saturation- different from the others
I watched this film (albeit not in its entirety, the print we had skipped a great deal of material, i do not know if this is the only surviving film left) in a Queer Literature class, and the discussion focused mainly on the homosexual themes and their implications. As probably the only film major in the class, my questions and observations seemed to be anomalies. I chalk that up the the nature of the course, but one specific detail of the film is still nagging me-
In the final blackmail scene (before the fight between Paul, Bolleck and Sivers), a vase of flowers on the right of the screen is yellow, whilst the rest of the scene remains desaturated. This is the only use of color in the whole film. I was wondering about what significance the vase and its contents could possibly hold. The only thing I could think of was that the flowers in question were carnations, in which case the highlighting of the vase is a subtle nod to Oscar Wilde and his green carnations, with yellow substituting because no suitably green filter was available.
thoughts?