Hi Sirius,
I think Gerry only feels vindicated by his big movies which is sad, it's all the reaction and criticism that drives him in making choices. He must be scared.
He got flogged for Machine Gun Preacher - in racial terms he didn't expect because it was a bio on a real man who felt called by God to protect African children. But it was "white man saves Africa" stereotype that boomeranged hard. Odd he got it again by association with Gods of Egypt - fortunately he wasn't producing and didn't control casting and had secondary role to the YA hero/heroine vehicle. But still bizarre.
Coriolanus didn't get hacked, I mean it is Shakespeare, but there was no crowd of people or critics or fans going we want "more more more" arty films from you Gerry. He got injured on that and must have felt it wasn't worth it. I remember after his 2 artier outings in his next mag interview he said something like I went artistic but "nobody saw them" (he's correct, but you have to expect that when you're trying small alternative films and live with it) so next up, he reverted to his action/thriller genes (Olympus) hoping to re-hook the audience ignoring him.
Guess it's how you look at it - either he's too thin-skinned and cares too much about attention, viewers appreciating him, and box office. Or is he smart to be worried that if he doesn't keep his box office cred, nobody will want him for anything once he can no longer headline a movie. Once you break in, all your "people" worry about is your "career longevity"
Gerry must be testing the waters with Headhunter Calling, seeing if he can get applause outside the sweet spot, but that still hasn't happened yet. Unlike Matt McCon, who I never would have believed could reverse his career from shirtless "Surfer Dude" or man-child RomComs - Gerry is still trying to get that gritty role that expands him to art.
Hardy is so tough, he doesn't care. Seems to be having kids create that for him even more. His interviews are all 'just how to be a man, work, support your children, do your job, no applause, a good man is the one you never hear about, he's just does it.'
I could not believe The Drop got so dropped by critics to be called "the puppy in the garbage can movie," (yikes) and his Child 44 was MIA, but Tom was so good in it. He's had big fails. Now Gerry in that position, he would be cut down by it. Tom not.
I wonder when Tom is ever home? because he works so much. He is younger. Gerry might have been doing that rapidity of movies when he was his age. I seem to remember a time when he had a lot of movies going.
Annie tells us about his bad luck with his prodcos - EmmetFurla and now Relativity. I don't think any of Tom's movies have been held up at all? That's the way it USED to be for Gerry too -- no more! Maybe his name is not as marquee as Tom's, there are only secondary financing options, less solid companies, etc. for Gerry's movies.
Tom is still in the "hot young thing who can do anything" phase like Gerry was, after hits 300/action,war and Ugly Truth/comedy,romance. Gerry has matured past it.
Or is it Bad Luck? Gerry says so. He said he had a director who went crazy and had to be replaced a while back. A drama on every movie, beyond the movie itself, it sounds.
KEEPERS looks good, but he shoots Den of Thieves first - reading the logline, DEN sounds generic to me. Heist movie. Must be a great twist? He's already done a lot of underground moving around of things in unbelievable ways in a movie -- LawAbidingCitizen. This one is more fact based, like the heist of gov. money actually happened? True Story tie-in. Hopefully not MGP fated.
I wish he'd shoot Keepers first, clearly. An unusual dynamic in that. And true story.
Best,
KeepersBurns
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