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Screenplay Vs Theatrical Play Tradition


(cross-posted in writer forum)

When a remake is announced, especially if it's a remake of a classic movie, I often think what would it be like if a new cast were to actually "remake" a classic, using the same script. This is done in theater all the time. A playwright makes money from several, sometimes hundreds of productions of his/her work over many years. The play is licensed for production both professional or amateur productions.

In films, of course, new scripts are written for remakes. I've often wondered what it would be like, for example, to hear interpreting and performing the same lines as in .

I'm curious as to how/why writing for film diverged from the established theatrical "business model," (for lack of a better term.) Although early film clearly had theatrical roots, screenplays were never "published" or licensed for other film productions. Somehow, screenwriters don't seem to own the rights to their work, as do playwrights.

Any thoughts?

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I really think it all comes down to money.

Today's audience would not pay to see it.
People today see a clear difference it film and theater. Not everybody of course but the general public.

The works of Miller, Williams, O'Neill, Maugham are appreciated by a much smaller crowd.
Every now and then somebody will come along and try to bring Shakespeare into the fold.
Branagh had some moderate success.
Unfortunately I don't think there is a big call for this. Although I would love to see more of it.

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Not quite what I meant.

The question is how/why did the the business develop along different paths for writers? A playwright may measure success and make a living from scripts which are produced over-and-over again. Many people go to see new theatrical productions of old shows with new casts. They look forward to seeing different actors perform familiar lines and scenes.

A screenwriter, however, makes his/her money from one production (including from later film distribution sales of that film) but that script will never again be produced. Someone may buy the rights and write a new version for a new film, but the original script is gone forever. I'm not at all suggesting that direct film remakes are great ideas or box office gold. I'm just wondering why that "business model" (?) came about.

Think of a film you like, and can practically quote line for line. Any film. Maybe it was made 20 or 30 years ago. Have you never wanted to see some other production of that same dialogue performed by other actors you admire? Something like (and this is just an example, and not a very good one at that) "Man, Goodwill Hunting is a great film. I would love to see what other actors would do with those lines." If it were to be remade Matt Damon and Ben Affleck would still be paid for their script, of course, but it would be discarded for a totally different script, with different dialogue and different scenes.

Remakes are always re-written, usually drastically so. Dialogue and even entire storylines are changed beyond recognition. I'm not against this...in fact, there are many remakes which are better than originals, but that's a different discussion.

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Got it. My bad.

I really don't know why this was adapted. Maybe when studios buy the rights to plays they are more
interested in the play itself and not in changing it too much.

Studios like their control. Everybody thinks they can do it better. Any time a studio is making a movie
there is a lot of money on the line. I know that in order for a writer to get credit for being a writer
on a script they would have to change a certain percentage of the original script. This is also an incentive
for scripts to be changed. I don't know how well doing a line by line and shot by shot remake with
different actors would go over. Personally it wouldn't do much for me.

The only reason I can think of is when Hollywood first started the studios were in complete control.
The writers back then were desperate for there piece of the pie. They really didn't think of what
this would mean. If they wanted to get paid they didn't have much choice but to sell it and move on.

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Screenwriters don't seem to own their work the way playwrights do. Just wondered why the film industry went that route, since, as I said, film industry grew out of theater in a sense.

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Maybe it's because of the changes in tastes of audiences and the nature of film. At the beginning of the 20th cent. live theater was the standard form of entertainment and films were minor curiosity. Live theater audiences accepted that they often were seeing a new production of an existing work. Since film is the document of a single performance, audiences began thinking of attending a movie as seeing the ONLY version of that story (and every audience saw the same version). If the aim of a movie is a singular product, the business model would follow. Of course nowadays we anticipate the 4th and 5th remake of Spiderman.

I have a similar theory about music. The 20 century saw a shift from music=live performance to music=recorded music. At one time, the general public never thought about the cover of a song.

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