MovieChat Forums > Foreign Correspondent (1940) Discussion > Mediocre film -- far too long

Mediocre film -- far too long


"Foreign Correspondent" drags on endlessly, a very poor Hitchcock film. Compare with his great "The Lady Vanishes," for instance. The film obviously was patched together with the many writers. The romance really doesn't work. Larraine and Joel have absolutely no chemistry. (Maybe Leo should have played the lead.)

On TCM the equally mediocre Molly H chose it as an "Essential" -- essential junk. (When will Molly's time end? she's the worst in my opinion. Bring back the great Peter Bogdanovich.)

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I cannot say it is one of the best Hitchcock films that I have seen - but I still think the plot did have some interest and intrique. I think in 1940 Hitchcock was still feeling his oats, so to speak.

I do have to say this about the end - SPOILERS ALERT here!



Hitchcock did a fantastically realistic job with the plane bombing by the German ship and then the subsequent crashing into the ocean and the passengers saving them selves. Did you not find that part riveting - or anybody else for that matter? I just watched this film for the first time last nite, and I was glued to the screen, this all without computers!!

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Joeann 21 - couldn't agree more. Those scenes before & after the plane crash were some of the most riveting in any film I've ever seen. I, too, was glued to the screen. Astonishingly realistic - I felt like I was right there with them!

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Couldn't disagree more! I've justed watched Lady Vanishes and Foreign Cor., and though I enjoyed them both tremendously, I consider Foreign Cor. superior. There are a number of funny episodes, as in the former, but more darkness and menace too. It treats the world of espionage - if not realistically (Hitch isn't exactly John Le Carre!) - then in a more grown-up and plausible way than Lady Vanishes. There's a string of Hitch's bravoura scenes (the assassin fleeing beneath the crowd of umbrellas, Jones finding the kidnappers in the windmill, the final plane crash) to rival any of his more wellknown films. The acting is excellent - it's good to see Macrea as the hero, a less wellknown face than, say, Cary Grant, bringing a freshness to the part. Key characters like Van Meer, Fischer and Jones' very English sidekick, the absurdly named ffolliott, are played wonderfully too. I agree with you on one point: Laraine Day is no match for Margaret Lockwood in Lady Vanishes for either sweetnes or character, and so the romance suffers a bit. I'd still give it 7 or 8 out of 10, reserving 9/10 for an almost perfect film like North By Northwest, and 10/10 for a definitive classic like Rear Window.

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I disagree. It's one of Hitch's less known treasures. It has an intriguing plot with many of his trademark touches which make it enjoyable all throughout. I was never bored. The actors are easily likable, even the villains. But I do agree that the romance might have been a bit rushed. I just can't believe a man would fall in love and ask for marriage so quickly. But I can forgive that because of the way it's handled.

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I think this must be Hitchcock's most overlooked / underappreciated film. It's not his best, but I'd put it in the top 10.

Darren Skuja
"Film Is The Ultimate Artform"

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I think this movie is underrated. Brilliant performances from Joel McCrea, George Sanders, Laraine Day, Albert Basserman, and Herbert Marshall.

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It was much too easy to figure out where the car and villain went.

On the other hand, I am prepared to forgive a great deal to see George Sanders in a part that's both sizeable and sympathetic--a rarity for him.

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well, that being true, there are no hills anywhere near Amsterdam. There's barely even a bump in the terain.

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I watched this movie for the first time ever just recently. It was a brilliant Hitchcock film, notable more than anything for the time of its production, 1940. The insight into the ramp-up to World War II was nicely done, presenting an aspect of World War II that has been portrayed in other films, none involving Hitchcock's twists & turns.

Amazing realism, amazing sets, special effects, ending with the Star-Spangled Banner behind the closing credits. The political environment in Europe AND the U.S. at the time was nicely portrayed, and this film was one that seemed clearly intended to roust Americans from slumber, though it would take Pearl Harbor to achieve that in full measure a year or more later.

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[deleted]

I think your lack of enjoyment of this film was more down your lack ability to concentrate on one thing for a long peroid of time rather than any failing this film may or may not have.

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I completely disagree with the original poster. It's a great film that more Hitchcock fans should watch.

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I just got done watching the movie, it was a long movie but interesting. Something lacking in many Hollywood movies today.

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Tomorrow is another day

I have to say this is a good movie and I've enjoyed it each time I've seen it.

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[deleted]

Foreign Correspondent is one of Hitch's more complicated scripts: so many different storylines make this movie a challenging experience.

There is so much to draw from this movie: tension, narration, characterizations,...
It is, after all these years, one of my favorite movies by the master of suspense.
Additionally the camerawork in this movie is simply brilliant.

So, I don't think it is fair to call that this work overlong and certainly not mediocre!!

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The kidnapping sequence, the misunderstanding over the hotel rooms may not have dated well, but it hardly matters here. The dialogues and set ups hook you from the get go, the cast is a joy, the set pieces keep you on the edge of your seat. I can't believe Hitchcock achieved that plane crash the way he did with those humongous cameras in 1940. Genius!
Hitchcock gave his audience their money's worth and more, which is more than I can say for the hacks today making CGI heavy thrillers with lightweight stars, non-existent screenplays and embarassingly functional dialogue. This is a 4 star movie, no question!

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*** MAY CONTAIN SPOILERS ***

I disagree that it drags on endlessly but I do agree it's not one of his finest films, and hasn't stood the test of time as well as some of his other films.

The on screen romance was totally unconvincing. It's not just the chemisty issue (though I agree I found it lacking), but also the silliness of the "romance"; they've known each other less than two days before they're declaring their mutual love and getting engaged! I know this is typical of the films at the time, and the moral environment they had to work with, but even with that in mind the whole romance sub-plot really gets in the way of the film.

And frankly I think McCrea was miscast. He barely acts in the entire film, instead just delivering his lines as rapidly as possible throughout, probably to help cram all the dialogue in the script in to 2 hours. The characters of Haverstock and Ffolliot would have better been merged in to one lead. However I can understand the need to have an American lead given the propaganda value of this film at the time.

Having said all that, the cinematography is absolutely superb throughout, as are the set pieces. The assassination scene and subsequent car chase were well realised and surprisingly enthralling and thrilling, despite being a 40s film watched through the jaded eyes of 21st century film goer. The plane crash was particularly impressive; it just goes to show what you can achieve with talent and imagination!

So overall I think it's a fairly good film, but not one of his greats. The set pieces are very impressive and a technical wonder, but the flimsy plot and poor acting don't allow this film to stand the test of time in my opinion. It is still a fascinating piece of history, both as a Hitchcock film but also as an extraordinary piece of propaganda - I imagine it was very powerful and effective on the audience at the time.

It does occur to me that in some ways it is similar to North by Northwest; a film with a series of impressive set-pieces with the plot seemingly an afterthought. The big difference for me though is that North by Northwest succeeds where this fails, probably in no small part thanks to Cary Grant.

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Joel McCrea's acting method is quite different. It takes some time to understand his acting style. I thought he was brilliant. I wasn't into Foreign Correspondent when I watched it first time.

But When I watched few months ago, I loved it. As for the romantic relationship, there are some connections between Johnny Jones/Carol Fisher and Alfred Hitchcock/Alma Reville. I won't mention it, because you aren't interested.

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The characters of Haverstock and Ffolliot would have better been merged in to one lead.


Good point. From the time that Carol leaves him at the hotel, Jones disappears from the movie for about 15 minutes and the Englisher f'er becomes the main protagonist. I suspect the OP was correct about multiple writers being responsible for the disjointed nature of the film.

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I just watched this for the first time, and I thought it was marvelous. Brilliant photography and dialogue, and a plot that keeps you on the edge of your seat. I was also surprised at how affected I was by the big scene at the end. It was very intense and I was left a bit shaken by it! This film is most definitely essential.

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