Harrison, on the other hand, was, I think, well-cast in the film. He had already garnered a Tony for his stage performance as Higgins, and for his portrayal of the callous, egomaniacal professor in the film, he was awarded an Oscar.
I made my case against Harrison's interpretation much earlier in this thread, and I stand by it. As far as Tonys and Oscars, well, in my experience, the Oscar voters get things wrong much more often than they get them right. The 90s was the only decade with more accurate choices than misses. Can't say much about the Tonys, I don't follow Broadway, but if Harrison won for playing Higgins as he did in the film, I will say the Tony voters were as incompetent at judging a skilled performance as the Oscar voters, for that year at least.
As far as your assertion about musicals, I disagree there, too. While I would not say musicals are my favorite form of filmed entertainment, I certainly don't have a problem with them. I will ack I prefer Fosse's later style of the form --
Cabaret, and
All That Jazz, most notably, to almost all of the sixties-style musicals (
The Music Man being an exception). But I can't say I dislike the MUSIC in MFL, only its presence in a play that, in terms of timing and flow can't possibly be improved upon, only detracted (and distracted) from, due to Shaw's talents as a playwright.
And yes, I grasp that the studio wanted a "big name", but that is idiots meddling in things they don't grasp. Andrews would have been vastly greater than Hepburn because, just as with Hiller, while she is capable of appearing quite attractive, she can also do "plain jane" much, much better than Hepburn ever could.
reply
share