MovieChat Forums > Film Noir > What Film Noir did you see?:September/Oc...

What Film Noir did you see?:September/October edition.


Hi everyone  I hope you all had a good Summer,and with there only being a month of 🌞 left before Halloween arrives  it is the perfect time to say...


Hello to the Homme and Femme Fatales of the dark alleyways,and welcome to the latest edition of your bimonthly thread.This is where we all get a chance to post our views on Film Noir or films of a similar ilk from Neo-Noir to Gothic Noir.Although we are primarily about the Noir world,post on your non-Noir viewings are all welcomed as well,in the spirit of good conversation.

reply

CONTAINS SPOILERS


ROGUE COP 1954

Bent cops, the Mob, murder and revenge are all at the top of the bill in this MGM production. The cast includes, Robert Taylor, Steve Forrest, George Raft, Janet Leigh, Anne Francis, Robert Ellenstein, Alan Hale Jr, Robert F. Simon, Olive Carey and Vince Edwards.

Robert Taylor plays a crooked Detective who is on the payroll of Mob boss, George Raft. Raft calls up Taylor for a meeting at the race track. Raft needs Taylor to have a word with Taylor's kid brother, rookie cop, Steve Forrest. Forrest is the only witness against a murderer, Peter Brocco that the Mob wants released. The Mob is willing to cough up 10 large for Forrest to have some memory issues.

Taylor has a talk with his brother but Forrest is not interested. Taylor tells Forrest that the Mob is not inclined to take no for an answer. Taylor also has a word with Forrest's girl, nightclub singer, Janet Leigh. Taylor wants Leigh to "suggest" to Forrest that the 10 grand would let them get married and such. Forrest still refuses to play ball.

Taylor has another meeting with Raft and Raft's Mob boss, Robert F. Simon. Taylor asks why this particular man, Peter Brocco is so important. He gets no answer to the question, instead Raft tells Taylor that Forrest had best agree to the deal, or else drastic measures will be taken. Taylor loses his cool which ends with Raft and himself exchanging punches with Raft taking a thumping. (As does Raft's bodyguard, Alan Hale Jr) Taylor warns Raft and Simon that he will be most upset if anything happens to his brother.

In the middle of all this is the alcoholic girlfriend of Raft, Anne Francis. After Taylor pounds on Raft, Raft takes it out on Francis when she cracks wise about the beating.

The film now goes to a straight up vengeance picture as the Mob does indeed kill Forrest. Taylor goes off the rails as he goes after Brocco to find out what he has on Raft and company. Turns out Brocco had witnessed Raft and Simon do a murder years ago, and has been blackmailing them since. Bodies are needless to say going to pile up along the way here.

For a MGM film, this is a real change of pace with plenty of violence etc. Robert Taylor is excellent as the bent cop as is Raft as the mobster. The screenplay is by Sydney Boehm from the novel of William P. McGivern. McGivern also wrote the novels for ODDS AGAINST TOMORROW, THE BIG HEAT, HELL ON FRISCO BAY and SHIELD FOR MURDER. All these novels were turned into films.

ROGUE COP cinematographer, John F Seitz was nominated for an Oscar for Best Cinematography. Seitz was a favourite of Alan Ladd and worked with Ladd over 20 times. The 7 time Oscar nominated Seitz was a sure hand in the Noir genre with, SUNSET BLVD, THE LOST WEEKEND, THIS GUN FOR HIRE, CALCUTTA, SAIGON, THE BIG CLOCK, CHICAGO DEADLINE, APPOINTMENT WITH DANGER and DOUBLE INDEMNITY as examples of his work.

reply

Re-watched this a while back and thought it worth posting.

CONTAINS SPOILERS

MICKEY SPILLANE'S – "Mike Hammer!" - 1954

An excellent first stab at producing a series based on writer Spillane's hard-boiled detective. This was to be the pilot for the series, but the networks decided to pass on adding it to any of their line-ups. In this one, Brian Keith plays the hard as nails private detective.

This one starts with Keith paying a nighttime visit to his favourite watering hole and club, "The Purple Peacock". Out front, Keith stops for a moment to say hello to young newspaper hawker, Leon Burbank.

Once inside the club Keith orders a drink and a big steak. He joined by the club owner, Robert Foulk. Foulk nods at a table with three men across the way. He then says to Keith that two of the men are FBI types. They are guarding the third man who is a witness in a mob trial.

The three finish their meal, pay the tab and head out. Suddenly the night is split by multiple blasts from a shotgun. The mob witness, one FBI man and the young newspaper seller all go down in a pool of blood. Hammer rushes out and helps the wounded FBI man. He then has a look at the other two. Both newsboy Burbank and the Mob witness are dead. The Police and an ambulance are summoned.

Later in the evening, Keith is in the office of Police Captain, Robert Bice. They are talking about the killing. Bice knows it was a hit ordered by local mobster, Donald Randolph. But he cannot prove it since Randolph and his crew have alibis.

Keith of course sets out to prove what the Police are unable to do. He pays a visit to the apartment of Virginia Lee. Lee is Randolph's girlfriend and supplier of his alibi. Also at the apartment are, Randolph and his two pet gunsels, Donald Harvey and Dale Van Sickle. Words are exchanged and warnings issued by both sides before Keith exits.

Later on, Keith returns and breaks into Lee's apartment. He wakes her and starts with some heavy 3rd degree. Lee stands firm and tells Keith nothing useful. She cracks, "I didn't hear you knock when you came in." "Who knocks from the fire escape". Keith grumbles in return before he leaves.

The next day Keith is contacted by Miss Lee and told she does have some info for him. A meeting is arranged for that evening down in the warehouse district. Lee shows and tells Keith that she had lied about being with Randolph and his brunos at the time of the murders. She is telling Keith this, but has no intention on telling the cops the same. "I want to keep breathing, but I feel bad about the young kid getting whacked."

Keith heads home for some sack time before deciding what his next move is. As he enters his apartment, Keith is jumped by Randolph's thugs, Harvey and Van Sickle. They proceed to give Keith a first-rate curb stomping. Keith manages to get in a couple punches himself, then, dives out the bathroom window with bullets chasing him. Down the fire escape and into a pile of garbage Keith throws himself. The two thugs miss him in the dark and soon take off.

The thoroughly pulverized Keith stays under the garbage. "A guy needs some sleep after a beating like that. I'll just close my eyes and bleed a while." Next morning Keith hauls himself over to Miss Lee's apartment. Needless to say he finds that Lee has been dealt with by Harvey and Van Sickle, in a most unpleasant manner.

Keith spends the day licking his wounds while planning his revenge. That night he hits Randolph's estate and watches. He cracks the guard on duty and enters the estate. He sees Randolph inside talking with his gunmen. Randolph dismisses them and sits for a drink. Keith now enters through the patio doors and grabs up Randolph. A revolver planted up his nose soon has Randolph agreeing to write a confession. He ordered the killing of the witness and Miss Lee.

As this is going on, Harvey and Van Sickle have discovered the unconscious guard. They quickly return to Randolph's study and find Keith. Van Sickle goes for his rod and is shot by Keith. Keith smiles at Harvey and shows him the confession by Randolph. "This lands you in the jackpot." A furious Harvey now pulls his piece, but blasts Randolph before turning on Keith. Keith drops the man with several well-placed shots.

Keith calmly waits outside for the Police. He tells Captain Bice it was all a matter of self defence.

What an episode! It features hard-boiled dialogue from start to finish and is remarkably violent for the time.

The episode was written and directed by Blake Edwards. You could say this was a tune up for his later series, PETER GUNN.

The d of p was noir great, George Diskant. His film work include, DESPERATE, RIFFRAFF, THEY LIVE BY NIGHT, PORT OF NEW YORK, BETWEEN MIDNIGHT AND DAWN, THE RACKET, BEWARE MY LOVELY, ON DANGEROUS GROUND, KANSAS CITY CONFIDENTIAL and THE NARROW MARGIN.

reply

You're watching all my favorites. I love Rogue Cop. By the mid-fifties Taylor had certainly shed his "powder puff" image completely and was all the better for it. He and Janet Leigh had great chemistry.

I don't know if it's out on DVD, this one should get a restoration.

Jessica Rabbit
"I'm not bad. I'm just drawn that way."

reply

If I had a choice of bent cops I actually prefer Edmund O'Brien in "Shield For Murder"

reply

Shield for Murder has been on my list a long time, but I have not been able to track it down. Guess I have to buy it.

Jessica Rabbit
"I'm not bad. I'm just drawn that way."

reply

Shield For Murder actually has a nice cameo by Carolyn Jones as a "B" Girl check this clip
here: https://www.youtube.com/watch?v=0O4ajt8eLcg ;-)

reply

As a blonde! Almost didn't recognize her.

I put it in the amazon basket.

Jessica Rabbit
"I'm not bad. I'm just drawn that way."

reply

Have been wanting to watch Rogue Cop for years and am unable to find it on dvd. Where did you watch it?

reply