This is quite a good topic to ponder, esp. at our current point in the progression of FX- CGI has been around in a big way for quite a while now, and perhaps we have got used to every big picture having oodles of CG shots... images that 15 years ago would have become burnt into our brains (like T2 and JP) now elicit a 'blah' response.
I remember being really impressed by the effects in Independence Day, but after that becoming a little immune to the sense of spectacle and wonder truly great 'trick work' should evoke. I think it was about that time I first watched Dragonheart with some friends, and we all agreed that only problem with computer effects is that, well, they LOOK like computer effects!
Of course, that's an accusaion you can lay against any special effects technique- an ubiquity of appearance. All of Ray Harryhausen's films have that unique identity- 'Hey, this is a Harryhausen picture!'... but that was something that a lot of those older FX-heavy films did have in spades, a unique identity, something that was missing from a lot of CG flms a while back.
But I think those days are on the way out. CG is improving all the time. I have nothing but respect for those guys. Lord of the Rings was perhaps the greatest example so far of what computers are capable of bringing to a motion picture. King Kong and Transformers had some great stuff in them too, though my (non-FX) problems with them as actual, 'whole' films precludes an objective standpoint.
We live in an exciting time for effects, one in which CG has the prospect of merging its strengths of fluidity and scope, with the essential strength of the older techniques- their very 'realness'.
'The original Kong seems quicker.'
'Yes, but my Kong won't tire.'
reply
share