By November of 1940, when Lorre made this movie, the actor had been in Hollywood for over five years, and he was profoundly frustrated. According to Stephen D. Youngkin's fine biography "The Lost One: A Life of Peter Lorre", several prestigious productions planned for Lorre failed to materialize,* and he felt trapped in low budget B films. Some would say Lorre was short sighted and ungrateful, but he had been hailed as a major discovery full of potential for top-flight, distinguished productions when he arrived from Europe, only to be repeatedly disappointed with how the Hollywood star system of the time worked.
Things improved for Lorre when he signed on at Warner Brothers during the 40's; he was happier with the most of the films he made there and he enjoyed the camaraderie amongst his co-workers. But his career fell into decline after the studio let him go in 1946. Although he worked steadily until his death, Lorre was a very disillusioned man, and he didn't really try to hide it.
* Two examples: Lorre sought the title role in the 1939 remake of "The Hunchback of Notre Dame" but Charles Laughton won the part; also, Lorre hoped to play Napoleon in a major production, first on Broadway then in Hollywood, but the writer engaged for the project couldn't produce a suitable script.
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