4/10. Here's why:
I know that the rule during the Golden Age of Hollywood was that script had to be written for certain stars. TOP HAT felt that way, but I wanted to check if the script had been written that way just in case. I was right. The result is a plot that manages to be bland, convoluted and boring at the same time. I was shocked, because it was made in the 1930s: The peak of screwaball comedies. I still wanted to keep an open mind. I mean, what the audience really wanted (specially during the Great Depression) was to see Fred Astaire & Ginger Rogers dancing. They’re amazing! We get some musical numbers that are good in a nostalgic way (like TOP HAT, WHITE TIE AND TAILS) and some numbers that are good in a timeless way (like CHEEK TO CHEEK), but also some numbers that are forgettable (like ISN’T THIS A LOVELY DAY?).
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