offended or amused?


If you were offended by the play, were you offended by the musical? And was it for the same reasons?

And ditto if you were amused....

Or were you offended by one and amused by the other?

AND WHY?

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I was amused by the musical but I was a little offended by the play. I thought the musical was a little better than the original play because it seemed to me that the musical was actually funny in contrary to the play which seemed to be more cruel than funny.

The musical had more comical sense to me because it showed more funny situations such as with the gangsters and Fred Grahms girlfriend and his girlfriends boyrfriend. That triangle to me seemed to amuse me more than the actual taming of the shrew that they portayed in the theatre. Alao, the adlibing that they did while they were inside the play and everything such as the gangsters coming in and acting in the play seemed to help the comical part of the play.

The play that Shakespear wrote I must admit was good for its time because in that time men dominated mostly everything. Bu tin todays society in the ways I was brought up, I found it not to be funny at all but actualy cruel in the way he mistreated his wife, the person your supposed to care and worship.

Iagoscd

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Though I did find the play to be offensive, the musical was amusing and did not offend me at all. Petruchio's treatment of Katherine was very inhumane in the play, and it was a weak attempt to illustrate the dominance of male in society. However, I do not hold Shakespeare in contempt for this, for in many of his plays that preceded and proceded this one female characters were attributed with qualities that magnified the roles associated with their gender. For example, women were never scarier than in the characterization of Lady Macbeth. But I digress.

What amused me in the musical was the intricate web of romance, not just within the play but also the web thjat entangles the lives of the actors and actresses that played roles in such a play. The actress that played Bianca is in hot pursuit of three men, whereas within the play itself she is being courted by three men. The personalities of the characters devised by Shakespeare that were hidden throughout most of the play became pronounced in the actions of the actors and actresses that played the respective roles. Bianca was able to disguise her manipulative nature in the play, but the actress in the musical playing her role gave that away. I let out a chuckle for that one.

The relationship between Fred (the actor that played Petruchio) and Lily (the actress that played Kate) is consistent with the relationship between the characters they play. I love the fact that even though the play isn't running, as Fred and Lily they are able to continue the ongoing disputes from where they left off with Kate and Petruchio. It's a nifty way to tie in everything in the musical for a satisfying resolution, not just a mere and disappointing submission speech that seemed to have dehumanized Katherine in the play.

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I found certain scenes in the play to be omeewhat offensive or at least harsh, but not in the movie. I feel that the movie created a very humorous and light mood. It is hard to feel offended when the characters are singing and dancing.

I found the secene when Petruchio grabs Katherine's arm and says you will be my wife offensive. I felt that he was making Katherine a normally bold character seem powerless and even threatened. I suppose in the movie the equivelent would be the scene with mobsters pulling out the gun. It didn't seem offensive. It was clear that he wasn't going to let the mobsters hurt her becuase he loved her.
In the play we are never really truely sure if Petruchio and Katherine are in love. But, in the musical it is mad quite clear that there are strong feelings of love there. So it is not offensive the way Kate is treated. Also the musical focuses more on the fact that they are putting on a play and those are actors. So it takes away from the offensivness bcause we don't have to deal with the Elizabethan role for women.

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I think that the Taylor/Burton version of the play got it right by implying that it was really love at first sight, and only the dominance structure had to be worked out ... if anyone thinks that Shakespeare believed women couldn't dominate men, I suggest they read Macbeth.

But you ARE Blanche ... and I AM.

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(alright! i'm on number two! i must be butter cuz i'm
on a roll!! [2nd personality: oh yeah, you can take
that roll and shove it in the oven! i like it toasty...]
hmmm....must be the medicine talking.)


The play, i didn't really like... [GREAT NOW I SPEAKIN
SHAKESPEARE...backwards] I was a little bit offended,
y'know being female and all, because, as i've already
stated, thriced removed (LOL), Katherine wasn't even
action for me. Seeing her with no physical strength or
attempts to at least show SOMEthing, made me fell ashamed
as if all females were weak and had no power. I can safely
for me, that i would definately fight back.

In the movie, i liked it. (hehehe) I felt that Lilli was
the ideal woman! SHe was aggressive. And when she wanted
something she determined to get it and strong willed to
stick to it. She did what she lvoed and most importantly
she followed her heart after playing hard to get which is
what most women do. :)

****************** It made me proud to be a female to see
a woman fighting back.

DINA!! NIGHTY NIGHT!!!!!! Hasta mañana! or lunes....whichever! lol

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It's important to take into consideration that the play premiered in 1948. Although the 1953 movie toned things down a lot, it's unfair to judge a play that was written in the '40s by today's standards of gender equality.

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hmm... I think Shakespeare's "Taming of the Shrew" is meant be the "play", and Porters "Kiss me Kate" is the "musical version" (be it stage or screen). At least that's what this discussion seems to be about - not comparing the stage and screen versions of the musical.

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Such a splendid assemblege of dancing and singing, it feels unsporting to be contrary. But the sexist moments of spanking and other forms of wife submission grated against Kiss Me Kate's otherwise great charm. And it seemed the characters in the musical were almost equally puzzled about the disconnect -- here we have a spirited love story between two spirited personities, then the woman suddenly turns gooey and submissive and makes this flabbergasting speech because she's been starved and thwacked. Some sort of weird sexist doublethink -- I love you so much and I'm of such strong character that I'll subdue my character, dignity and sense of justice just to be with you. (Eyelashes flutter.)

All this doesn't mean I can't enjoy it, but it also doesn't mean I don't notice and comment on it. Saying it is a product of its era is no excuse. ("Oh you have to understand about lynchings, it was after all the South back in the 20s" or whatever.) Wrong is wrong, even if it is from another time. My younger cousin said he has trouble watching any of those old movies because they're so filled with crappy attitudes about women. I thought, you know, you're right. We get all aflush about them being classic movies and cut them all sorts of excuses. But that was some s--t going on!

But that doesn't mean I don't replay Too Darn Hot over and over, or love Howard Keel, or get totally agog myself over that steamy sublime breakaway moment when Bob Fosse and his partner have their turn in From This Moment On.

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[deleted]

Hmm. I don't find Fred's spanking of Lilli to be sexist at all. I find it to be payback for all the punching, kicking, slapping, and biting that she's done to him up to that point. Why is it "sexist" when Fred spanks Lilli, but you say absolutely nothing about the abuse he's had at her hands?

With that said, I agree that both "Shrew" and "Kate" are sexist in their outlook that the "proper" role for women is to be mousily submissive to men. I think bringing that to people's attention is consciousness-raising, and that's the important thing.

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I wasn't offended by either the play or the musical simply because of this.

The point of the plot in "taming of the shrew" wasn't for the husband to dominate his wife- it was for the husband to woo her. Katherine was tempestuous, out of control, and- most of all- unhappy- in the end ,she becomes the wife her husband intended her to be, yes, but her also ends up clearly in love with her husband. I truly enjoy Kiss me Kate, because there is a chase involved- the man trying to woo his fiesty wife , first with argument, and then with clever deception- and the consequences and rewards of these approaches, in both the outside and inside plots.

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ditto.

I found both the play and the musical amusing. Maybe because I like it when the guy and girl are stubborn, etc., but everything works out in the end. And I'm a girl.

For some reason, I get more offended with the "damsel-in-distress" movies. The women have no strength, no true character (at least in my opinion). That could also be why Belle is my favorite Disney princess....

Sorry I rambled on a bit!

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Bear in mind, the play is a play-within-a-play (as it is in the musical): it's what Christopher Sly is watching. In one quarto there is a final scene (omitted from the folio) in which Sly is returned to his life as a beggar, and thinks he has been dreaming, but comments "My profit on it is, I know now how to tame a shrew": he's going off to try Petruchio's methods on the hostess who kicked him out at the beginning of the play, and you just know he's going to get nowhere. Even if the main story were played without irony, this scene (which was probably included in Shakespeare's lifetime) would completely undermine it.

Also see John Fletcher's sequel "The Tamer Tamed", in which Petruchio himself is tamed by his second wife Maria. Shakespeare obviously liked it: he entered a professional partnership with Fletcher soon after it appeared, and they wrote "Henry VIII", "The Two Noble Kinsmen" and the lost play "Cardenio" together.

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[deleted]

I don't find Taming of the Shrew offensive because although Kate becomes mild and "obedient" in the end, Petruchio clearly falls under her spell and is kinder and gentler to her. So...um...WHO was the tamed one?

I think the point wasn't "hey, guys beat and starve your wife and she'll obey you." I think it was...show consideration to your mate and they will show consideration to you...which is a lesson that is still valuable today.

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I wonder if anyone has seen the episode of Moonlighting called "Atomic Shakespeare?" It borrows heavily from Kiss Me Kate (which I just recently realized since I wasn't familiar with the movie or the show.) But the ending is completely re-written so that Petruchio is actually the one who is "tamed." Very funny, witty dialog! At the end of the DVD commentary, Bruce Willis even says "Kiss Me Kate!"

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Funny sometimes, certainly fast-paced, but it would be rank impossible to re-do it today. No getting around it, the movie and the story are waist deep in an old-fashioned idea of the guy as conqueror, where girls are really not entitled to say no and they need a good solid spanking, corporeal or mental, in order to know their place. The scene where he gives her an over-the-knee round in front of the enthusiastic audience kind of symbolizes that whole attitude: women are supposed to stand back, give a sweet smile and not act too sharp, tough or sarcastic. Women need to submit in order to be real women. It happens after Lili has slapped Fred, but that doesn't seem to make his response any real self-defence. Her swipe at him is more a way to mark off a limit, when he grabs her and bends her over for a solid round he's *claiming* her submission, and that's different. He merges a bit with the idea that this is what all men have to do sometimes: the way it's shown, we're supposed to join with the approving, hooting audience.

I'm not saying "Kiss Me Kate" as a text makes a heavy ideological stement about male and female roles, of course it doesn't. It's about actors and the theatre too. But doing it like this presupposes that the image of the conquersome he-man is THE undisputed idea of how to be a "real man" - a man who goes for friendship instead of sexual conquest when he's met a woman is essentially a loser in relation to her and to other men - or it just wouldn't work. It's just like you don't see too many recent films with childlike blacks and asians being mowed down by the whites anymore, not even in an "ironic" way.

Good evening from Berlin! I am in the German capital and I mean buainess!

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It's always been my contention that Kate, in reality, tames Petruchio by letting him think he's gotten the upper hand. She is so subdued in her final monologue that it's obvious she knows exactly what she's doing and will actually maintain control of the marriage.

I'd like to be a pessimist, but this is a luxury I cannot afford.—Joseph of Cordoba

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I think the musical is a little easier to take because just in the sense of being a musical, its themes are going to be softened in order to make the musical interludes more acceptable.

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