MovieChat Forums > A Day at the Races (1937) Discussion > Race/non-WASP ethnicity in classic films

Race/non-WASP ethnicity in classic films


Having read some of the posts here about the "Tomorrow Is Another Day" sequence in "A Day At The Races", there are a couple of things on my mind.

1) People are discussing this topic. That's a good thing.
2) Whether the anti-PC people like it or not, the portrayal of non-WASP whites (including Blacks, Asians, and "ethnic" groups -- Jews, Italians, Irish, etc.) in films of this type are stereotypical caricatures.
3) Whether the pro-PC people like it or not, even though these portrayals are stereotypical caricatures, the performances are memorable and entertaining.

Here is the point. Take these films for what they are. They are a reflection of the time in which they were made. Don't pretend that this type of caricaturing didn't/doesn't exist, and don't pretend that what you see on the screen isn't stereotyping. Let your "comfort zone" be disturbed once in a while. It's healthy. By the same token, don't go so overboard politically correct that you stop allowing yourself to enjoy one of the main reasons these films were made -- entertainment. Allow the films to get you to think, but don't blind yourself to the outstanding performances.

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It should be noted that that part of the film wouldn't have been shown in the South, the same way Lena Horne's Stormy Weather was isolated from the plot of the movie so it could be removed. I applaud film makers for trying to integrate their shows but it was understood that it wouldn't play in the South. The Marx Brothers were kept out of certain posh places even as stars because they were Jews and that gave them fellow feeling for the oppressed.

And I have to say not all of the stereotypical portrayals ARE entertaining anymore. For instance, Mickey Rooney's Japanese character in Breakfast at Tiffany's is just gross. I think most of us wouldn't find a blackface number as being all that entertaining today because in some ways society has grown up a little. And there's only so much of "ugh"-ing savage Indians that the public is prepared to endure these days.

There are a lot of things that would put the average person of today off a show because it is just too repulsive and completely disrupts the viewing experience. We don't like to see animals tortured or killed as part of our movie entertainment. And I don't know any movie made in recent years that would permit the inclusion of an actual death of a person--Trader Horn from 1931 showed both the horrible death of an African actor and of the rhino that killed him. To my mind, that is NOT entertainment! MGM had such a casual acceptance of the deaths that they showed that scene as part of their 20th anniversary newsreel. And I can't enjoy any movie that mocks or demeans anyone out of bigotry, including women. There is a huge difference between an act of cruelty as a plot device and one that is simply the film makers' lack of concern about inflicting harm.

If a person wants to see black entertainers doing their thing, there are many excellent black movies that allowed them to show the entire range of their talents.

And there are many great old movies that are NOT repulsive and are in fact very modern in their concerns and point of view. So it isn't necessary to park your ethics at the door to be entertained by a classic movie. You just have to pick and choose. And that's where reviews come in handy, whether you want an older movie or a newer one. I wouldn't watch a lot of the highly acclaimed newer movies, either, because I have no desire to struggle to find some entertainment value in them. There are enough of all sorts to keep us knee deep in films we can actually enjoy for the rest of our lives.

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I think we're saying the same thing. You just went into more elaboration than I did. I don't think that you should "park your ethics at the door" to be entertained either. It's just that there are people who go to the opposite extreme and can't enjoy anything because there's something "offensive" about it. For example, do you think that one should entirely discard "Breakfast At Tiffany's" because of Rooney's performance? Does that make the entire film bad? That was the point I was trying to make. One can be offended, made to think, and entertained all at the same time.

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I think you've said this all very well, dmnemaine.

The stereotypes exist, and they certainly were milked back in the day.
All the same, the film IN ITSELF doesn't suffer from the performances.

I suppose what I mean is, (simply going further on your point)
there are several stereotypes of minorities. Someone who's got more education than I have probably knows about racial stereotypes that I've never even noticed. And yet, I can still see some of the common ones. For instance, blacks were often played down as the low-class off-in-the-background happy-go-lucky minstrels - sort of like how we see them in this film. The thing you've got to think about though is, there is nothing inherently wrong with this display of talent.

So for example - another crude stereotype is that blacks are ignorant workhorses, unable to think and reason, and only good with physical tasks. Even with that harmful stereotype existing, things like the NFL or NBA, where many black athletes show their physical prowess, are not offensive to the race as a whole. Rather, they're very flattering and impressive. Not only do athletes make an entertaining performance with their skills, but they are also deserving of our respect through their talent and clear intelligence.

So to me, films like these, IN THEMSELVES, work the same way. Just like when I'm watching an NBA game, impressed by the talent of the players and appreciative that they've chosen to display their skills in this fashion, I watch this movie and I really respect the African American actors/singers/dancers. Their wonderful musical performances are not in themselves demeaning; to me, they're flattering! I am grateful to all the actors that worked in the movie for giving such a memorable performance.

Of course I keep emphasizing the term 'IN ITSELF,' because AS A WHOLE, the minstrel-performance obviously presents a problem. If blacks can ONLY be minstrels or workhorses, (as they may have been long-term in Hollywood) that's a cruel sentiment that they are somehow inferior. Watching the film AS ITS OWN ARTISTIC WORK, however, provides an opportunity to see a lot of talent, and to appreciate it for artistic reasons.

I have a theory (simply a personal theory) that, if this film did not contain that certain musical sequence, it would have a higher IMDB rating. Not saying I know this for sure; it's only a theory. I enjoyed this movie more than I enjoyed Night at the Opera, and I can't help but wonder whether that one scene has lowered the rating. That, in my opinion, would be sad. It's like you say, some people seem to let certain performances ruin an entire film, and this is indeed one 'extreme' as you mentioned. You put it very well; movies from another time period can make us think about problems-back-then without robbing from the positive experience. Hope this was a good read :-)

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You've pretty much hit the nail on the head. Be aware of the negative stereotyping. Talk about it. Learn from it. But don't be so "aware" of it, that you dismiss the talent and performance value of the artists themselves. On the other hand, don't dismiss calling out the negative stereotypes as "too PC". Don't pretend they don't exist. Don't make excuses for them. Unfortunately, we have not completely gotten away from what you refer to as "problems-back-then". The mentality of many white people in America is still that anyone not exactly like them is either inferior or somewho less deserving. And that extends not only to skin color or ethnicity, but other areas as well, such as political leaning, sexual orientation, religion/lack thereof, etc. Hopefully someday people will realize that we are all human beings, and that no one is superior to anyone else.

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Indeed, sorry if when I referred to 'problems-back-then' I made it sound like everything is ONE HUNDRED PERCENT nowadays, because that would be a naive assumption. Concerning that issue,
(the process of obliterating racial superiority from our mentality,)
I see it as a kind of asymptote. We should constantly get closer to annihilating racist sentiments, and yet, as far as we go, we'll never get ONE HUNDRED PERCENT THERE - there will always be prejudices written in certain people's minds. This is NOT a JUSTIFICATION of such sentiments; it is simply, from my point of view, a reality that defines the struggle. We fight racism in the same way we fight germs - may not ever get rid of it entirely, only you want to be clean from it as possible.
I would also say these prejudiced sentiments do not solely belong to majorities (whites, Christians, etc.) Prejudice is a worldwide disease and it is wrong WHEREVER it comes from.

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I absolutely agree that prejudice comes from everywhere. I didn't mean to imply that it didn't, but Hollywood films are specifically related to the way that the majority in America (White Protestants) view everyone else.

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Indeed that majority was/is the case for Hollywood, especially in its less tolerant past.

Hm, well, like you said when you first posted, it's a good thing that people are discussing this topic, and perhaps even better that we're able to discuss it civilly. Some IMDB boards are just insult after insult, which doesn't really take anybody anywhere.

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The small (at that time) town in which I was born and raised had very few Blacks, and yet I never considered them reflections of those on the screen. I guess I just naturally realized that these were screen portrayals, and the real people I knew were nothing like the movie characters.

I'm the kind of guy, when I move - watch my smoke. But I'm gonna need some good clothes though.

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I disagree with the premise that non WASPS were sterotyped in this film. How is the that musical number a caricature of blacks anymore than the romantic leads' musical number a caricature of WASPS?

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@jtf1986, Do you honestly think that all black people wear empty-headed grins all the time and revel in doing drudge work? If that's not a stereotyped caricature, please tell me what you call it?

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This was a musical comedy. People generally grin while singing in a musical unless they are singing a sad song. It's not supposed to be representative of what people do "all the time".

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[deleted]

I love the characters on classic films of minorities ---

Willie Best in Ghost Breakers should have won an Oscar

Sidney Toler and Warner Oland as Charlie Chan are absolutely film classics

Chico Marx as an Italian reminds me of my Uncle Felix from Napoli --- love it !

Mickey Rooney as a Japanese made me p my pants ---

Jerry Lewis Asian weatherman in Rick-A-Bye Baby is hilarious !!!


Love it and love that TCM shows them all uncut !!!

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"Stereotypical caricature" based on nothing more than an upbeat song-and-dance number? Gimme a f-cking break. If anything, the film was progressive for featuring the Marx bros mixing and partying with a bunch of black folks without as much as a hint to any racial prejudice or preconceived difference.



"facts are stupid things" Ronald Reagan

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I explained exactly why I used the term "stereotypical caricature". They were all had that "minstrelsy" grin and were all doing drudge work. It was "look how happy they are being menials."

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I just watched it again and the only "work" I saw anyone do during the sequence, was an old woman baking a cake. And the bit about excessive grinning seems to be an exaggeration as well (unless you count any smiling face as such - in which case the crooning white boy was probably the greatest offender). I'm not saying it went against any stereotype, but one would hardly expect a brief upbeat musical number to do so, anyway.



"facts are stupid things" Ronald Reagan

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dmnemaine, your posts make sense to me.

We all have oft-repeated types of posts that annoy us on a site like this -- for example:

- this is the most overrated film/show/actor ever
- is he gay/is there a gay subtext?
- this old movie is boring (from a younger poster)
- you kids only watch things with explosions (from an older poster)

etc.

One of my candidates for a most annoying category of post is the "stop judging old movies by modern PC standards" one. And I am an old woman who mostly watches films made in the 1930s-60s.

Here's my problem with those posts (well,besides the fact that they make all of us old folks look bad -- talk about stereotypes!); I don't remember ever seeing a post in which someone actually judges an old film by modern standards. That is to say, I don't see people posting something like "this writer/producer/director should have known better - nobody else was doing this at the time."

I see people posting that something they saw in an old film was racist (or sexist, or just less likely to be seen now, like characters smoking non-stop). They noticed something, they are mentioning how it stood out to them. That's their honest reaction.

Sometimes it is clear that they know why it was considered OK when the film was made, sometimes it's clear that they don't, sometimes I can't tell. In any case, I see no reason to insult them for just mentioning it. It just doesn't get under my skin the way it seems to for some old-film lovers. 

I think that how things that many of us find offensive now (and, in some cases, found offensive 40 years ago) were common 80 years ago, how times have changed, how the Code was involved, etc. are interesting things to discuss.

And, maybe it's the teacher in me, but I thrill to the idea that there are people younger than I am out there, who think that bigotry looks bizarre, that stereotypes stand out as odd. That's to their credit, and to the credit of us old folks who raised them.


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You hit the nail on the head. It's not about disliking an old film or "judging it by today's standards". It's simply about recognizing that some of the acceptable standards of the time were based on racism and/or sexism. It's about recognizing that even during the strictest days of the enforcement of the "Code" in Hollywood, filmmakers pushed the envelope as much as they dared with reference to the "taboo" subjects, including the portrayal of gay people/gay inuendo in film. I guess for some people, it's hard to be able to both critically analyze a film, and to enjoy watching it at the same time. While I didn't grow up in the era of classic Hollywood, I did grow up in the period of the late 60s and 70s TV when a lot of classic films were broadcast. I was also introduced to a lot of classic films in the 80s and 90s through videotape. One of my fondest memories growing up was the annual broadcast of "The Wizard Of Oz" and I can remember being allowed to stay up past my bedtime and watch if one of the networks was broadcasting one of the "big" classic films. It was a big deal.

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I guess for some people, it's hard to be able to both critically analyze a film, and to enjoy watching it at the same time


Could be -- could also be that people on both sides of these arguments just have something that gets under their skin.

I can even see how someone might not want to read "this was so racist/sexist/old-fashioned" posts, or answer them. That's their choice. But they come to the message boards, read them, and cyber-scold the people who made them, sometimes even telling them to stop making such posts.

It just strikes me as odd that someone would come to a place specifically set up for discussion, and snap at people for discussing things!

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