01. La dentellière (Goretta, 1977)
02. La pianiste (Haneke, 2001)
03. Amateur (Hartley, 1995)
04. Navodneniye (Minaiev, 1994)
05. La cérémonie (Chabrol, 1995)
06. Une affaire de femmes (Chabrol, 1988)
07. White Material (Denis, 2010)
08. Violette (Chabrol, 1978)
09. Les ailes de la colombe (Jacquot, 1981)
10. Les palmes de M. Schutz (Pinoteau, 1997)
I'm so hopelessly intrigued by her illustrious career on the boards. She is, of course, adept at magnification and surprise, but her work usually develops out from a centre of directorial intention - in the strictest sense, more than just serving it - and she has expressed a fundamental disbelief in the externals (things that become focal when in full-body view at all times). With a modus operandi like hers - which tends to involve wiling the viewer into an inner arena rather than pitching forth - how she adapts would definitely be something to see.
The calla lilies are in bloom again...
reply
share