MovieChat Forums > The Old Maid (1939) Discussion > The whole story in Bette Davis's face......

The whole story in Bette Davis's face....


The entire story is told in that brief moment when Tina kisses "Aunt Charlotte" on the cheek. If you are watching DVD or a recording, pause it and watch Davis's reaction to the brief kiss. She practically swoons with emotion, and so quickly hides it, you almost miss it. My god, she was an amazing actress....Imagine what she could have done with some of the roles Meryl Streep or Sissy Spacek or Glenn Close have had the opportunity to play.

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Imagine what she could have done with some of the roles Meryl Streep or Sissy Spacek or Glenn Close have had the opportunity to play.


You know it's funny that you say that, because I was watching 'Damages' the other day. It was the scene where Glenn Close's character manipulates Ted Danson into losing is sh*t during a deposition. I actually thought, 'I wish television roles like Patty Hewes had been around for the classic actresses when they got older.'

Imagine Davis, Crawford, Hepburn, Olivia de Havilland etc in these kind of powerful, independent middle-aged woman roles. They could have done so much with them. Can you imagine Davis as Miranda Priestly from The Devil Wears Prada?

I'll go and check out that scene you mentioned now.

Never, never, never, never, never

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Thanks for the reply-- love the idea of Davis in Prada

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Regina_Giddens
Imagine Davis, Crawford, Hepburn, Olivia de Havilland etc in these kind of powerful, independent middle-aged woman roles. They could have done so much with them. Can you imagine Davis as Miranda Priestly from The Devil Wears Prada?


Good ideas Regina_Giddens. I wouldn't mind seeing any of the women you mention or actors like Barbara Stanwyck, Lena Horne, Anna May Wong and others criminally underused in movies, get a chance with meatier modern roles.




No two persons ever watch the same movie.

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THE OLD MAID features one of Davis's most understated, 'less-is-more' performances, but her girlish energy in the first part is a fine contrast to the tightly-controlled Charlotte of the later part, but she doesn't disappoint with some fireworks along the way. And the "scolding Tina" scene, the "dancing" scene, and yes, that final look after Tina's unexpected kiss, show her at the peak of her craft.

In my case, self-absorption is completely justified.

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