He spits in her face as she staggers to her feet. She shudders in disgust, recoiling.

Then he pulls something out.

A gun. Silencer on the muzzle.

Kirsten screams.

He fires.

One shot in her lower abdomen. Hands immediately clutch to the wound.

Then he smiles. Kisses her on the cheek.

She falls back.

Bleeding.

A few moments earlier…

Vanessa paces in the kitchen. Lissy sits at the table, gently holding Megan’s hand.

LISSY HARLOW: (softly) What do you think is taking so long?

VANESSA ABRAHAMS: I don’t know.

LISSY: (beat) I’m still worried about Hudson.

Vanessa stops pacing.

VANESSA: I’m sure he’ll turn up. He’s probably still outside, not knowing the others came back.

LISSY: But…it’s been an hour since they left and everyone else is already back.

Lissy walks over and puts a hand on Lissy’s shoulder, gripping it comfortingly.

VANESSA: Have hope, girl. Hudson is a strong, smart kid. He’ll show up sooner or later.

Lissy nods, smiling slightly. Vanessa resumes pacing about the kitchen.

There is a scream. A loud crash. Another short scream. The sound of something falling to the ground. Vanessa immediately pauses and Lissy jumps out of her seat.

LISSY: (tense) What was that?

Megan, choking on tears, grips Lissy’s shirt with a white-knuckle grip.

VANESSA: That didn’t sound good…

LISSY: (nervous) What if something happened? What if someone’s hurt…? Oh no…

MEGAN HARLOW: (terrified) It’s him…he’s in the house.

LISSY: (bravely) Megan, no! I’m sure it was something else. (muttering quietly) Please tell me if was just something else…

VANESSA: Wait here. I’ll check it out.

Lissy only watches as Vanessa moves around the island and towards the swinging door. She puts a hand against it and freezes. She looks back to Lissy and Megan.

Lissy only nods, a mixed look of horror and sorrow on her face. Vanessa sighs and moves through the door. Lissy and Megan watch as she steps forward and the door swings shut, blocking their view.

Vanessa screams, off-screen, barely a second later.

Quick cut to upstairs. Flint and Trey have just run out of the room. They rush through the hallway and towards the staircase. They look down on the bloodied, paralyzed Kirsten. She is looking seriously injured. There is blood on her face, in her hair, on her clothes.

TREY (yelling): KIRSTEN!

FLINT: Kirsten, oh my...

Kirsten sees them at the top of her stairs. Her vision is blurry. She raises a hand and weakly stretches it out to them.

KIRSTEN (faintly): Help...me.

END SCENE

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Scene 15

Trey and Flint are down the stairs in a flash. Along with Vanessa, they swoop to Kirsten’s side.

TREY CARSON: What the hell happened?

KIRSTEN CHADWICK: (weakly) Killer…

She moves her hand away from her stomach. Her shirt is blood soaked. As are her hands and ends of her hair.

FLINT MONTENGEGRO: (panicking) She’s been shot! Trey, she’s been shot!

TREY: No sh_t, Sherlock! Vanessa, get the phone. Call for help.

Shell shocked, she nods. She hurries across the room and picks up the phone. She swiftly dials 911 and holds the receiver to her ear. Nothing. Not even a dial tone.

VANESSA ABRAHAMAS: Houston…we have a problem.

TREY: Houston? What?

VANESSA: Nothing. (holds phone up) Phone’s out.

TREY: (sighing) Figures. Try your cell phone!

Vanessa pulls out her cell.

Trey puts a hand under Kirsten’s head and gently lifts her up.

FLINT: (frantic) Trey! What are you doing?

Trey, startled, quickly but carefully puts Kirsten’s head back down.

TREY: What? What are you yelling about?

FLINT: Aren’t you not supposed to move them?

TREY: I thought that was only epileptic patients.

FLINT: I thought it was a general rule for anyone injured bad.

TREY: Well, I don’t care. Help me move her to the couch.

Trey lifts her head again and then scoops a hand under her back.

TREY: (softly) You ok if we move you?

Kirsten nods, her eyes closed and teeth clenched together.

Flint gathers her legs and the two boys lift her up. They shuffled over to the couch and lightly lay her down on it. Kirsten groans as she is set down.

TREY: Flint, go get some paper towels and a damp cloth.

FLINT: (looking at Kirsten) I don’t think that’s gonna…

TREY: Just go!

FLINT: Ok, ok!

Flint hastily leaves the room and heads towards the kitchen. Vanessa comes over to Trey, desperately smacking her cell phone.

VANESSA: Something’s wrong…

TREY: (loudly) Really?! Ya think?!

VANESSA: I meant with my phone, dumb ass.

Trey sighs and runs a hand through his hair.

TREY: Of course. That was to be expected…

VANESSA: I don’t know what it is. Every time I try and make a call, it just beeps and says “Unavailable”

TREY: Modern technology sucks.

Flint enters the kitchen. He immediately sees Lissy cradling Megan’s head and clamping her hands over her ears. Megan is crying softly Lissy looks up.

LISSY HARLOW: Flint! Please tell me this is all…

FLINT: You heard?

LISSY: Tell me this is just a joke. A clown or some other goofy ass figure is about to pop up soon and yell “Surprise!”, right?

FLINT: Trust me, I was just telling Trey the same thing upstairs. You know, I wish it was like that. But Kirsten’s struggling in there and that’s the reality of it.

LISSY: (quietly) Oh my god….oh my god…

Flint grabs a roll of paper towels. Then, he grabs a hand towel and begins to wet it.

TREY: (O.S.) Keep trying, I don’t know.

On Vanessa as paces around the room, dialing and re-dialing on her phone. Trey leans in to Kirsten.

TREY: Who did this to you?

Kirsten shakes her head back and forth. A tear rolls down from her face, mixing with blood.

TREY: Kirsten, you have to help me out here.

KIRSTEN: (sputtering) There was….someone upstairs. I didn’t even see it coming.

Trey glances warily up at the steps.

TREY: Where did he go?

FLINT: (O.S.) Or she.

They both look as Flint arrives back in the room. He hands the paper towels to Trey.

KIRSTEN: (distantly) I think he’s gone…

TREY: (re: damp cloth) Put that on her forehead. It’ll help even her out.

Flint nods and gently places it across Kirsten’s forehead. Trey kneels down by Kirsten’s stomach. He rips off a few paper towels and stacks them up.

TREY: This might hurt but I need to apply pressure and stop the bleeding.

FLINT: Wait, shouldn’t you get the bullet out?

TREY: I’m no doctor…unless you plan on busting out some secret medical skills, I think the bullet is staying for the time being.

KIRSTEN: (pained) Just do it.

Trey leans over and presses the paper towel against Kirsten’s stomach. She groans in pain but doesn’t stop him.

FLINT: (nervous) Shouldn’t we check the wound out? Sterilize it or something?

Kirsten suddenly grabs his arm.

KIRSTEN: (determined) No, don’t. It’s better if you just leave it alone. The pressure is enough for now.

Flint, a little frightened, backs off. He just nods to her and then walks over to Vanessa.

FLINT: How’s help coming?

VANESSA: No go. I can’t make a call off this stupid thing. And the land line’s down.

FLINT: Here, try mine.

Flint pulls out his cell but notices something on the front screen. “Searching for Service” scrolls across the screen.

FLINT: That’s weird…Lissy’s house has always been a service hotspot.

Vanessa snatches Flint’s from him.

VANESSA: I might as well try.

She dials 911 then hits send. There is a beep followed by “Unavailable” flashing on the screen.

VANESSA: Damn! Same thing!

FLINT: Something’s up with the service around here…

VANESSA: Wonderful. F_cking wonderful.

FLINT: Keep trying…I guess.

Vanessa sighs and keeps dialing, on both phones. Flint returns to Trey.

FLINT: We can’t get any outgoing calls from the house. Looks like we’re on our own.

TREY: No…no. We can go get help! The cops are on patrol outside, right? We’ll just flag one down like we tried to earlier. We can bring the car this time.

FLINT: (muttering) Hopefully you don’t get detective Martin.

TREY: What?

FLINT: Nothing. I guess that’s our only option left…

Lissy can hear everything from the other room. She swiftly gets up but turns to Megan.

LISSY: Meg, stay here. Ok? I’ll be right back, I have to talk to my friends about something.

MEGAN HARLOW: Lissy! Don’t leave me!

LISSY: I’ll just be a minute. Sit tight. Show Lissy what a good, strong girl you are.

Megan just nods and settles into a chair. Lissy turns and quickly wipes away the tear forming in her eye. She storms into the next room, startling everyone.

Behind Megan, the backdoor creaks open. She doesn’t notice over her loud sniffling and crying.

Other room. All eyes, except for Kirsten‘s, turn to Lissy.

LISSY: Do you really plan on leaving?

TREY: Lissy!

LISSY: Do you?

TREY: We can’t get anyone through the phone. House phone is shot and the cell phones are acting up. It’s the only thing left to do.

LISSY: (harshly) Do you plan on leaving Kirsten here to bleed to death?

TREY: All the more reason to go!

LISSY: (shocked) Trey!

In the kitchen, Megan stares mindlessly at the door. She twiddles her thumbs nervously. At least she seems to have stopped crying.

A figure in black creeps across the kitchen without a word. From the pocket, they pull out the same gun. Silence equip.

TREY: (quickly) No! Oh, sh_t, I didn’t mean it like that. I meant, all the more reason to go out and get help so she doesn’t bleed to death.

KIRSTEN: (softly) It amuses me how you talk about me bleeding to death so nonchalantly.

TREY: (sotto) Defense mechanism.

Her eyes flutter as she takes over for Trey, holding the paper towels against her stomach. They are already red from blood.

LISSY: (continuing the conversation) She’s helpless by herself. We can’t just leave her here, bleeding on the couch!

VANESSA: (joining in) I agree with Trey, Liss. He and I can go get help, you and Flint can stay here and watching after Kirsten. Besides, I might be able to get a god forsaken signal outside.

FLINT: (mostly to himself) Splitting up. Bad idea. Big horror movie no-no.

Everyone ignores him.

LISSY: I can’t believe I’m hearing these words. You guys…You can’t just leave.

Trey gets to his feet.

TREY: I really don’t see any other way. How do you purpose we get help?

LISSY: (stuttering) I…I…I…

TREY: (sadly) Exactly. Vanessa, let’s head out. You two stay here with Kirsten. We’ll be back in no time. With competent assistance, I hope.

And just like that, Trey and Vanessa are heading towards the front door. Lissy watches them with bewildered eyes. Flint is silent. The front door opens, then closes with a click. There is a beat of tension and silence.

In the kitchen, Megan’s back is to the figure. They stretch out their arm and lean across the kitchen table, holding the gun forward. The muzzle of the silencer is mere inches from the back of Megan’s head. Their gloved finger slowly makes for the trigger.

LISSY: (breaking the ice) Flint, watch Kirsten. I can’t let them go out there.

Lissy hurries for the front door.

Flint kneels down at Kirsten’s side. He nudges her, ever so slightly.

FLINT: (light-hearted with a hint of despair) Looks like it’s me and you, buddy.

She grins, extremely faintly.

Outside, Lissy exits the warm house and takes a few steps through the darkness. Trey and Vanessa are at the end of the driveway.

LISSY: (calling out) Trey! Vanessa!

They turn to her.

LISSY: Come back. I need to say something.

Trey and Vanessa exchange a look before heading back up the drive.

Inside, Flint is sitting against the stretch. Uneasily, he looks around the room. Kirsten is behind him with labored breathing. It doesn’t seem like she can hold on much longer. Suddenly, her eyes open up. She seems alert.

KIRSTEN: (whispering) Do you hear that?

Flint quickly scuttles around to face her.

FLINT: Hear what? I don’t hear anything.

She shushes him weakly. Flint’s eyes dart around the room.

FLINT: Not hearing it.

KIRSTEN: There’s someone coming…

FLINT: Huh? Who?

KIRSTEN: (rushed) Coming from the kitchen. Get out of here, Flint.

Flint looks quickly at the kitchen door. He stands up slightly.

FLINT: (hushes) I can’t leave you here!

KIRSTEN: I’ll just slow you down. Usually it’s the other way around but now isn’t the time to debate. Get to the den before I kick your ass there.

Flint backs up, not wanting to leave.

FLINT: But…

Kirsten sits up slightly and whisks him off with a violent hand gesture. Then, she collapses back onto the couch.

Flint curses under his breath and then rushes off towards the den. The kitchen door swings open.

Flint closes the door behind him. He turns around and quickly locks it. He looks around him. Computer desk, computer, stack of newspapers, small television. Nothing out of the ordinary. The doorknob begins to jiggle. Flint jumps in surprise. The door rattles violently.

FLINT: You gotta be kidding me.

The door stops moving. The lock on the knob slowly begins to turn by itself. Flint is too shocked to move. The door unlocks. The door slowly creaks open and a figure in black stands in the threshold. Knife in hand. In the other hand, a small door key. Flint begins to back up.

FLINT: (to himself) F_uck my life…

The killer shuts the door behind him and locks it again. He begins to run towards Flint, who starts shouting and yelling. The killer swings the knife at Flint who quickly dives to the left. The killer runs past him but stops and spins around. Flint grabs a picture frame off the wall and hurls it at the black figure.

He shields himself as the frame hits him, glass breaking. It falls to the floor. The killer charges at Flint again, this time plowing into him and knocking him to the floor. Flint holds his head as it begins to throb. The killer grips his knife and then suddenly stabs down.

Flint rolls away just in time as the knife sticks into the carpet.


Choice for Flint Montenegro (Nep_Tune)

A) Go for the door, unlock it and run to the others
B) Kick the killer’s arm and make him drop the knife
C) There’s a window on the other side of the room. Get through it somehow.
D) Fight the killer off for Kirsten!


Lissy, Trey and Vanessa converse heatedly on the doorstep.

KIRSTEN: (O.S.) Guys, help!

They all turn around to face the front door.

KIRSTEN: (O.S.) The killer’s got Flint!

Lissy forces the front door open and the three rush back inside.

END SCENE

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Scene 16

Lissy, Trey and Vanessa burst back into the room. Kirsten is half hanging off the couch, struggling to get back up. Lissy and Vanessa quickly go to her side, helping her back up.

TREY CARSON: (frantic) Kirsten, where is he?

She raises a shaky finger, coated in red, and points at the den. Trey dashes in that direction.

Inside the den , Flint and the killer square off. Flint has his hands up, most likely in at attempt to ward off any of the killer’s strikes.

FLINT MONTENGEGRO: (nervous) Ok…so what is this? The big finale? Don’t want to mess up here. You’ve come too far, right?

The killer eyes him down. Flint backs up towards the door.

Trey comes barging at the door. He bangs into hit, hitting with one hand and turning the knob with the other. Locked.

TREY: (calling out) Flint! Flint, you alright?!

FLINT: (O.S., shaky) We’ve got kind of a situation in here.

The killer suddenly lunges at Flint. He ducks out of the way just in time. The killer continues forward with momentum, driving the knife through the door.

Trey yelps and hops back from the door. The silver tip of the knife sticks from the splintered wood, having missed Trey by inches.

TREY: Flint!

Vanessa and Lissy run up to see the knife retracting. Vanessa gasps and Lissy puts a hand to her mouth.

TREY: Come on, we got to get this door open.

The three go after the door again.

The killer turns around and comes after Flint. Flint grabs the attacker’s wrist just in time, holding the knife at bay. The two struggle back and forth, the knife slowly inching it’s way closer to Flint.

Flint suddenly steps aside and let’s go of the killer. He stumbles forward into the computer desk. Flint lets out an exaggerated noise and he drops an elbow onto the killer’s back. He stumbles more, falling down to his knees.

FLINT: This is for shooting my friend!

Flint valiantly jumps on his back and begins punching his head, back and neck area. The killer throws himself backwards and both go sprawling onto the floor. The knife clatters nearby. Flint reaches for it but the killer’s body weight is holding him down. He wrestles to try and break free.

The killer attempts to get to his feet and drags Flint up with him. Flint claws at him and the killer punches him in the stomach, dazing him. Flint’s fingers grip around the cloth of the mask on the killer’s face as the pain rocks his abdomen.

The black clothed attacker kicks Flint backwards. He lurches back, the mask ripping off the figure as Flint connects with the wall violently. He drops the cloth from his hand and slides to the floor.

The unmasked killer goes for his knife, re-equipping himself.

The banging on the door continues.

Flint staggers back to his feet and looks up.

FLINT: (drawn out) Well, f_ck me sideways…

Jake Martin, breathing heavily, grips the knife tighter and glowers at Flint.

5th December 2008. Sometime in the past.

Detective Jake is laying on the sofa in his suburban home, sleeping. He appears peaceful, lost in a dream. After a minute, an alarm clock rings. Groggy, he stirs and pulls the blanket off of him. He checks his watch: 6:48pm. He nods to himself and rolls off the sofa, smacking the alarm in the process. The beeping stops. He begins to get dressed. He puts on his police uniform. He starts looking around for something, but can’t seem to find it. With a sigh, he heads out of the room and continues down the hall.

JAKE MARTIN (shouting): Brittany! BRITTANY!

No response.

He heads down the hall and then into the kitchen. It is unoccupied. All looks normal until Jake’s eyes fall on something by the front door: a suitcase.

JAKE (to himself): The f-ck?

At that moment, Brittany Martin appears at the other end of the hallway. Jake rounds on her.

BRITTANY MARTIN: (broken) Jake?

JAKE: Brittany. Going on a trip, are we?

Brittany crosses the room and grabs the suitcase.

BRITTANY: I wanted to tell you –

JAKE: (interrupting) You’re leaving?

Brittany nods. She doesn’t have any words.

JAKE: And did you intend to tell me? Or were you going to find some postmodern way of doing it? A note on the table, maybe? A text? An instant message?

BRITTANY (beseeching): Jake, please –

JAKE (angrier and angrier): Hell, Britt, maybe you should just write it in the fridge magnets! Maybe, if you really wanted to show me how bad our marriage had got, you could just have done that. (beat) Or you could have told me. Did that ever occur to you? To tell me? That might have been appropriate.

BRITTANY: (looking away) I couldn’t. It was too hard.

Jake grabs Brittany by the chin and forces her to look at him. It wasn’t violet but a little vehement.

JAKE: Why? Is there someone else? Are you leaving me for someone? Another man? Another woman, even?

BRITTANY: No, no, there’s nobody else...

JAKE: Then what? What is it?

BRITTANY (sotto): It’s you, Jake.

JAKE: What?

BRITTANY: I – I’m sorry, Jake, really, but I can’t do this anymore.

JAKE: Can’t do what anymore?

BRITTANY: I can’t...pretend.

JAKE: Pretend to do what? Pretend to love me? Pretend to be happy? Pretend to do the right thing? (shouting) Come on, Britt, tell me what I’ve done! Tell me what I’ve done that was so bad that you can’t bear to be married to me! That you can’t even stand to look at me!

BRITTANY: I’m sorry, Jake. I am. I wish it could have been different.

JAKE (bitter): You and me both.

Brittany picks up the bag and leaves the room. Jake buries his head in his hands as the door slams. Then he breathes, fighting back the tears. He gets up.

JAKE (under his breath): Can’t do this now. Can’t do this now. Can’t do this now.

Then he looks at the clock.

JAKE: Sh-t!

He leaves the room...

Police department. Jake is ready for work and walking through the crowded corridor towards his desk. Several people look at him and whisper. A few people giggle. At first, he thinks he’s just imagining it. He catches more and more people watching him. Then he realizes there is no way this can be a coincidence. He beings to feel a little hot under the collar…

WOMAN: Oh, that poor man...

POLICE OFFICER #1: How could you not know?

POLICE OFFICER #2: Jesus, I know...

POLICE OFFICER #1: I mean, if my wife was –

Jake suddenly faces them, aware of their conversation.

JAKE (icy): If your wife was what?

POLICE OFFICER #1: Nothing!

He moves into the main office. Jessica, the receptionist, jumps to her feet and immediately begins to fuss over him.

JESSICA BINGHAM (in a rush): Oh, Jake, I’m so sorry, I know how hard it must be for you and I really can’t believe she’s done this after the two of you have been together for so long –

JAKE (dazed): Wait. How do you know?

Jessica looks embarrassed.

JAKE: Did Brittany tell you?

Jessica can’t meet his eye.

JAKE (dangerous): Is there anyone in this f-cking office who doesn’t know?

Jessica can’t answer. A few people look in their direction. Jake slams his hand down on her desk. Objects rattle. Jessica jumps.

JAKE: Just answer me, Jessica!

JESSICA (sotto): Actually, it’s pretty common knowledge.

Confused, Jake looks away. Then it dawns on him as more and more people look and mutter things: the hurt, the humiliation, the cruelty. He looks around the office as he realises.

JAKE: How long? How long have you known?

Jessica shrugs sympathetically.

JAKE: So everyone else...everyone else in this damn office...knew that my wife was planning to leave me?

JESSICA: I wouldn’t say everyone...

JAKE: And nobody thought to tell me? Nobody thought to sit me down and say, ‘Hey, Jake, buddy, your wife is going to walk out on you and leave you with nothing.’

JESSICA: We didn’t want to hurt you.

JAKE (bitter): Bullsh-t.

After a couple of moments, he turns and storms away.

JESSICA (after him): Wait, where are you going?

JAKE: To do my job!

He slams a door.

Jump cut to later. Jake has driven to somewhere unknown. He’s sitting in the front seat of his parked car. Walkie-talkie gripped tightly in hand. It’s night now. He’s been gone all day.

All is quiet. All is dead. There is nothing and no-one around. Jake is just beginning to get emotional. He’s close to tears, when...

Something lands on his front windshield. It explodes in a mess of water, blurring the vision out of it. Jake, clearly shocked, presses a button on his walkie-talkie.

JAKE: Sh-t!

OFFICER (OS): What is it, Officer Martin?

Then Jake looks closely. He sees.

JAKE: Nothing. Just a...water balloon.

OFFICER (OS): Careful there, Martin. Nearly gave me a heart attack.

The officer laughs.

JAKE (terse): Sorry, Officer. Won’t happen again.

He puts the walkie-talkie back. He gets out of the car. He is fuming. His teeth are gritted. His jaw is set. He disappears into the night.

He looks up. There is a bridge above him. The dropper of the balloon must be up there.

He crawls up the grassy hill and up onto the bridge. He climbs the stairs slowly.

JAKE: Anybody there?

No answer. But he senses movement as he pushes past a gate…

Jake reaches for his gun...

Then Flint Montenegro appears. He is holding a packet of balloons in his hands.

FLINT: Hey...Officer. Nice night out, huh?

JAKE: Flint Montenegro.

Jake knows him from around the neighborhood.

JAKE: (beat, continuing) You wouldn’t happen to know how to make a water balloon with those natty balloons you’ve got there, would you?

FLINT (shocked): Water balloons? No, sir. Of course not, sir. Why...sir, what a thing to say to me!

JAKE: Huh. ’Cause, you see, I just had one of those nice balloons thrown at me. Splattered all over my windshield. Thought it came from up here...and you’re the only one here.

FLINT (uncomfortable): Yes, it would appear that way.

JAKE: Wouldn’t know anything about that, would you, Flint? Because, I think we can both agree, those water balloons can be pretty dangerous. If one of those landed on a driver, they could really cause damage.

FLINT (flippant): Uh-huh.

JAKE: Are you taking this seriously, Mr. Montenegro?

FLINT: Yes, sir. (cracking) I am.

Then Flint loses it. He starts to giggle. He puts his hand over his mouth and tries to stem the laughter.

FLINT (laughing): Sorry. Sorry. Sorry.

JAKE: You think this is funny? Do you?

Jake, now completely cracked, reaches towards his waistband and pulls out his gun. He brings it to Flint, almost letting it touch his skull...

JAKE: You still think it’s funny? (beat) YOU THINK STILL THINK THIS IS FUNNY?

No longer laughing, Flint jumps away.

FLINT: Sh-t, Officer Martin! What are you doing?!

Jake wakes up a little. Shaken, he puts the gun back. Trembling, he motions to the fearful Flint.

JAKE: That’s it. I’m taking you home. Come on.

Flint edgily heads towards Jake.

FLINT: Sorry. No way.

With that, Flint turns on his heel and runs off as fast as he can. He has skidded off the bridge and disappeared into the darkness before Jake has even realized what has happened. Then Jake gives chase. He runs after Flint, forcing him into a patch of dense woodland. This is a mistake. Jake swiftly loses him amongst the tall trees and thick leaves. He looks around. No Flint. Just dark, empty, open woods.

JAKE: Idiot. (beat) Idiot. Idiot. Idiot.

Jake slowly lets his head drops into his hands. He leans up against a tree and slides to the ground. Soil and twigs are pushed around by his groveling feet.

Alone in the dead of night, Jake begins to break down.

End Flashback

END SCENE

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Scene 17

Trey, Vanessa and Lissy frantically bang on the door.

The commotion from inside has stopped. Trey, noticing this, holds up a hand and stops Vanessa and Lissy. They all wait.

TREY CARSON: I don’t hear anything...

LISSY HARLOW: Do you think...?

TREY: (abrupt) No! I mean, of course not.

He leans against the door.

TREY: Flint? Flint, can you hear me?!

Inside the den, Flint is on the ground, dazed and baffled. He staggers to his feet and looks to the unmasked killer for the first time. His eyes focus in on him.

FLINT MONTENEGRO: Oh, you gotta be f_cking kidding me!

Jake Martin stares Flint down, holding the knife.

VANESSA ABRAHAMS: (O.S.) Flint!

Flint just stares, mouth agape. Jake charges at him and Flint finally reacts, grabbing Jake’s wrist. The tip of the knife inches from his shoulder.

FLINT: (struggling with effort) I always knew you were a lousy cop!

Jake says nothing and continues to force the knife ahead. Flint is barely able to hold him back.

In the living room, Kirsten falls off of the couch. She rolls onto the floor, groaning in pain. Lissy sees this and rushes over.

LISSY: Kirsten!

KIRSTEN CHADWICK: I’ll be fine...

LISSY: Here, let me help you up.

KIRSTEN: We need to...need to get out.

LISSY: I know. But Flint?

KIRSTEN: (through her teeth) I can get help.

LISSY: No, no way! Not in your state.

KIRSTEN: Let me help, damnit. I’ll crawl out the door if I have to.

LISSY: I can’t let you. You just need to rest.

KIRSTEN: Rest? I’ve been doing that for almost an hour now. I need to get off my ass before I go insane.

LISSY: That’s kind of what you do when you get shot...

KIRSTEN (heated): I can get Megan! Don't you want to find her?!

LISSY: We have to be practical, Kirst...

Trey begins to kick the door with his foot, grunting with effort. Vanessa urges him on as he continues to kick at the wood. Lissy and Kirsten both look. Trey manages to burst through the wood in a small hole with his foot. With his hands, he shoves through the broken wood and reaches in, unlocking the door.

He and Vanessa force it open at the same and rush inside. They barely make it a foot inside the den before they stop in their tracks.

VANESSA: (relieved) Flint!

TREY: (surprised) Detective Martin?!

Flint and Jake both look to Vanessa and Trey. Jake pulls Flint off the wall and wraps an arm around him. He presses the knife firmly against his throat.

JAKE MARTIN: (erratic) Stay there! I’ll do it.

FLINT: Ironic…the cop starts a hostage situation.

JAKE: (hissing in his ear) You shut up!

VANESSA: What the hell is going on?

JAKE: No one move! (to Lissy) You over there! Come over here where I can see you.

Lissy slowly turns to face Jake, a voice she’s heard once or twice before. She didn’t know what to think when she saw him in the den, holding Flint at knife point.

KIRSTEN: (whispering) Get on over there. He hasn't seen me. I can go for help.

LISSY: (low, assertive) No!

KIRSTEN: Go or he’ll kill Flint and then we’ll have no chance.

Lissy shakily stands to her feet. Swallowing hard, she approaches the broken den door and stands in the threshold. She can’t help but wonder what Megan was doing. In the doorway, she blocks Jake’s view of Kirsten.

Slowly, Kirsten begins to inch her way across the floor. She keeps her stomach off the ground and desperately claws her way through the carpet to the front door.

TREY: Let him go.

FLINT: Great negotiating skills, Trey.

TREY: Shut up! I don’t see you doing any better!

Jake’s grip tenses more. Lissy fights back a tear. Vanessa fidgets nervously. Trey stares at Jake and Flint.

LISSY: Please let him go…we didn’t do anything.

JAKE: (mad) Isn’t that what they all say? You all think you’re innocent.. And maybe some of you are. But some of you aren't. And that's all that matters right now.

VANESSA: What are you talking about?!

Jake shakes his head furiously and backs up more, Flint in tow. No one moves a muscle.

Kirsten lugs herself out the front door. She rolls down the porch step and onto the cement pathway, stomaching facing up. She groans in pain, feeling pressure in her stomach. There’s a lot of blood.

Soon, she gets a hold of herself and begins to crawl again. She moves through the grass, feeling the blades between her fingers.

Inside, it is silent and the tension is heavy. Jake is against the wall, still holding Flint in front of him like a shield.

FLINT: (whispering) You don’t have the balls, do you?

JAKE: Don’t try me.

FLINT: I just did.

Jake presses the cold metal into Flint’s neck, drawing a little bit of blood. They both begin to breath heavily. Lissy stifles a loud gasp. Trey watches the two carefully, looking for a way to get Flint away from the killer. Vanessa is wildly confused.

FLINT: You can’t do it, can you?

JAKE: I…

FLINT: Put the knife down. You can walk away from this now before anyone gets hurt.

JAKE: (shuddering) It’s too late for that.

Vanessa leans into Trey.

VANESSA: (low) What are they saying?

TREY: (matching her tone) Don’t know, can’t hear. I don’t like the looks of things though.

They both straighten up again.

Outside, Kirsten has a reached a small tool shed on the side of the houses. Clearly in pain and worn out, she looks up at the handle of the door. It seems miles away from down on the ground.

Jake is becoming increasingly angry. Flint provoking him isn’t helping.

Jake suddenly shoves Flint violently towards the den window. He goes crashing through it, the glass exploding in a shower of shards. He falls down into the garden, unconscious, with blood coming from his nose. His arms cut up by the rose bush there. He doesn’t move.

Kirsten, at the tool shed, cranes her head in Flint’s direction. She can’t tell who it is but she sees a figure lying in the garden. With ease, she gets to her feet.

Inside, Lissy is screaming.

TREY: Flint!

Jake begins to run forward after the three. Trey spins on his heels and forces Lissy and Vanessa out of the room.

TREY: Go, go, go!

They exit the den and Trey pulls the door closed behind him. But as he faces it, he knows it won’t hold anyone back. Jake comes barreling through the door, wood blasting everywhere. He tackles into Trey and they both fall to the floor. Trey moves his head quickly as the knife stabs down into the carpet.

TREY: Run! F_cking book it!

Lissy, stunned and panicking panicking, tears of fear staining her cheek, runs for the kitchen. Vanessa grabs a lamp and approaches the wrestling two.

Outside, the pained look on Kirsten’s face is replaced by a blank, emotionless face. She opens the shed door, moves inside and shuts it. The camera lingers on the small shed for a beat.

Lissy bursts through the kitchen door, her shoes squeaking against the hardwood floor. There’s no one in here.

LISSY: (freaking) Megan? Megan?!

She moves into the kitchen. Checks around the island. In the closet. Under the table. No sign of her. Lissy frantically looks around the kitchen. Where is Megan? She begins hyperventilating.

Vanessa smashes the lamp on Jake’s back. He flinches but seems to shrug the hit off. Vanessa looks around. There doesn’t seem to be anything else to use. Suddenly, she feels a tug on her legs and the next thing she knows, her head is rebounding against the floor. She shouts in fright as Jake begins to climb on top of her. The look in his eye scares Vanessa beyond words. She struggles to fight him off but he holds her to the ground.

He raises the knife up but Trey comes up behind him and tugs him off by the collar of his shirt. Jake is pulled backwards in surprise. Trey lunges for the knife but Jake hugs it close, making Trey miss and fall to the ground. Vanessa scrambles backwards as Trey and Jake wrestle once more.

In the shed, Kirsten pulls off her shirt and drops it to the floor. She pokes around her stomach but from the camera angle, we can’t see what she is doing. Then, there is a rip and Kirsten drops a bloody pad and some empty pouches on the ground. She turns to face the camera.

No bullet wound.

In the garden, Flint stirs slightly.

In the kitchen, Lissy darts towards the basement door and opens it up. She looks down the stairs. The lights are off.

LISSY: (screaming) Meg! Where are you?!

No one calls back. Lissy slams the door shut in anger and fright. She turns back to the center of the kitchen and notices the back door is open.

LISSY: Oh my god…

She hurries over to the back door and gazes out across the backyard. Doesn’t seem to be anyone else there either. Her breathing is sharp and heavy. From the other room, there is a large crash. Followed by a scream from Vanessa. Then, a few beats later, there are rapid footsteps stomping up to the second floor. Lissy stares to the ceiling. Her heart pounds and a cold sweat forms on her forehead. What to do?

Choice for Lissy Harlow (wsukellie)

A) Run out the back door and find help somewhere
B) Head back into the room with Trey, Vanessa and the killer to help
C) Go to the basement and hide
D) Go to the basement to look for Megan
E) Run outside to look for Megan


Trey and Jake are on their feet, both grabbing at each other’s necks and shirts. In a psychotic rage, Jake begins to heave Trey backwards. He lifts him off his feet for a moment and slams him down onto a small table aside the couch. There is a loud crash as the table breaks under his weight and Trey collapses to the floor. He rolls onto his side, barely conscious.

Jake raises up his knife and thrusts it down.

Vanessa swoops in just in time, running into Jake and pulling back on his arm with just enough force to stop the stabbing. Jake elbows Vanessa and shoves her backwards. She trips to the floor. Jake whirls around and begins to close in on Vanessa.

VANESSA: No! No!

She scrambles backwards and bumps into the stairs. Jake lunges at her and she turns and begins to head up the steps, no where else to go. Jake bounds up after her, two steps at a time. He grabs her by the pant leg and pulls her to the ground. They both fall. Vanessa spies the top of the landing just a few steps up. Jake begins to drag her down to him as she claws her fingers into the flight of stairs to get a grip.

In the shed, Kirsten has put her shirt back on. She turns around and the angle reveals two dead bodies at her feet. Hudson and Megan. As we pan over Megan's body, the faint sound of screams from long-ago echo over her.

Kirsten just studies them for a second. She crouches down next to Hudson who has been propped against the wall. She gently puts her palm against the side of his face.

KIRSTEN: This is all for you...

Kirsten grabs a large knife off the floor by Megan’s feet and stands up. She moves for the door.

Vanessa flails her leg back and forth to try and shake Jake. Her jean pant leg begins to rip. Vanessa manages to deliver a powerful kick to the side of Jake’s jaw. He staggers off of her and slides down a few steps. Vanessa hauls herself to her feet and runs up to the landing of the second floor.


Choice for Vanessa Abrahams (Speeders)

A) Run to the bathroom
B) Run to Megan’s room
C) Run to Lissy’s room
D) Run to the parent’s master bedroom
E) Try to get out the window at the end of the hall somehow


Trey groans and slowly sits up. Splinters of wood stick to his hair and clothing. Groggy and slightly out of it, he gets up and brushes the wood off. He looks around the room. Lissy is gone. Vanessa is gone. Kirsten is gone. The killer is gone. No sign of Flint either.

Trey pauses for a beat, trying to listen for anything. The house appears silent.


Choice for Trey Carson (edrew)

A) Go into the kitchen to look for Lissy
B) Go into the den to look for Flint
C) Go out front to look for Kirsten
D) Go upstairs to look for Vanessa
E) Get something to protect yourself and wait it out where you are now


In the rose bush, Flint finally comes to full consciousness. Bleary and cut up, Flint manages to roll himself out of the roses and the shattered glass. His clothes and arms are dirtied by the soil on top of the small drips of blood. He begins to stand but notices a figure moving across the lawn towards the front door. He quickly drops back down to the dirt, hidden by bushes and flowers. He watches silently.

The figure seemingly glides through the grass by the way they move gracefully. They approach the front door but with no porch light on, Flint can’t make out who it is.

The front door opens and the shape slips inside.

Flint waits a moment before getting up and shifting out of the garden. He trips over something and falls into the grass. He pulls his feet out of the tangled mess of bushes, plants and vines. A deep sigh escapes from him.

FLINT: Crazy night…

END SCENE

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Scene 18

Flint begins to get up but a figure back tracks out of the front door. He presses himself back against the grass. He watches as they flee from the front door and head towards the driveway.

FLINT MONTENEGRO: (breathlessly) Kirsten?

Flint clambers to his feet and chases after her. She approaches Trey’s car.

FLINT: Kirsten! What the hell is going on?

He notices her standing, perfectly fine. She is leaning over one of Trey’s tires. He runs up to her.

FLINT: Kirsten…?

She abruptly jumps to her feet, shocked to see Flint standing there. There are no words exchanged between the two of them. Flint sees that something is wrong.

FLINT: (wary) Kirsten….what’s going on? Aren’t you hurt?

KIRSTEN CHADWICK: (nasty edge) Be more specific…

In an instant, Kirsten smashes the butt of the knife against Flint’s temple. He collapses to the ground out cold. Kirsten leans over and punctures the tire with the tip of her knife. Then, she grabs Flint’s legs and begins to drag him away.

Inside, Trey stirs. He groans and slowly sits up. Splinters of wood stick to his hair and clothing. Groggy and slightly out of it, he gets up and brushes the wood off. He looks around the room. Lissy is gone. Vanessa is gone. Kirsten is gone. The killer is gone. No sign of Flint either.

Trey pauses for a beat, trying to listen for anything. The house appears silent.

He notices the front door is open. He hurries towards it and looks out to the front yard. There is no one there.

TREY CARSON: (slowly) Kirsten? You out here?

He cranes his head towards the broken den window. He sees the flattened bushes and flowers and the glass shards. No sign of Flint though.

TREY: (under his breath) Sh_t.

He moves out of the threshold and down into the grass. He looks around. The night is eerily silent. The dark street is empty. Trey’s phone suddenly chirps, starling him slightly.

He quickly checks it and the screen reads “Searching for Service”. He scoffs at it and slams the phone to the ground. It is then he hears air hissing. But he isn’t sure where its coming from. Questioningly, Trey begins to move across the lawn towards the source of the noise. He approaches his car and sees all the tires slashed.

TREY: Of course…

He stands back up and gazes across the lawn again. Where the hell did everyone go?

Suddenly, a wire comes over Trey’s head and pulls tight against his neck. He gasps and grabs for his neck as the masked figure behind him pulls tighter.

Trey kicks off the ground and forces his body into the killer. They stumble backwards against the car. Trey wrestles back and forth to free himself but the wire cuts into his neck deeper. He hears the killer breathing into his ear, straining with effort to hold him back.

Trey shouts but only pained grunts are heard. He thrashes to and fro. The killer suddenly drives his knee into the small of Trey’s back, making Trey buckle and double over. He falls towards the cement of the driveway but the killer holds the wire firmly. It sinks even more into Trey’s neck and he can’t dig his fingernails under it. His face runs red. His mouth is open wide in horror. No sounds or breaths come from it. The veins in his forehead bulge. Then, it happens.

Trey’s hands fall limp and dangle loose at his side. His legs stop kicking. His head dips forward. The killer releases the wire and Trey’s body slumps to the cold ground. Dropping the wire, the killer pulls the knife back out from their pocket. They begin to walk off.

Cut to Lissy:

As she bolts out to the backyard. She quickly looks out around the entire fenced area. No sign of Megan. She tears off for the small play house and looks in through the plastic window. Not in there either. She runs around to the fence gate and goes through it, appearing at the side of the house. It is then she eyes the shed.

LISSY HARLOW: (fearful) Please be in there…Megan…

Lissy jogs towards the shed.

On Vanessa as she finally stumbles up the steps. She can hear Jake cursing in pain behind her. Vanessa begins to run through the hallway, not sure where to go. She enters the first door on her left and slams the door shut behind her. She locks it and leans against it, breathing heavily. She takes a moment to catch her breath before feeling around the wall. She palms the light switch and flips the light on.

Vanessa realizes she’s in the small, upstairs bathroom. Very small.

VANESSA ABRAHAMS: (softly) F_ck!

She crosses the bathroom to the small window and moves the curtain tails away. She can see out across the side yard and some of the front yard. She spies Lissy walking towards the outdoor shed. She begins to bang on the window.

VANESSA: (screaming) Lissy! In the house! Please help me!

On Lissy as she draws closer to the shed. Vanessa is visible in the background, banging on the window and shouting. Lissy hears nothing. Most of the lights in the house are out except the bathroom light. Vanessa is but a desperate figure stuck behind the glass. Lissy reaches for the shed door.

Back on Vanessa. She moves to open the window but it’s locked. She begins to search for a lock when suddenly, with one swift kick, the locking mechanism breaks and the door goes blasting open. It bangs against the wall loudly and makes Vanessa whirl around. Jake charges at her.

She screams as he grabs her and drags her away from the window. Vanessa begins to claw at his face and scream even louder.

VANESSA: NO WAY. Do you hear me, bastard?! NO WAY IN HELL…

Cut to Lissy. Before opening the shed door, she glances back at the house. The bathroom window is unoccupied. She opens the it.

Cut to Vanessa as she manages to kick Jake off. They both fall to the floor. Jake gets up and we see scratch marks across his cheek. Direct hit from Vanessa. Jake starts towards her again and she begins to pick things up off the bathroom counter and chuck them at Jake.

VANESSA: Stay back! Get away from me!

Jake shrugs off the hits and lunges at Vanessa. She steps to the side just in time and moves for the door. Jake turns and tackles into her. They fall past the shower curtain and into the porcelain bathtub. Vanessa flails wildly as Jake lays groggy on top of her. She manages to push him off and start to get up. Jake reaches up and punches her square in the stomach. Vanessa falls backwards, landing on the bathtub handles. Water from the shower head begins to pour down on the two. Vanessa slips in the tub and falls back on top of Jake. The knife slides from his hand, wet with water. The two are getting soaked.

Vanessa forces Jake’s head down as she gets up. She tries to step out of the tub but Jake grabs her ankle. She falls out of the bathtub and onto the hard tile floor, scratching up her elbows. She lays, dazed. Jake released her and picks up his knife. He steps forward and swings the knife towards Vanessa but it gets caught in the shower curtain.

Jake slips from the water and falls into the curtain. The rod, curtain and all fall down onto Jake as he lands in a wet, tangled heap on the floor.

Vanessa reaches for the curtain rod for a weapon. Jake springs up from under the curtain, screaming manically. He quickly sinks the knife into Vanessa’s stomach once. Vanessa shrieks and falls down against the door, red beginning to seep in through her wet shirt. Jake lunges at her but Vanessa holds up the curtain rod. It jabs into Jake’s stomach and holds him back. With the rod, she pushes him backwards and begins to beat on his shins and legs with it.

Vanessa swings it upwards and catches Jake between the legs. He falls to floor, groaning angrily from the sensitive hit. Vanessa staggers to her feet and with a burst of energy, she smashes the end of the rod harshly into Jake’s face. He rolls into a ball, blood coming from his mouth. Vanessa drops the metal rod and stumbles out of the bathroom.

Things are a little woozy as a dripping wet and bleeding Vanessa makes her way down the wall. She drags her hand along the wall as a support, leaving wet stains as she goes. Her stomach throbs and she clutches it with her other hand.

Suddenly, she collapses to her knees. She slowly lays down on the ground, tired and hurt. She tries to drag herself over to the stairs but soon passes out.

Soaking wet, Vanessa lies out cold at the top of the stairs. There is no movement in the house.

Smash cut to Lissy screaming. At her feet, Hudson and Megan lie unmoving. She quickly swoops down to Megan and cradles her in her arms.

LISSY: (gently) Megan, can you hear me? Megan? Megan, wake up!

Lissy goes to move the hair away from Megan’s lifeless face. She notices blood on her own hand. Her lip begins to quiver and her body trembles. Looking past Megan, there is a large puddle of blood. Lissy gasps in horror and grips Megan’s tighter. A few tears begin to roll down. There is no breathing or heartbeat from the small, fragile body. Lissy slowly sets her down but can’t bring herself to check for a pulse. Then she glances to Hudson and clamps a hand over her mouth. His neck is slashed open.

Lissy screams again, more tears coming down. She wobbles to her feet but can do nothing else as a hand clamps over her mouth and pulls her backwards. Lissy violently thrashes and frees herself, turning to see the masked assailant. Holding a knife.

LISSY: (unbalanced) You….you…

She notices something about the figure this time. Smaller than Jake. More slender and curvy. Lissy can’t process anymore than this though.

LISSY: (shouting) You killed them, didn’t you? You f_cking bastard, you killed them!

Lissy attacks the killer, throwing punches and kicks. She is shouting in anger as she digs her nails into the killer’s arms and kicks at their legs. The killer elbows her and kicks her backwards. She flies back into the shed and falls right on top of Megan’s body. She glances at it quickly, fighting back more tears. She gets back to her feet ignoring the hit.

Lissy grabs a shovel off the wall and swings it madly. The killer turns to shield the hit. The shovel connects with his back and makes him cripple, dropping the knife. Lissy brings the shovel down again, hitting the killer’s side. They flop.

Lissy throws the shovel aside and grabs a pair of hedge clippers. She opens them and stabs them down at the killer. The killer rolls just in time as the shears pierce the wooden flooring. Standing, the killer punches Lissy right across the face. She stumbles away from the weapon. The killer charges at her, knocking her into the wall. The shelf above them gives out and spills cans and other various things all over the ground.

Lissy shouts in anger and slams the killer into the work bench across from them. A tool box falls from it and sends tools everywhere. Lissy backhands the figure and kicks them towards the opposite end of the shed. She picks up a wrench and hurls it through the air.

It hits the killer square in the forehead, eliciting a groan and making two gloved hands clutch the forehead.

Lissy is panting and enraged. Her hair is all over the place. Her clothes slightly ripped. But she’s not done yet. She picks up a power drill off the workbench and charges. The killer begins to recover but Lissy shoves the drill towards the killer and presses the button.

Nothing happens. Lissy is shocked, trying to press it again. Still nothing. There’s no batteries. The killer swats the drill from Lissy’s hand and sinks the knife into her side. She shrieks in pain as the killer twists the knife then pulls it out. Lissy’s eyes water as she is grabbed by the hair and thrown against the wooden shed wall.

She tries to punch forward but the attacker grabs her arm and slices it quickly with the knife. Then, the killer rushes her with all their body weight.

Barreling into Lissy, the old wooden shed wall gives out behind them. The two go crashing through the wood and onto the outside grass.

Lissy is barely conscious, groaning and moving her head back and forth. The killer grins under the mask and wraps two hands tightly around Lissy’s throat. She barely reacts as the hands grip tighter around her and cut off air.

Cut to a very dark space. It is quiet at first. Then, something begins to move around. We see a body moving around in the small area.

FLINT: (confused) Not where I was hoping to wake up.

Flint tries to get up but his head knocks against something cold. He recoils, hissing through his teeth. He continues trying to move around until he realizes where he is.

FLINT: This is worse than that hotel room in Columbia…

It’s the trunk of a car.

FLINT: (muttering) This feels like a bad CSI episode or something…

Flint pushes on the top of the trunk but it doesn’t budge. As he glances around, he notices a thin sliver of light. He adjusts as much as he can in the fixed trunk and reaches for the light. He feels an opening where the seat moves down. Flint pushes against it and an opening reveals, leading into the back seat.

Flint frowns at the size of the hole.

FLINT: I’m not built for this sh_t.

He begins to crawl toward it and try to wiggle through. His hips get stuck halfway through but he continues to turn and rotate to free himself. He grabs the front seat and manages to squeeze through. He pops out and rolls onto the floor. Sitting up, he realizes it’s Kirsten’s car. Kirsten!

Flint pops his head up and looks out the window. No sign of her or anyone else. Trey’s body is gone. Flint remembers what happened between him and Kirsten.

FLINT: What is that little bitch up to?

Cut back to Lissy.

She’s abnormally weak and unable to fight back. The killer continues to wring her neck, occasionally rattling her head. Lissy chokes to get air. The masked person has too much of the upper hand. Lissy begins to fade…

TREY: (O.S.) This is for trying to choke me out, you bitch!

Trey runs onto the frame and slams the empty tool box down on the killer’s head, knocking them out. The killer slumps aside and Lissy takes in a deep breath. Trey leans down over her, a tender red line visible across his neck. Lissy begins coughing and grabbing at Trey’s collar.

LISSY: (weak) Holy f-ck. Holy f-ck, Trey…

TREY: Hey, hey. Don’t shatter my illusions now. I’m not used to your filthy language…

LISSY: (sardonic) Suck on it, Trey.

TREY: Well, at least you haven’t lost your fighting spirit –

Lissy lets her head rest on the ground. Trey glances down at her stomach. A large, broken piece of wood is impaled through her stomach. He cringes at the sight and quickly turns back to Lissy.

LISSY: (detached) Where’s Kirsten? And Flint?

TREY: I’m not sure. I couldn’t find anyone.

Trey glances warily over at the killer. He needs to get Lissy out of here fast.

Lissy picks her head up and looks down at her wound. She gasps loudly, causing herself extreme pain. Trey cradles her head.

TREY: Lissy! Don’t be doing that.

LISSY: It’s know it’s bad, Trey.

TREY: (smiling) Nothing a band aid can’t fix.

Lissy laughs, almost morbidly and dryly. She squints up into the sky.

LISSY: (softly) It doesn’t hurt, you know. Maybe this is what it’s like…

TREY: What what is like?

LISSY: (wise) Don’t make me go all Collins English Dictionary on you, Trey. It’ll kill the mood.

Her meaning hits Trey like a ton of bricks.

TREY: Shut up, Lissy. Shut up…

LISSY: What, you’re going to cut off my last words now…?

TREY: (emotional) No. No. Because you know what? There won’t be any last words. Because you’re going to stay. Okay? This isn’t a matter of choice, Lissy. You’re staying. Here.

LISSY: That’s my boy. Always the controlling type…

TREY: (trying to ignore her) Can I get you off? We should get you off this wood and get you inside. You need some medical attention, fast.

He sniffles slightly. Lissy, for some reason, grins.

LISSY: What is this, the dialogue to a bad porno?

She seems accepting of her fate. Trey grips her hand tighter. Even as a tear drips down his face, he smiles weakly at Lissy.

LISSY: (distantly) It could’ve been different, you know, Trey.

TREY: What…?

LISSY: It didn’t have to be like this. You know? If you’d – if I’d – (coughs) It could’ve been…

Lissy begins to cough more, her body shaking. The broken pieces of wood under her rattle. More tears come down Trey’s face. He holds Lissy tighter.

LISSY (faint): …better.

TREY: (very soft) I don’t think it could’ve been better.

The killer begins to stir.

TREY: (losing it) I’m going to get you out of here, hold on.

He attempts to lift Lissy up. There is a repulsive, fleshy sound as the wood slides out of Lissy’s body. She shivers in his arms.

Suddenly, a hand connects with Trey’s face and he falls backwards. Lissy falls back down onto the wood, impaling her deeper. Trey stumbles back into the tool shed and falls onto the mess.

Trey gets up and sees Lissy. Not moving. The killer stands next to her. Then looks back at Trey.

Angry and hurt at the same time, Trey gets up and sprint out the other end of tool shed. He runs right through the lawn and to the front door. He bumps right into an injured Vanessa who seems to have recovered a little.

TREY: Vanessa!

VANESSA: Trey, thank god. What happened?

TREY: Jake…he…killed Lissy. In the shed. Hudson and Megan too.

VANESSA: Megan? (beat, a little more hysterically) Hudson? (higher) LISSY?

Trey nods: slow, sad and angry.

VANESSA: Jake? (beat) But he was inside after me…He’s still upstairs! (beat)

TREY: Wait…

Flint emerges from a nearby car and rushes up to the two.

FLINT: Finally, someone who doesn’t want to kill me! (slowing up) You don’t want to kill me, right?

VANESSA: (near tears) No more than usual.

FLINT: Atta girl. (with them) So, what’s going on? What’s happening? Kirsten attacked me and locked me up in her trunk!

Vanessa and Trey look at each other.

VANESSA/TREY: (at the same time) Kirsten…

The three turn around as they hear footsteps coming towards them from inside. Jake
appears at the bottom of the steps.

VANESSA: Run!

They begin to back away from the front step when something approaches them from the grass. The second killer. They drag Lissy’s body through the grass along with them.

TREY: (screaming) Kirsten!

She smirks. Pulls off her mask.

KIRSTEN CHADWICK: (laughing) Trey. Sorry about the girl. She was never going to be yours. Not while I was around.

FLINT: (cautiously) And the sh_t hits the fan…

END SCENE

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