Ernest--'happy individualist' or 'vile gay stereotype'?
The consensus in the comments posted above is that Ernest's entrance is the high point of the film;
but--can anyone have failed to notice?-- perceptions of 'Ernest' vary wildly.
Is he a 'happy individualist' whose liberated exuberance was protected by the society in which he lived?
or is he 'prime evidence of vile gay stereotyping', a pitiful victim of a 'bigoted society'?
or are these evaluations really more about the people making them?