Actually, it was Monroe's first acting coach Natasha Lytess who must have admired Lana's style. Early Lana had a slightly mannered, breathy style of speaking. Monroe did not start out that way, but eventually her delivery became quite mannered, good for comedy, not so much for the few dramatic roles she was given.
Then, after MM left Hollywood to Study at the Actor's studio for a year, she also left Natasha. Monroe's speaking voice, while remaining light, no longer had that over-enunciation. (Nor did Lana's after a few years. Turner was a considerably underrated actress.)
As for class...I don't recall Monroe inviting gangsters into her home to live openly with her, ending with a teenage daughter on trial for the gangsters murder. Compared to the public/private lives of Lana, Ava and Liz, Monroe was practically pristine. (Let's not forget all MM's so-called "affairs" came out after her death, when she was in no position to explain herself.) Lana had a very raw reputation by the time she was twenty. Not that there's anything wrong with a beautiful woman having fun and taking advantage of her beauty. I know I would have!
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