MovieChat Forums > Test Pilot (1938) Discussion > I must be missing something.

I must be missing something.


I love movies from the thirties. I love Sepncer Tracy. I love Myrna Loy. I love Clark Gable. I assumed that with such good reviews, it would be excellent.

This movie was just PAINFUL for me to watch. What did you enjoy about it? Other than a stellar cast, how did you get through this movie? This is a serious question because I'm not above rewatching from a different angle in an effort to enjoy something I didn't appreciate the first time. Is it just the performances? I grant you, they played their characters well, but the characters were such miserable people.

reply

I agree. Gable is a jerk in this movie. I didn't buy the chemistry between him and Myrna Loy. Tracy was not believable. Even Lionel Barrymore's part was annoying.

reply

What made me uncomfortable was Spencer Tracy's jealousy and resentment of Myrna Loy. I can completeley understand it, but it smacks of "He-Man-Woman-Hater's-Club" and sets off an icky unconscious-gay vibe.

reply

I did not get that at all. I never felt there was jealousy or resentment for Myrna on Tracey's part. Rather--due to Gable's relationships with women never going beyond the casual, Tracey looked at Gable's women as essentially what they were: distractions. Because distractions were something that could be extremely hazardous considering what Gable did for a living, Tracey didn't look fondly upon any of Gable's girlfriends.
I assumed that if Tracey had felt Gable was truly in love with Myrna, he would have been ready to like her right off the bat. But after seeing Gable use and dump every woman he took up with, Tracey was rightly doubtful about the legitimacy Gable's feelings for Myrna.

reply

If anything, Tracy's character felt sorry for "Gable's women" IMHO. See other movies like "Boom Town" or "San Francisco" where Gable played essentially the same character with the same feelings towards women and Tracy's there to try and smooth things out.
KS

reply

SPOILER AHEAD:


It ought to be painful to watch. It's a love story (with airplanes), a triangle, in which Gunner loves Jim and Ann loves Jim. Jim is an overgrown adolescent, self-centered and living for the moment, caring little whom he hurts in the process. And Gunner loves him dearly, forgives him everything, and guards him jealously against female intrusions into Jim's career. (I don't detect anything homoerotic in their relationship, though Gunner's apparent distrust of women points a bit in that direction. Of course, the Hays Office would never let anything that overtly suggested homosexuality make it to the screen.) When Ann enters Jim's life, his attraction to her is impulsive, as is hers. His love is genuine, as is hers, but her first attraction is to this dashing aviator who has dropped out of the sky into her humdrum Midwestern life. Yes, Gunner is suspicious of her at first, but eventually he comes to love Ann, and pity her, too, because she takes on the terrible burden that Gunner has lived with for years -- the knowledge that Jim is going to die in the air, "at his trade," someday. Ann's loyalty to Jim is commendable, after she realizes that Jim is "doomed." The filmmakers sort of pull their punch, however, killing off Gunner instead of Jim, saving him for a happily-ever-after conclusion. Imagine just Gunner and Ann surviving -- what would the ending be then?

I really liked this film because the three main characters and their relationship are a bit more complex than most Hollywood fare of the '30s. It really is worth multiple viewings -- especially if you like airplanes.

reply