“ . . . On [Joe] Weider’s instructions, [Art] Zeller photographed Arnold constantly. Zeller remembers that from the start Arnold was ready to sacrifice everything to achieve his goals, getting enough sleep and training hard. Always prepared to admit to his deficiencies and to devote himself to eliminating them, Arnold immediately took posing lessons from Dick Tyler. Tyler, deciding that Arnold merited ‘heroic’ music, picked for his posing routine Thus Spake Zarathustra. Years later Tyler commented that if Hitler had wanted to advertise the Aryan ideal, Arnold would have been its perfect representative.”
Ibid.; p. 87.
4. More about Schwarzenegger’s Nazi veneer:
“Tyler’s remarks may sound a trifle barbed; however, since 1977 rumors have circulated in the bodybuilding world that during the filming of Pumping Iron, the pseudo-documentary film that transformed him into a legend, Arnold said he admired Hitler. When contacted for a newspaper article in 1988, George Butler, the producer and director of the film and still a close friend of Arnold’s today, admitted that during the filming of Pumping Iron Arnold definitely did say that he admired Hitler. Butler then conceded that the remark was cut from the final version of the film, adding that Arnold expressed his admiration of ‘Hitler and Kennedy in almost the same breath as people who were leaders.’ When asked why Arnold admired Hitler, Butler replied that the context in the film was that Arnold was saying he had ‘always wanted to be remembered like the most famous people in history, like Jesus and so on . . .”
Ibid.; pp. 87-88.
5. Manfred Thellig had a similar take on Schwarzenegger’s attitude toward the Third Reich:
“Manfred Thellig, who worked with Arnold in Munich, offers a similar interpretation. According to Thellig, Arnold ‘definitely admires the Teutonic period of the Third Reich. He just loved those leftover relics of the Third Reich in Munich—those Teutonic statues.’ He added that Arnold would say, ‘If I had lived at that time, I would have been one of those Teutonic breeders’ but explains, ‘Whenever he opened his mouth and it sounded like ‘Oh, there is a neo-Nazi,’ this was just playing Tarzan. It wasn’t serious. . .’”
Ibid.; pp. 88-89.
6. Others have seen Schwarzenegger “Sieg Heil”:
“There are, nevertheless, witnesses over the years who have seen Arnold break into the ‘Sieg Heil’ salute and play his records of Hitler’s speeches. Arnold responded to this issue during a 1989 Penthouse interview with journalist Sharon Churcher. According to Churcher, a former associate of Arnold’s during the seventies had heard from a mutual acquaintance that Arnold had Nazi paraphernalia in his apartment. According to the associate, Arnold’s reaction at that time was to claim through Pumping Iron producer George Butler, that his interest ‘was only that of a student.’ Butler, professing to have forgotten the above exchange, says that he had never seen any Nazi paraphernalia at Arnold’s house.”
Ibid.; p. 89.
7. More about the Penthouse article:
“The article goes on to quote Arnold as saying, ‘I totally hate the Nazi period.’ He adds, ‘When you come from a background like Germany or Austria, then you sometimes are joked about and people give you sometimes gifts that maybe had something to do with that [Nazi] time.’ When asked if he kept any such presents, Arnold replied, ‘No. I am so much against that time period. I despise it.’”
Idem.
8. Perhaps he was not “so much against that period”!
“There is yet another possibility. As one bodybuilder, who observed Arnold in America doing the ‘Sieg Heil’ salute commented, ‘It was expected of him.’ Arnold personified Aryan supremacy and Germanic strength of will. To top that, his father had been a member of the Nazi party. Both his heritage and his image were inescapable. Inescapable, but not ineradicable. Yet Arnold, far from underplaying his roots, embraced and advertised them.”
Ibid.; pp. 89-90.
9. More about the reason for Schwarzenegger’s Nazi affectations:
“Essentially always an entertainer, a performer who gloried in satisfying his audience, Arnold must have known that the Nazi aura surrounding him did not displease his admirers. After all, the goal of many bodybuilders is to carve for themselves bodies befitting a master race, and to that end power and dominance are valued above all. Bodybuilding journalist Dick Tyler, who was Joe Weider’s West Coast editor and who met Arnold during his first months in America, sums up the allure of the jackboot in bodybuilding terms: ‘I used to tell bodybuilders, ‘When you go out there, think of yourself as the very best. There is no other. It will come across to the audience and they love it. That’s why they are there. They are sitting there with their skinny bodies and they are looking up at that stage—looking up at their heroes.’ They want that arrogance, and Arnold knew this. You didn’t need to give any advice to him about being arrogant.’
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