Several of Vidor's shots get me every time. 1) The shot where John as a kid finds out that his father is dead, walks slowly up the stairs towards his mother and the crowd stays behind at street level. 2) The pan up the side of the building into the window with the incredible number of men all working at identical desks at an insurance company. (One of the most famous shots in film history.) 3) The shot where John first meets his wife, laughs, runs his open hand down his face and suddenly his face turns into Buster Keaton's stone face, then runs it back again and laughs. 4) The final shot of the film, where the camera pans back and we find that John is now happy to be part of the crowd, enjoying some mindless vaudeville entertainment.
Let me add that James Murray's performance is stunning throughout. I cannot imagine why he never became a big star, save for the personal demons that seemed to haunt him throughout his life.
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