MovieChat Forums > Make Way for Tomorrow (1937) Discussion > I dare anyone to watch this, and not tea...

I dare anyone to watch this, and not tear up!


What a touching movie, and it's still just as relevant, the eternal story of kind, elderly parents, with their fates in the hands of selfish, self-centered adult brats.

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I definitely teared up at the end. I take it you just watched it on TCM as well.

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Yes, I just saw it, for the first time. I can't believe I missed a movie THIS great before this!

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Same! It's a damn shame it's so overlooked. I already want to watch it again.

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Just saw it for the first time too. That final scene with the mother watching the train leave is just heartbreaking.

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I'd like to think that the mother's talk with the eldest son plus whatever it was that their father said over the telephone made the children straighten up and fly right. I want the mother to go California and spend the rest of her life together with her husband.

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But you know when Bondi says goodbye to her husband when he gets on that train, they'll never be together again (in this life, at least.) You know that's the last time she'll ever see him alive.

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I saw it last night as well. The parents are stoic at their parting, knowing they might not live to see each other again. However, at the same time, the children are talking about how self-centered they have been, so there is some hope that they will get organized and do the right thing to make sure the parents can be together.

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To be honest, Thomas Mitchell's character strikes me as the only one who would have been willing to try to change- the others seem to accept the fact that they're lousy...and are willing to live with that...as long as they don't remoond themselves of it too often.

What a film. So simply shot (though McCarey does frame certain moments particularly well) but full of emotions.

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i, all 74 yrs of me, and male, unabashedly teared up. only other pic as tearful was "the fighting sullivans". beaulah bondi's facial expressions, as the train was pulling out, would make a rock weep.

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I watched it and didn't tear up. The film was very good though. Great performances.

I'm a bit curious. What is it that make people cry? Is it so that they are self-centered brats and when they watch this film they suddenly realize they will become old and forgotten themselves?

Antiparanoia is the eerie feeling that nothing is connected to anything else

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(just this moment finished watching this for the first time)

*tear in the corner of eye*
THAT CAN'T BE THE END! THAT CAN'T BE THE END!

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Yeah, I don't cry easily but this one got me. It was the "I've loved every moment of it, the whole 50 years" line that bought on the tears. So painfully sweet.


That is a masterpiece of understatement.

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Makes me cry every time.

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Very sad how in context, we most likely know the two will never see each other again after the train departs. Really heartbreaking, but such an immensely wonderful film. One to cherish.

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I really got weepy, seeing how each of the parents were putting the others first. Their last night together, when they stiffed the "children" was priceless. And their last speeches to each other. And then she just left on the platform.

Holy cow. You must have a heart of stone if that doesn't touch you. I watched it late and night and went back to bed and cuddled my husband extra. Because frankly I couldn't even imagine it.

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I recorded it yesterday morning and watched it for the very first time. I knew of Victor Moore the bumbling character Pop in "Swingtime" and have seen Beulah Bondi in numerous films. I was aware of the critical acclaim for this film, and I too was in tears from the time "Let me call you Sweetheart" was played and then again at the train station. How this film was ignored at Oscar time is incomprehensible. Kudos to the leads and the supporting cast especially Fay Bainter and Thomas Mitchell.

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I hadn't heard of the critical acclaim (or the movie, either, for that matter). I recorded it because I love Beulah Bondi and Fay Bainter, who never disappoint. This is one of those films that will stick with me for a long time, and I will certainly watch again.

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I watched this years ago in an AFI film festival. About a third of the way through people started to cry. Then men began sobbing outright. The whole theater was a mess. Still on top of my Most Favorite list.

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I started crying non-stop from the time they got to the Vogard.

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That's when I started to lose it too--and right on to the end.

I totally agree with Roger Ebert's thoughts about this movie--"Entertainment is about the way things should be. Art is about the way they are."

The final act in particular was written, acted and directed so beautifully and with such truth and authenticity.

As Keats wrote, beauty is truth, truth beauty. This film was that.

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The first time I teared up was the scene with Bondi and Mitchell, when Bondi was saying she'd like to go to the old ladies' home and Mitchell realized the sacrifice she was making. You could see he felt guilty. And even though he didn't say it, I thought he was contemplating his own later years. Would his daughter take care of him and Nellie? I don't think so. You reap what you sow and all that.

I do have a problem with the basic premise. Those five kids -- and at least one of them well to do -- couldn't pool their funds and get mom and dad a little apartment, or a couple of rooms in a boarding house?

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That was the whole point. The kids turned out to be selfish. So what if Ma and Pa never see each other again?

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You're absolutely right. If the children had truly been in dire straits and wanted to help their parents, the movie wouldn't have worked.

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