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'Brave New World' by Aldous Huxley, is directly plagiarized from Enkidu story in the Epic of Gigamesh

posted 7 years ago by HermanMelville (36)
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Consider the corresponding parallelism:

(Because Gilgamesh is too energetic for the people of Uruk,

the gods decide to create a partner for him.)

They called upon great Aruru: "You, Aruru, you created humankind! Now create someone for him, to match the ardor of his energies! Let them be regular rivals, and let Uruk be allowed peace!"

When Aruru heard this, she created inside herself the word of Anu. Aruru washed her hands, pinched off a piece of clay,

cast it out into the open country.

She created a primitive man, Enkidu the warrior:

offspring of silence, sky-bolt of Ninurta.

His whole body was shaggy with hair, he was furnished with tresses like a woman, His locks of hair grew luxuriant like grain. He knew neither people nor country; he was dressed as cattle are. With gazelles he eats vegetation, With cattle he quenches his thirst at the watering place. With wild beasts he satisfies his need for water.

A hunter, a brigand, Came face to face with him beside the watering place. The hunter looked at him, and was dumbstruck to see him. In perplexity he went back into his house And was afraid, stayed mute, was silent, And was ill at ease, his face worried. ... the grief in his innermost being. His face was like that of a long-distance traveler. The hunter made his voice heard and spoke, he said to his father,

"Father, there was a young man who came from the mountain, On the land he was strong, he was powerful. His strength was very hard, like a sky-bolt of Anu. He walks on the mountain all the time, All the time he eats vegetation with cattle, All the time he puts his feet in the water at the watering place. I am too frightened to approach him. He kept filling in the pits that I dug, He kept pulling out the traps that I laid. He kept helping cattle, wild beasts of open country, to escape my grasp. He will not allow me to work in open country."

His father spoke to him, to the hunter,

"... Uruk, Gilgamesh. ... his open country. His strength is very hard, like a sky-bolt of Anu Go, set your face towards Uruk. ... the strength of a man, ... lead her forth, and ... the strong man. When he approaches the cattle at the watering place, She must take off her clothes and reveal her attractions. He will see her and go close to her. Then his cattle, who have grown up in open country with him, will become alien to him."

He listened to the advice of his father. The hunter went off to see Gilgamesh. He took the road, set his face towards Uruk, Entered the presence of Gilgamesh, and said:

"There was a young man who came from the mountain, On the land he was strong, he was powerful. His strength is very hard, like a sky-bolt of Anu. He walks on the mountain all the time, All the time he eats vegetation with cattle, All the time he puts his feet in the water at the watering place. I am too frightened to approach him. He kept filling in the pits that I dug, He kept pulling out the traps that I laid. He kept helping cattle, wild beasts of open country, to escape my grasp. He will not allow me to work in open country."

Gilgamesh spoke to him, to the hunter,

"Go, hunter, lead forth the harlot Shamhat, And when he approaches the cattle at the watering place, She must take off her clothes and reveal her attractions. He will see her and go close to her. Then his cattle, who have grown up in open country with him, will become alien to him."

The hunter went; he led forth the harlot Shamhat with him, And they took the road, they made the journey. In three days they reached the appointed place. Hunter and harlot sat down in their hiding place. For one day, then a second, they sat at the watering place. Then cattle arrived at the watering place; they drank. Then wild beasts arrived at the water; they satisfied their need.

And he, Enkidu, whose origin is the mountain, Who eats vegetation with gazelles, Drinks at the watering place with cattle, Satisfied his need for water with wild beasts. Shamhat looked at the primitive man, The murderous youth from the depths of open country.

"Here he is, Shamhat, bare your bosom, Open your legs and let him take in your attractions! Do not pull away, take wind of him! He will see you and come close to you. Spread open your garments, and let him lie upon you, Do for him, the primitive man, as women do. Then his cattle, who have grown up in open country with him, will become alien to him. His love-making he will lavish upon you!"

Shamhat loosened her undergarments, opened her legs and he took in her attractions. She did not pull away. She took wind of him, Spread open her garments, and he lay upon her. She did for him, the primitive man, as women do. His love-making he lavished upon her. For six days and seven nights Enkidu was aroused and poured himself into Shamhat.

[–] HermanMelville (36) 7 years ago

When he was sated with her charms, He set his face towards the open country of his cattle. The gazelles saw Enkidu and scattered, The cattle of open country kept away from his body. For Enkidu had stripped; his body was too clean. His legs, which used to keep pace with his cattle, were at a standstill. Enkidu had been diminished, he could not run as before. Yet he had acquired judgment, had become wiser. He turned back, he sat at the harlot's feet. The harlot was looking at his expression, And he listened attentively to what the harlot said. The harlot spoke to him, to Enkidu,

"You have become wise Enkidu, you have become like a god. Why should you roam open country with wild beasts? Come, let me take you into Uruk the Sheepfold, To the pure house, the dwelling of Anu and Ishtar, Where Gilgamesh is perfect in strength, And is like a wild bull, more powerful than any of the people."

She spoke to him, and her speech was acceptable.

(The earlier Old Babylonian version continues the narrative.)

The woman's suggestions Penetrated his heart. She took off her garments, Clothed him in one, Dressed herself In a second garment, Took his hand, Like a goddess led him To a shepherd's hut Where there was a sheep-pen. The shepherds gathered over him . . . . . . . He used to suck the milk Of wild animals. They put food in front of him. He narrowed his eyes, and looked, Then stared. Enkidu knew nothing Of eating bread, Of drinking beer. He had never learned. The harlot made her voice heard And spoke to Enkidu,

"Eat the food, Enkidu, The symbol of life. Drink the beer, destiny of the land."

Enkidu ate the bread Until he had had enough. He drank the beer, Seven whole jars, Relaxed, felt joyful. His heart rejoiced, His face beamed, He smeared himself with ... His body was hairy. He anointed himself with oil And became like any man, Put on clothes. He was like a warrior, Took his weapon, Fought with lions. The shepherds could rest at night; He beat off wolves, Drove off lions. The older herdsmen lay down; Enkidu was their guard, A man wake.

But when Enkidu finds out that he's gotten the death penalty for all his misbehaving, he changes his tune. He tells the god Enlil,"I did not kill the Cedar (from the forest)" and then about two lines he starts cursing the amazing door he and Gilgamesh made out of the Cedar, and pretty much all but admits he did cut down the Cedar (7.22). Contradictory, much?

He then follows this up with a string of curses directed at virtually everyone he's met since his romp with Shamhat, because he holds them responsible for bringing him out of the wilderness—thus indirectly leading to his death.

John – the illicit son of the Director and Linda, born and reared on the Savage Reservation ("Malpais") after Linda was unwittingly left behind by her errant lover. John ("the Savage", as he is often called) is an outsider both on the Reservation—where the natives still practice marriage, natural birth, family life and religion—and the ostensibly civilised World State, based on principles of stability and shallow happiness. He has read nothing but the complete works of William Shakespeare, which he quotes extensively, and, for the most part, aptly, though his allusion to the "Brave New World" (Miranda's words in The Tempest) takes on a darker and bitterly ironic resonance as the novel unfolds. John is intensely moral according to a code that he has been taught by Shakespeare and life in Malpais but is also naïve: his views are as imported into his own consciousness as are the hypnopedic messages of World State citizens. The admonishments of the men of Malpais taught him to regard his mother as a whore; but he cannot grasp that these were the same men who continually sought her out despite their supposedly sacred pledges of monogamy. Because he is unwanted in Malpais, he accepts the invitation to travel back to London and is initially astonished by the comforts of the World State. However, he remains committed to values that exist only in his poetry. He first spurns Lenina for failing to live up to his Shakespearean ideal and then the entire utopian society: he asserts that its technological wonders and consumerism are poor substitutes for individual freedom, human dignity and personal integrity. After his mother's death, he becomes deeply distressed with grief, surprising onlookers in the hospital. He then ostracizes himself from society and attempts to purify himself of "sin" (desire), but is finally unable to do so and hangs himself in despair.

[–] joi2049 (5488) 3 years ago

Since the HEBREWS were the SLAVES of the SUMERIANS, it's also clear how the BOOK of GENESIS STOLE it's story from The EPIC of GILGAMESH.

NOTE the way ADAM is also a WILD MAN running around in the FOREST like GILGAMESH and how a FEMALE is introduced to both ADAM and GILGAMESH as a way to try and TAME them.

Then the SNAKE also EATS the TREE of IMMORTALITY that Gilgamesh plans to take back to the CITY (which also parallels how the SNAKE is introduced into the GARDEN of EDEN from which ADAM and EVE are EXPELLED after eating from the FORBIDDEN TREE, loosing their IMMORTAL STATUS, and becoming MORTAL in the process of doing so).

Then there's also the other story about the FLOOD which makes it even more OBVIOUS that the HEBREWS RIPPED off their FLOOD STORY from GILGAMESH.