Slightly cheap looking...
It's interesting watching these films set up by stars' independent production companies (whether those of Bogart, Ida Lupino or Loretta Young) because they show what was lost by going outside the studio system. The subtle sense of luxury in lighting and design that the art and electrical departments supplied is nowhere to be seen. The camera work is also much simpler, almost brusque, as these films were shot on a tight schedule.
The interior locations of this film just looks so flat: Certainly the restaurant they always go to is the drabbest celebrity hangout ever depicted!
Not all films need to be physically beautiful, and of course sometimes that would be inappropriate for certain stories. But compare the flimsy world of this film to those of, say, All About Eve and Sunset Boulevard, the 1950 movies this is often grouped with (and in places presented sometimes scrappy cosmopolitan environments) (an airport, an alley, two bachelor apartments, a boarding house, etc.) and you see the unity of design and production the studios gave their product.
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